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St. Vincent Teases Her Upcoming Album With A Video And A Phone Hotline

Annie Clark has been tight lipped about her upcoming St. Vincent album, which is believed to be titled Daddy’s Home, a title she has not officially confirmed yet. Today, though, she has shared a new teaser for the record via a minute-long video.

In the clip, Clark runs through an old decrepit building, picks up a ringing vintage-style phone, and is greeted by a voice that says, “Hello, Annie.” The words “Daddy’s Home” are then displayed on the screen, as well as a phone number, 1-833-77-DADDY. When calling the number, a recording plays, which says, “She’s back, in a new role like you’ve never seen here before. Featuring the new single, ‘Pay Your Way In Pain.’ Nobody expected it, nobody believed it and nobody could stop it. Daddy’s home.”

She recently spoke about the musical inspiration for the album, saying, “I would say it’s the sound of being down and out downtown in New York, 1973. Glamour that hasn’t slept for three days. […] I went back to these records that I probably listened to more in my life than at any other time. Music made in New York from 1971 to ’76, typically post-flower child, kick the hippie idealism out of it, America’s in a recession but pre-disco, the sort of gritty, raw, wiggly nihilistic part of that. It’s not a glamorous time, there’s a lot of dirt under the fingernails. It was really about feel and vibe but with song and stories.”

Watch the teaser above.

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A Sam Raimi Regular Has Seemingly Teased His Involvement In ‘Doctor Strange In The Multiverse Of Madness’

Nearly a year ago, Sam Raimi was confirmed to be helming Doctor Strange In The Multiverse Of Madness, which seemed like a natural fit because of his previous Marvel-involved directing (2002’s Spider-Man and two sequels). However, this also prompted some enthused speculation that Raimi’s Evil Dead pedigree would lead to some sort of “Groovy” cameo from Ash actor Bruce Campbell. This sounded at once implausible and not-so-farfetched at the time, but fast forward to a few days ago, and it appears as though Campbell’s suggesting his involvement.

“Boy, it was a blast, working in a certain city, with a certain director on a certain movie with a certain actor,” Groovy Bruce tweeted over the weekend. “it sure was!”

It sure looks like Campbell’s teasing at least a cameo in Doctor Strange 2. He could surely be trolling, but chainsaw-wielding jokes aside (and there are plenty in reply to that tweet), this sounds like a no-brainer, really. Raimi popped him into all three of his Spider-Man movies, and the two have also collaborated within Starz’s Ash vs. Evil Dead series, along with a few other assorted projects. This could definitely happen, or not! No matter what happens, brace yourselves for the “Bruce Campbell is Mephisto” theories because they’re already starting….

Doctor Strange in the Multiverse of Madness will arrive on March 25, 2022.

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DaniLeigh Defends Her Controversial ‘Yellow Bone’ Song By Saying She’s 39 Percent ‘West African’

DaniLeigh found herself in the middle of a some controversy after she previewed a short snippet of her unreleased track “Yellow Bone,” which she said was dedicated to all the “light skin baddies.” Fans slammed the song as colorist and pressed DaniLeigh to apologize, which only made things worse. Rather than giving the heartfelt apology her listeners wanted, DaniLeigh instead ranted about cancel culture while saying she’s sorry if she “offended” anyone.

Though the initial controversy was ignited several weeks ago, DaniLeigh is still not letting up on critics, which landed her in a Twitter feud with Atlanta rapper Akbar V. Akbar V slammed DaniLeigh as “racist” and the tiff ensued from there.

Akbar V then addressed DaniLeigh’s colorist controversy. “i want u to stop color shaming cause i really wasn’t being funny,” she wrote, continuing to say that Black women go through enough and don’t need someone saying colorist things in a nonchalant manner. DaniLeigh responded that she never “intended” to make fun of anyone: “I never intended to make fun of anyone… as artist people will take ur words and interpret them how they want .. I now know .. yellow bone is what he want .. wasn’t the right thing to say.. but I wasn’t saying it to shame someone .. especially they color..”

Akbar V continued to press DaniLeigh for an apology.

The argument eventually turned to a discussion of DaniLeigh’s race. “Well everyone is calling me a white girl and I ain’t no f*cking white girl … I’m Dominican… with a whole bunch of sh*t in me.”

Replying to another tweet, DaniLeigh defended herself by saying she’s 39 percent West African.

See DaniLeigh’s Twitter exchange with Akbar V above.

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Dejounte Murray Forced OT On A Crazy Shot After Kyrie Missed A Layup, But The Nets Prevailed

The Nets opened a brief two-game Texas road trip on Monday night in San Antonio, and with two minutes to play it looked like they would pull away for a comfortable victory behind another sensational performance from James Harden.

However, the Spurs went on a 10-0 run to close the game and force overtime, culminating in an absolutely wild final sequence. After getting an offensive rebound from a James Harden miss, the Nets had a sideout as the Spurs gave their foul to give with just under 16 seconds to play. Kyrie Irving took the ball and after being harassed by Dejounte Murray, drove into the lane and, thanks to a sweet Euro-step, had a wide open layup. Somehow it bounced out and, from there, chaos ensued.

Murray races downcourt and runs into James Harden, falling down and losing control of the ball while the clock steadily counts down, but somehow recovers it, gets to his feet, and hoists a game-tying 21-footer just before the buzzer. It was a sensational play by Murray to get the shot off and pushed the game to overtime, where the Nets once again ran out to a big lead early as the Spurs offense went cold. Kyrie Irving atoned for his missed game-winner in regulation with a big three to open the period and Brooklyn ran away for a 124-113 win that required some extra time than they were hoping for.

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Sarah Cooper Is Getting Her Own CBS Comedy (Where She Won’t Have To Lip Synch To Donald Trump)

Along with Tiger King, The Queen’s Gambit, and baking, Sarah Cooper has been one of the breakout stars of the pandemic. The comic rose to fame for her TikTok videos, in which she lip synched along to otherwise interminable Donald Trump speeches, finding both comedy and weird bits of sad humanity in someone who’s been largely absent from public life the last month-plus. Cooper wasn’t sad to see him go, and she was smart enough to show she has range. Now she even has her own show, which won’t — far as we know — involve impersonating a former world leader.

As per The Hollywood Reporter, CBS picked up an untitled comedy from Cooper, which is based on her book How to Be Successful Without Hurting Men’s Feelings. The show’s pilot was written by Cooper and Cindy Chupack (Modern Family, Divorce), who will also serve as showrunner. As per THR, the show “revolves around three women at different stages in their careers at a male-dominated company help each other navigate modern gender politics in their professional and personal lives.”

Cooper’s ascent has been meteoric, but she didn’t rest with the shtick that made her famous. She quickly nabbed a gig guest hosting Jimmy Kimmel Live! and she parlayed that into a Netflix special. Now this.

(Via THR)

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YouTube Suspended Rudy Giuliani For A Second Time Because He’s Still Spreading Lies About The 2020 Election

Over the weekend, former president Donald Trump busted out the Greatest Hits while delivering the keynote at CPAC, chief among them the biggest lie from his bundle (arguably): that the 2020 election was stolen from him. It’s the nonsense that helped get him permanently booted from much of social media, including his favorite, Twitter. And repeating the fib can still affect those closest to him, including Rudy Giuliani, who just got temporarily suspended from YouTube for a second time.

According to Bloomberg, the 45th president’s personal lawyer — and, lest you forget, the extremely former “America’s Mayor” — was again busted for spreading the kind of misinformation he’s been peddling since his client lost in early November of last year.

“We removed content from the Rudy W. Giuliani channel for violating our sale of regulated goods policy, which prohibits content facilitating the use of nicotine, and our presidential election integrity policy,” read a statement from a YouTube spokeswoman. “Additionally, in accordance with our long standing strikes system, we issued a strike against the Rudy W. Giuliani channel, which temporarily restricts uploading or live-streaming.”

What is YouTube’s strike system, pray tell? Bloomberg reports that the video sharing site “revokes a user’s uploading privileges for two weeks if they violate the company’s content policies for the second time within a 90-day period.” So if, after his return in a fortnight, Giuliani posts some more drivel that’s been laughed out of even courts lorded over by Trump appointees, it’s three strikes and he’s out. Luckily Rudy has a well-documented and greatly respected sense of self-control.

(Via Bloomberg)

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Joel Embiid On Myles Turner: ‘Respectfully, That’s A Matchup I’ve Dominated Since I Got To The League’

The Philadelphia 76ers entered Monday evening’s matchup against the Indiana Pacers with the best record in the Eastern Conference. Much of that dominance can be traced to the stellar play of Joel Embiid, with the All-NBA center mounting a serious charge in the NBA MVP race as the All-Star break nears. In this particular game, Embiid was matched up heavily against Myles Turner, who leads the NBA in blocked shots and is performing at a high level for the Pacers.

While Embiid and Turner didn’t square off for the entirety of the 27 minutes in which Embiid played, he was thoroughly dominant, scoring 24 points (on 10-of-17 shooting), pulling down 13 rebounds and dishing out five assists in what became a 130-114 victory.

That kind of effort wasn’t out of the ordinary for Embiid this season and, after the game, he provided a quote that made the rounds in a hurry. Embiid indicated his respect for Turner but, at the same time, made it clear that he has “dominated” that individual battle through the years. Respectfully, of course.

To be fair to Turner, few players have good numbers against Embiid, and he is a unique force in the modern NBA. However, Embiid entered the night averaging 28.4 points and 12.6 rebounds per game in 10 contests against Indiana in his career, and that speaks for itself. Ironically, Embiid’s scoring average against the Pacers will actually drop after this game, largely because the 76ers led comfortably and he was able to sit, but it is safe to say that Embiid left his mark on the floor and then again on the podium after the final buzzer.

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Disney’s CEO Implies Their Movies Will Soon Go Back To Theaters But There May No Longer Be Huge Gaps Before They Hit Streaming

Movie theaters have been mostly without new product for almost a year now, with the pandemic driving major studios to put most of their big released either on hold or dump them on their respective streamers. That may change soon. Vaccines are rolling out, slowly if not quite steadily. And theaters that had long been closed in New York City are reopening this weekend. From the sound of it, Disney is ready to return to normal — sort of, not entirely.

As per Deadline, Bob Chapek, the mega-corporation’s CEO, spoke about the company’s future during a virtual investment conference, in which he addressed how the pandemic has permanently altered how they’ll handle movie releases. Not that they’re planning on releasing everything on Disney+ (or, in the case of non-family friendly fare, other services), as they have the last year. But there will still be some changes.

“The consumer is probably more impatient than they’ve ever been before,” Chapek said, “particularly since now they’ve had the luxury of an entire year of getting titles at home pretty much when they want them. So, I’m not sure there’s going back. But we certainly don’t want to do anything like cut the legs off a theatrical exhibition run.”

That said, he thinks moviegoers won’t have much of a tolerance for a title, say, being out of theatrical for months” before being made available in homes, as has long been the custom.

That tradition, mind you, has been slowly dying anyway. In the early days of home video, one would have to wait a year, sometimes more, for movies to hit video rental stores. Then it shrunk to about six months. In the last handful of years, it’s gotten even shorter. It’s not clear how short a theatrical-to-streamer window Chapek is eyeing, or which films will hit theaters first. (Presumably their pricier “live-action remakes,” like last year’s Mulan, will look to make some movie theater scratch first before becoming part of a monthly subscription streamer.)

It’s also unclear when this would take effect, especially as the vaccine rollout is still in the relative early days. For now, though, it’s blockbusters will occupy a middle ground, getting “Premier access” in theaters and on Disney+. Indeed, their latest, the animated opus Raya and the Last Dragon, is about to become one of the first new movies released in New York City theaters in just shy of a year.

(Via Deadline)

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‘Game Of Thrones’ Actress Indira Varma Has Nabbed A Role On The Obi-Wan Kenobi Series Coming To Disney+

The Obi-Wan Kenobi show headed for Disney+ has been a long time in the offing — so long it’s been unclear if it would ever get off the ground. It lost original writer Hossein Amini (Drive) a while back, but one thing it’s retained is star Ewan McGregor, who’s stuck with it through thick and thin, ready to reprise a character he hasn’t played in over 15 years. It’s reportedly set to start shooting soon — reportedly in Boston, no less — but they’re still adding cast members. And the latest happens to be a Game of Thrones alum.

As per Variety, Indira Varma — best known as Ellaria Sand, paramour to Pedro Pascal’s Oberyn Martell from Season 4 on — will play an as-yet-identified role on the show, one of many Star Wars programs destined for the streamer. The series will reportedly take place 10 years after the events of Revenge of the Sith, which ended with our Jedi hero going Monty Python and the Holy Grail’s Black Knight on Hayden Christensen’s Annakin Skywalker. (Christensen, too, shall return, this time as Darth Vader.)

Varma made news about a year ago when she became one of the first celebrities to test positive for COVID-19. At the time the English actress was in rehearsals for a West End production of Anton Chekhov’s The Seagull. So it looks like she’s come a long way since last year.

(Via Variety)

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New technology shows what Frederick Douglass and Harriet Tubman looked like in motion

History books are filled with photos of people we know primarily from their life stories or own writings. To picture them in real life, we must rely on sparse or grainy black-and-white photos and our own imaginations.

Now, thanks to some tech geeks with a dream, we can get a bit closer to seeing what iconic historical figures looked like in real life.

Most of us know Frederick Douglass as the famous abolitionist—a formerly enslaved Black American who wrote extensively about his experiences—but we may not know that he was also the most photographed American in the 19th century. In fact, we have more portraits of Frederick Douglass than we do of Abraham Lincoln.

This plethora of photos was on purpose. Douglass felt that photographs—as opposed to caricatures that were so often drawn of Black people—captured “the essential humanity of its subjects” and might help change how white people saw Black people.

In other words, he used photos to humanize himself and other Black people in white people’s eyes.

Imagine what he’d think of the animating technology utilized on myheritage.com that allows us to see what he might have looked like in motion. La Marr Jurelle Bruce, a Black Studies professor at the University of Maryland, shared videos he created using photos of Douglass and the My Heritage Deep Nostalgia technology on Twitter.


The effect is simply stunning.

(It may be worth noting here that Douglass deliberately never smiled in photos, as he wanted to counter the common narrative and caricature of the “happy slave.”)

Another Twitter user created a colorized animation of Douglass, which adds an even more realistic dimension to the moving images. They also created one with Harriet Tubman’s photos.

Product designer Adeniyi Sonoiki also created a Harriet Tubman animation from sepia-toned photos. Amazing.

People have responded to the animations with surprising emotion. Some have found themselves deeply moved by them. Others find the technology impressive, but also a bit disconcerting, as humanity careens toward more and more believable deep fake video technology. For the purpose of bringing pre-film-era historical figures to life like this, it’s really cool. For nefarious purposes, it raises the questions we all have about what happens when people are able to create fake videos that are indistinguishable from real ones.

Some people also shared that the moving images helped “humanize” these historical figures for them. On the one hand, that’s exactly why Frederick Douglass wanted his photos taken, so mission accomplished. On the other hand, we really shouldn’t need to see these Black icons in moving pictures in order to see their full humanity. Frederick Douglass wrote about his own life in great detail, with real stories that would shake any reasonable person’s soul. But of course, you have to have read his words to know that.

Perhaps one thing these animations will do is inspire more Americans to seek out those stories and to learn more about these people who are such an integral part of the journey of our nation. This letter Frederick Douglass wrote to Harriet Tubman after she asked him to write a recommendation letter for her is a good place to start:

Rochester, August 29, 1868

Dear Harriet:

I am glad to know that the story of your eventful life has been written by a kind lady, and that the same is soon to be published. You ask for what you do not need when you call upon me for a word of commendation. I need such words from you far more than you can need them from me, especially where your superior labors and devotion to the cause of the lately enslaved of our land are known as I know them.

The difference between us is very marked. Most that I have done and suffered in the service of our cause has been in public, and I have received much encouragement at every step of the way. You, on the other hand, have labored in a private way. I have wrought in the day – you in the night. I have had the applause of the crowd and the satisfaction that comes of being approved by the multitude, while the most that you have done has been witnessed by a few trembling, scarred, and foot-sore bondmen and women, whom you have led out of the house of bondage, and whose heartfelt, “God bless you,” has been your only reward.

The midnight sky and the silent stars have been the witnesses of your devotion to freedom and of your heroism. Excepting John Brown – of sacred memory – I know of no one who has willingly encountered more perils and hardships to serve our enslaved people than you have. Much that you have done would seem improbable to those who do not know you as I know you. It is to me a great pleasure and a great privilege to bear testimony for your character and your works, and to say to those to whom you may come, that I regard you in every way truthful and trustworthy.

Your friend,
Frederick Douglass.