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The Pokémon franchise is commemorating its 25th anniversary this year; While Pokémon Red and Blue, the first games released in the US, came out stateside in 1998, the original Japanese games, Red and Green, were released in 1996. Anyway, part of the celebration has included collaborating with Post Malone on a couple things. Malone is performing a virtual concert for Pokémon Day this weekend, but ahead of that, he has released a new cover tied to the partnership: a rendition of the Hootie And The Blowfish classic “Only Wanna Be With You.”

Malone keeps the cover mostly stylistically faithful to the original version, and even though the song doesn’t have any clear preexisting connection to Pokémon, Malone has turned in a fun recording nonetheless. He slightly tweaked the lyrics, shifting the focus of one line from the Miami Dolphins to his favorite NFL team, the Dallas Cowboys, as he sings, “I’m such a baby ’cause the Cowboys make me cry.” Longtime Pokémon fans may have also noticed that the song has a sample from the second-generation Game Boy/Game Boy Color games Pokémon Gold, Silver, and Crystal, specifically the music that plays in Ecruteak City.

Darius Rucker, who of course sang and co-wrote the ’90s classic, is over the moon about Malone’s rendition, tweeting of it this morning, “The smile in my face will not leave for a long time. This is awesome. My bro @PostMalone bringing it. Hell yes man!!!!!!!!!”

Listen to Malone’s rendition of “Only Wanna Be With You” above.

There were 500 days in between seasons four and five of Better Call Saul, so fans of the series are used to waiting a while between seasons. That’s good because they will almost certainly have to wait even longer between the fifth and the final season.

The last episode aired in April 2020, and if AMC were to maintain the 500-day break, Saul would return on September 21st, 2021. That’s unlikely, although early 2022 is looking like a definite possibility. Production on the final season is set to begin in March, according to the Albuquerque Journal, while a local casting company is currently looking for background players, who will need to be available in the second week of March when filming begins.

One cast member has also tipped off that they’re heading to the set to begin production. Last week, Michael Mando — who plays Nacho — noted on Twitter that he was leaving Canada for New Mexico to resume production.

After quarantining for two weeks, Mando should be ready to go, which aligns with the March date that Bob Odenkirk recently suggested would signal the beginning of production.

There are 13 episodes, and it will reportedly take 8 months to film the final season, which production is likely to continue into November. By that point, everyone on set should be vaccinated. For those who are most worried about the actor in the highest risk category, 74-year-old Jonathan Banks, take comfort in the fact that 70 year olds have been eligible for vaccinations in every state. He has almost certainly been vaccinated by now, so he should be able to shoot the final season with much less concern.

We’ll bring more. updates on the final season, which Bob Odenkirk calls “supremely intense,” as we hear them, including whether Bryan Cranston or Aaron Paul will return to the franchise.

Brian Williams was in rare form on Wednesday night as The 11th Hour host dropped zinger after zinger on Wisconsin Senator Ron Johnson for his nonsensical attempt to blame “leftist provocateurs” posing as Trump supporters for the January 6 attack on the Capitol building. Williams even found time to dunk on Chuck Todd. While opening up a panel discussion by referring to the senator as “RonAnon Johnson,” Williams roasted his MSNBC colleague by noting that Johnson is “the rare conspiracy theorist who is a regular on Meet the Press.” And the hits just kept on coming.

After showing clips of Johnson using a blog post from The Federalist to accuse outside agitators/”fake Trump supporters” of wearing disguises to infiltrate Donald Trump’s “Stop the Steal” rally, Williams quipped, “We paid extra to have those translated from the original Russian.” The MSNBC host also dropped this scathing bon mot after discussing Johnson’s wild claims: “A number of Republicans, despite our electronic age, still prefer to work by gaslight.”

People enjoyed Williams’ brutal barrage of zingers that the veteran anchor was still trending on social media going into Thursday morning. You can see some of the reactions below:

As for Johnson, the Wisconsin senator has been experiencing intense backlash for peddling bonkers conspiracy theories during the Capitol hearing. Along with Senators Ted Cruz and Josh Hawley, Johnson being allowed time for questioning has been roundly criticized as people note that he was one of the vocal supporters of the insurrectionist rally and the “Big Lie” that the 2020 election was stolen for Trump. In a nutshell, it doesn’t look good that active participants in the violent Trump rally are now part of that rally’s investigation.

(Via Mediaite)

Jewell Loyd is one of a handful of athletes carrying on the legacy Kobe Bryant left of connecting with the next generation of hoops lovers and players. But few know that legacy as intimately as Loyd. Over the past several years, Loyd has worked with NBA assistant Phil Handy, who was a close confidante and trainer for Bryant and now serves on the Lakers coaching staff.

Now, Loyd is partnering with Handy and the app he developed through his training business, 94FEETOFGAME, to develop workouts for young women learning basketball. Loyd’s contribution is called the Gold Mamba Workout, in which she takes viewers through simulated game routines that they may see on the court. She is also giving away 24 items from her Gold Mamba apparel company to app users in a tribute to Bryant.

It’s just one way Loyd hopes to develop the pipeline of young female basketball players and give them tools she didn’t have growing up.

“We know that in high school and even younger girls drop out of sports, so trying to (help that age group) is super important to me,” Loyd told Dime this week. “And I do a lot of giving back, so (Phil) was like, why don’t you focus on the women’s side and present workouts and ideas, concepts that I use on my daily training, to give back. That’s kind of how it started, just an idea, something we’re both passionate about.”

When Bryant was still alive, he frequently made visits to WNBA team facilities, league events, and often spoke with the UConn women’s basketball team, where his late daughter Gianna hoped to play. That’s the elite of the elite, where Bryant could make the biggest impact, but through projects like the app and Loyd’s workout, the impact is at the grassroots level and can reach more people.

“Growing up, I didn’t really train,” Loyd explained. “I just always played outside. I was always at the park. But for basketball, there were no apps, there was no platform where I can interact with superstars and help me refine my game, because that wasn’t a thing. We just went out there and played our game.”

Technology has made it much easier to access information and connect with people, and the reach of Handy’s company made it a no-brainer. Growing the game wasn’t Bryant’s only goal, either; he was constantly trying to develop the more technical aspects of players’ games and build out a nice for fans to connect more with the wonky parts of the game.

That’s what Handy continues to do today, and it’s a vacuum Loyd has observed in how basketball is taught and digested as well. Inexperienced players can freeze up either because of too much or too little information, because their coaches and trainers didn’t personalize the learning touch.

“Sometimes they just want to throw things at you and (act like) everyone goes through the same exact workout and that’s just not true,” Loyd said. “With Phil and our workouts, it eliminates that because you’re training your instincts, which I think is a big part of sports, but also knowing how and when to use your moves.”

After Bryant passed away last January, many in NBA media explained how Bryant would meet with them privately to preach the importance of covering the game through all its intricacies. Through his ESPN+ show Detail, Bryant led by example, deconstructing the game to its most basic components in an understandable way. A key part of that entire effort, though, is teaching young players how to develop the small pieces of their game and the work ethic to bring it out of themselves.

As for Loyd, a more refined approach helped her have the most efficient season of her career in the “Wubble” in 2021 and help the Seattle Storm to their second championship in three seasons. Cap constraints led the Storm to trade two key pieces over the offseason, however, leading to uncertainty over how the team might defend its title.

Loyd isn’t worried. While starting forward Natasha Howard may be gone along with sharpshooter Sami Whitcomb, the Storm still kept their Big Three of Loyd, Breanna Stewart and Sue Bird intact. With that core, Loyd believes they can beat anybody.

“We’ll get to camp and we’ll figure out pieces, but you know it’s also a business, and you understand that,” Loyd said. “I think for us it’s very rare to have a team that stays together for six and seven years, and a lot of us were together for a long time.”

When shelter-in-place orders were first put into effect in the US at the start of the pandemic in March 2020, Lady Gaga declared that she was avoiding large groups and people older than 65 years old, instead opting to stay at home with her three French bulldogs. Tragically, it appears that isn’t possible for Gaga right now: TMZ reports that last night, thieves shot Gaga’s dog walker and managed to steal two of the dogs, named Koji and Gustav.

Gaga’s dog walker was reportedly out with the dogs just before 10 p.m. in Los Angeles yesterday when at least one gunman shot him and made off with two of the three dogs that were being walked together. The dog walker was taken to the hospital and is expected to fully recover. Law enforcement sources indicated that since French bulldogs are an expensive and in-demand breed, it’s possible that the thieves were not specifically targeting the dogs because they belonged to Gaga.

Whatever the case may be, Gaga, who has been working on a movie in Rome, is reportedly “extremely upset” and is offering a $500,000 reward for the return of her pets, “no questions asked.” An email address, [email protected], has apparently been set up for this purpose. Gaga has yet to publicly address the situation.

Former Trump immigration architect Stephen Miller’s strong ties to Nazis and white supremacists did not surprise when people saw how quickly he moved to push a Muslim ban back in 2017. Not long after, his anti-Mexican policies were praised by xenophobes, given that Miller called for separating children from parents while arguing that failure to adhere to a “zero tolerance” policy at the border would be a display of anti-patriotism. His hard-line policies were not subtle by any stretch, so it’s really something when Miller guested with Fox News’ Laura Ingraham, where he railed against Joe Biden for rolling back a Trump immigration ban.

Miller argued that Biden’s policy would encourage unaccompanied minors to flood into the U.S., and he believes that allowing them to enter is the cruelest move of all, which is rich, coming from a former Trump advisor who was accused of crimes against humanity by critics and the public at large. Here’s what the man who lost a high-school election to the Cobrasnake offered:

“What we are seeing here is the cruelty and inhumanity of Joe Biden’s immigration policies. He came into office and announced that there’s an open door, and that young people who come into this country illegally are going to be resettled instead of returned. He is forcing thousands of young children into the arms of smugglers, into the arms of traffickers, into the arms of coyotes… That is cruel. That is inhumane.”

Such baseless accusations have also recently been the talk of the town for wild-eyed Don Jr. and Ted Cruz, who retweeted a Babylon Bee (parody) article on the subject. The conspiracy-theory crowd’s embrace of a certain lie (that Biden will put “kids in cages”) prompted Washington Post to debunk the rumors in an effort to halt the lies, but that hasn’t stopped Miller from spreading the venom to the Fox News audience. And people are beside themselves with both laughter and rage.

That Miller “should be on trial at The Hague” is all over the story, along with musings about whether he sleeps “upside down” at night.

After going sequel crazy in the late 2010s (that’s not necessarily a complaint: Incredibles 2 and Toy Story 4 are great; Cars 3 is… not), Pixar is back to making original films. Either Onward or Soul is likely to be nominated for Best Animated Feature at the Oscars, if not both, while Luca looks like the next sunny success for the animation studio.

Directed by Enrico Casarosa, Luca is a coming-of-age story set in a seaside town in Italy, where one young boy [experiences] an unforgettable summer filled with gelato, pasta, and endless scooter rides,” according to the official plot description. So, it’s Pixar’s Call Me By Your Name? Not quite: “Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.” Jacob Tremblay voices Luca, while We Are Who We Are star Jack Dylan Grazer is his best friend, Alberto.

“At the heart of it, it’s a story about friendship,” Casarosa told Entertainment Weekly about Luca. “So, I really was inspired thinking back about my best friend. I met him when I was 11. I was very shy and timid. My family sheltered me. I met this kid, who was very free. His family situation was a little bit messy, and he could do whatever he wanted. He was a bit of a troublemaker. So, he opened up my world, got me to get out of my comfort zone. I thought many people have friends like that [who] challenge you and make you find yourself. I thought there’s something so wonderful about how much they become architects of ourselves, how we find our identity.” Also, sea monsters. Don’t forget the sea monsters.

Luca comes out on June 18.

Way back in 2018, it was revealed that Dave Grohl and his mother Virginia Hanlon Grohl were working on a TV show called From Cradle To Stage. The program is based on Virginia Grohl’s book of the same name, with she wrote about the experiences she and other mothers of famous rock stars had raising them. When the show was revealed, it wasn’t attached to a network, but now it has been revealed that the show will debut on the Paramount+ streaming service. The service is set to launch on March 4, which is presumably when the show will premiere.

Back when the project was initially announced, Dave Grohl said of it, “I’m beyond excited to join in on the next step of my mother’s project to explore the stories of other musicians who were as fortunate as me, having been raised by such amazing women. Plus… I owe her one.” Virginia Grohl added that the show will feature “all the mothers around a table when they meet for the first time at a celebratory dinner where secrets and stories will be shared and compared” and said:

“I’m excited to introduce the viewing public to the strong, loving women who have supported the insistent dreams of their musical sons and daughters. To Sandi Clark, who learned the music business from a book and launched her son’s career – and Mary Weinrib, who had to cancel her own dreams of an education to allow her son to thrive with Rush. To Janis Winehouse, who recognized her daughter’s extreme talent, but was helpless to control the demons that brought that brilliant career to a tragic end. Their backgrounds vary greatly, but they have so much in common. Viewers will join all the mothers around a table when they meet for the first time at a celebratory dinner where secrets and stories will be shared and compared. It’s possible that a toast will involve a wine from the Lambert family winery — and a glass of milk for Mary Morello!”

To get a taste of the show, or at least of the Grohls, revisit Dave and Virginia Grohl’s 2017 The Late Show interview below.

It feels wrong to describe Cloud Nothings as a “veteran” indie band. After all, the group’s founder, Dylan Baldi, is still only 29. But his band has been around for more than a decade now, and along the way amassed one of the era’s most consistently strong catalogues for a loud, punk-leaning act. If this corner of the indie world has a standard bearer, it has to be Cloud Nothings.

“I mean, we’re kind of enduring by necessity, because none of us are particularly qualified to do much else,” Baldi told me recently. “But even when we started, I don’t know that the trend was nerdy rock bands from Ohio. I think people lumped us in with Japandroids that year, when the band became more popular than we had been. And then I think we got lumped in with an emo thing that was happening, which is its own world and scene that is flourishing perfectly well and always has been without us. We’re really not part of that. And we dipped in here and there, we’ve toured with The Hotelier, but that in no way makes us a functioning member of that scene. I would feel disingenuous to claim that.”

If Cloud Nothings have never really fit in anywhere since their breakthrough with 2012’s Attack On Memory, they’ve still been able to maintain a niche in a scene that continues to move farther away from what used to be the bedrock sound of indie music — heavy riffing but essentially melodic rock songs. And Baldi remains devoted to refining his craft. During the pandemic, he’s recommitted himself to songwriting, turning out songs nearly every day, and in the process produced 2020’s winning The Black Hole Understands, a throwback to the fizzier bedroom pop style of Cloud Nothings’ pre-Attack On Memory era.

The band’s latest due out Friday, The Shadow I Remember, is a return to their more aggressive style, though it was actually recorded before The Black Hole Understands. Cloud Nothings reconvened with Attack On Memory producer Steve Albini about a month before quarantine in early 2020 and quickly bashed out the energetic and feisty set, mixing pummeling rockers like “Only Light” with infectious pop tunes like “Sound Of Alarm.”

Baldi talked about the album’s creation and reflected on his band’s legacy as they enter their second decade.

What was interesting to me about The Black Hole Understands is how it reminded me of the early, pre-Attack On Memory Cloud Nothings material. Why do you think that is?

My immediate circumstances were relatively similar, which is being inside and having nothing to do, essentially. When I’m just on my own and in my head, I do end up making these sort of airier, lighter, poppier kind of things. And when I’m separated from the band, it doesn’t tend to get the aggression necessarily that comes with playing live with everybody. So, yeah, when I’m on my own, things take a little more of a Slumberland-kind of route.

Are you still writing a lot?

I was trying to do a song a day for a long time, and I’ve had to slow down because I had to start doing this job. We still put out an EP every month, actually, on Bandcamp. So, I have to at least make those four songs every month, if not more.

Were you this prolific before the pandemic?

It is a lot for me. And I really like it, actually, because it keeps the songwriting muscle in shape. Sometimes, honestly, there’s probably been a year that’s gone by with me maybe not ever sitting down and really finishing a song, because I haven’t had time. And I don’t like that. The thing I like about music is making and recording a song. That’s the most fun part to me. So, it’s been nice to have the opportunity to work so much.

I ask all musicians that I interview lately the same question: How do you feel not being on the road? I imagine this is the longest you’ve been home in a decade.

It’s just disappointing. It’s funny to be putting out so much music, and all you can really do is talk over Zoom. I can’t talk to you in real life or you can’t come see a show. That whole aspect of it is really important to me, the community that builds around music or around a band, or any kind of art that is public. And missing that feels like missing a huge part of what makes music special to me, to be corny about it.

Also, I did start the band because I wanted to leave home. That was part of the impetus behind it — “I guess we’ll start a band so I can tour and see something that isn’t Cleveland.” Because that’s essentially all I’d seen my whole life. And we kept going to farther and farther out places, and that being gone is just a little sad. But it’ll come back.

It’s interesting that you have all this music that you can’t tour behind. I imagine that by the time you can tour, you might have another new album. It’s almost like this music is destined to be orphaned.

I’ve wondered about that, about every record released in the last year. Are they just gone? You put something out and maybe it gets a review, maybe people tweet about it for a day, and then it’s gone. Your record is gone. I’m not going to record stores. I know some people are, but that’s where I would go and see a physical record and that reminds you it exists, but I haven’t done that in a year. It’s just bizarre to be creating these things that have no physical attachment to them, in my mind at least, or you can’t see the people buying it. You can’t see the people coming to shows, whether they exist or not. It’s just weird to only have the internet as a gauge for reality.

Why did you want to work with Steve Albini again?

We had to find someone pretty quickly, basically, because we wanted to get this record out originally last fall. That was my original hope, and it was already January when I wanted to book these dates. So, we had to get it together real fast. And there’s not too many people who are available that quickly, who I think would do a good enough job. But luckily, Steve Albini was around. And I think he is honestly the best for the band in a lot of ways, just because his personality just kind of vibes with ours very well. We all just want to get the thing done. We’ll be able to hang out and goof around, but we’re there to make the record. And we don’t want a specific someone leading the session or telling us, “Do things this way.” We just want to do it our own way and get it done, have a good time hanging out, and then that’s that.

I interviewed you last nine years ago, when Attack On Memory came out. And I remember there was this story that you didn’t get along with Albini, because you said in an interview that Albini played Scrabble when you were in the studio.

Yeah, the whole Scrabble thing. I don’t know what that was. Any time anyone asks me about Steve Albini, which is often, it’s always, “Oh, did he play Scrabble the whole time?” And I have to be like, “No, that’s not what he did.” There is downtime when you’re doing something like that. I’ll look at my phone, and Steve Albini will play Scrabble. It wasn’t some cruel remark where I was trying to tear him down. I was just like, “Hey, he likes Scrabble.” I think people thought that meant he was lazy, which is insane, because he’s the opposite of that.

This time, there was honestly less downtime. We were just cruising through it, because we only had six days. We kept him there pretty late on the last day. And I do still feel bad about that, because I think he really wanted to go.

You’ve been making records for more than decade, and you’re still only 29. You’re obviously still pretty young, but Cloud Nothings by now has a real body of work. For instance, you recently put out a 10th-anniversary edition of your first record, Turning On. Do you ever reflect on the band’s arc so far?

Honestly, not so much, until this last year, where I didn’t really have much else to do. And so I did spend a lot of time thinking about the past and looking at old photos and all kinds of ephemera from the last 10, 11 years.

How do you feel about how the band’s progressed in that time?

The main thing is that I feel like just as a band, we just got the hang of it. In a way, not knowing 100 percent of what we were doing on some of the older records might have fueled certain choices that people actually really liked. But as a songwriter and person today, there’s probably stuff I would not do, for better or for worse. I feel like I’ve gotten more into the idea of just having to work at it all the time, and having to constantly be writing. Because there was a point where I felt like I didn’t necessarily have to do that. I thought I had cracked the code, like “I know how to write a song.” But there’s no code where you go and put in things exactly some way and that’s your song and it’s good. That’s a recipe for making something bad, it turns out. Now, I’ve fallen into a rhythm of constantly doing things. And that to me feels like a better pattern.

What about indie rock in general? The difference between now and when you put out Attack On Memory is pretty incredible.

The things we got lumped in with then were just sort of other things that maybe weren’t even really truly big trends. The big thing from 2012 was Grimes, and that obviously got really big. It’s funny to not be trendy when you get popular and continue to not be trendy as the years go by, and you see audiences change and the size of rooms and audiences. It gets bigger and smaller depending on what year or what record we put out. But I can’t pretend to know what people are thinking. I know what I like, and I feel like as long as we keep making music that I think is okay, there will be some audience there for that.

The Shadow I Remember is out Friday on Carpark. Get it here.

Netflix knew that we’d need plenty of bingewatching material to get us through the final stretches of the pandemic, and yes, the streaming service is determined not to disappoint. Where would we be without all of this streaming goodness? I don’t want to know, but March is bringing us far too much streaming content, or at least, more content than anyone could possibly finish (to completion) in March. There’s no telling exactly how Netflix has been pulling off all of these fresh offerings without the coffers running dry, but we’re definitely not complaining.

Tons of original offerings are on the way, including a series that’s tangential to Sherlock Holmes. Speaking of investigations, there’s a true crime series that’s nothing like any true crime series that you’ve seen before. Elsewhere, Michelle Obama stars in a series with some lovable co-stars who threaten to steal the show, and a Hip-Hop legend gets a much overdue documentary treatment. These offerings look too good to be believed.

Here’s everything coming to (and leaving) Netflix in March.

The Irregulars: (Netflix series streaming 3/26)

This series is set in 19th century London, where Dr. Watson and the elusive Sherlock Holmes enlist a group of misfits to solve supernatural crimes. Watson is said to be sinister in this series, and Holmes is simply mysterious, so this group is probably on their own to fight a dark power to save humanity, both in London and around the globe.

Biggie: I Got A Story To Tell: (Netflix documentary film streaming 3/1)

The Notorious B.I.G. gets the celebratory spotlight in this documentary that charts his journey from hustler to rap king. It’s an origin story fit for a legend, and although his lyrics were frequently autobiographical, rare footage, testimonies, and in-depth interviews will teach you plenty that you didn’t know about the Hip-Hop icon before hitting play.

Murder Among the Mormons: (Netflix documentary series streaming 3/3)

Salt Lake City is struck by a series of fatal pipe bombs in 1985, and it’s easily one of the most shocking crimes in the history of the Mormon community. A criminal mastermind is to blame, and clues spring from early Mormon documents and diaries found scattered amid a rare document collection that’s in possession of one of the victims.

Waffles + Mochi: (Netflix series streaming 3/16)

Michelle Freaking Obama stars in this show about two curious puppets, (obviously) Waffles and Mochi, who explore the world through food and culture. This also doubles as an educational series about fresh-ingredient cooking, so learn how to become a chef, along with the puppets and a former first lady. Don’t resist this one!

Here’s the full list of titles coming to Netflix in March:

Avail. 3/1
Biggie: I Got a Story to Tell
Batman Begins
Blanche Gardin: Bonne Nuit Blanche
Crazy, Stupid, Love
Dances with Wolves
DC Super Hero Girls: Season 1
I Am Legend
Invictus
Jason X
Killing Gunther
LEGO Marvel Spider-Man: Vexed by Venom
Nights in Rodanthe
Power Rangers Beast Morphers: S2
Rain Man
Step Up: Revolution
Tenacious D in The Pick of Destiny
The Dark Knight
The Pursuit of Happyness
Training Day
Two Weeks Notice
Year One

Avail. 3/2
Black or White
Word Party: Season 5

Avail. 3/3
Moxie
Murder Among the Mormons
Parker
Safe Haven

Avail. 3/4
Pacific Rim: The Black

Avail. 3/5
Dogwashers
Nevenka: Breaking the Silence
Pokémon Journeys: The Series: Part 4
Sentinelle

Avail. 3/8
Bombay Begums
Bombay Rose

Avail. 3/9
The Houseboat
StarBeam: Season 3

Avail. 3/10
Dealer
Last Chance U: Basketball
Marriage or Mortgage

Avail. 3/11
The Block Island Sound
Coven of Sisters

Avail. 3/12
Love Alarm: Season 2
The One
Paper Lives
Paradise PD: Part 3
YES DAY

Avail. 3/14
Audrey

Avail. 3/15
Bakugan: Armored Alliance
The BFG
The Last Blockbuster
The Lost Pirate Kingdom
Zero Chill

Avail. 3/16
RebellComedy: Straight Outta the Zoo
Savages
Waffles + Mochi

Avail. 3/17
Operation Varsity Blues: The College Admissions Scandal
Under Suspicion: Uncovering the Wesphael Case

Avail. 3/18
B: The Beginning Succession
Cabras da Peste
Deadly Illusions
The Fluffy Movie
Nate Bargatze: The Greatest Average American
Skylines

Avail. 3/19
Alien TV: Season 2
Country Comfort
Formula 1: Drive to Survive: Season 3
Sky Rojo

Avail. 3/20
Jiu Jitsu

Avail. 3/22
Navillera
Philomena

Avail. 3/23
Loyiso Gola: Unlearning

Avail. 3/24
Seaspiracy
Who Killed Sara?

Avail. 3/25
DOTA: Dragon’s Blood
Secret Magic Control Agency

Avail. 3/26
A Week Away
Bad Trip
Big Time Rush: Seasons 1-4
Croupier
The Irregulars
Magic for Humans by Mago Pop
Nailed It!: Double Trouble

Avail. 3/29
Mandela: Long Walk to Freedom
Rainbow High: Season 1

Avail. 3/30
7 Yards: The Chris Norton Story
Octonauts & the Ring of Fire

Avail. 3/31
At Eternity’s Gate
Haunted: Latin America

Here’s the full list of titles leaving Netflix in March:

Leaving 3/3
Rectify: Seasons 1-4

Leaving 3/7
Hunter X Hunter: Seasons 1-3

Leaving 3/8
Apollo 18
The Young Offenders

Leaving 3/9
November Criminals
The Boss’s Daughter

Leaving 3/10
Last Ferry
Summer Night

Leaving 3/13
Spring Breakers
The Outsider

Leaving 3/14
Aftermath
Marvel & ESPN Films Present: 1 of 1: Genesis
The Assignment
The Student

Leaving 3/16
Chicken Little
Deep Undercover: Collections 1-3
Love Dot Com: The Social Experiment
Silver Linings Playbook

Leaving 3/17
All About Nina
Come and Find Me

Leaving 3/20
Conor McGregor: Notorious

Leaving 3/22
Agatha and the Truth of Murder
I Don’t Know How She Does It

Leaving 3/24
USS Indianapolis: Men of Courage

Leaving 3/25
Blood Father
The Hurricane Heist

Leaving 3/26
Ghost Rider

Leaving 3/27
Domino

Leaving 3/30
Extras: Seasons 1-2
Killing Them Softly
London Spy: Season 1
The House That Made Me: Seasons 1-3

Leaving 3/31
Arthur
Chappaquiddick
Enter the Dragon
God’s Not Dead
Hedgehogs
Inception
Killer Klowns from Outer Space
Kung Fu Hustle
Molly’s Game
Money Talks
School Daze
Secret in Their Eyes
Sex and the City: The Movie
Sex and the City 2
Sinister Circle
Skin Wars: Seasons 1-3
Taxi Driver
The Bye Bye Man
The Perks of Being a Wallflower
The Prince & Me
Weeds: Seasons 1-7