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How The WNBA And The Atlanta Dream Gave Sports A Blueprint For Meaningful Activism

In September of 2016, San Francisco 49ers quarterback Colin Kaepernick sat down — and, after receiving advice from former Green Beret Nate Boyer, took a knee — during the national anthem in protest of police shootings which cost Black men their lives that happened earlier that summer.

He was vilified for it, celebrated for it, cast out of the NFL, and catapulted to a different kind of fame, one built on the sacrifice of the sport he loved and his dogged commitment to the activism he knew would make a difference. It’s a moment that’s been etched into the tomes of sports’ rich, complicated history, one credited for sparking a movement, one that enjoyed all the benefits and challenges of its unforgiving spotlight.

But when Georgia made its own kind of history earlier this week, electing Reverend Raphael Warnock to the U.S. Senate, it wasn’t Kaepernick I was thinking of. It was Seimone Augustus … well, Augustus and the legions of players in the WNBA who, in many ways, have paved a path towards meaningful protest and change for the greater world of sports.

You see, in July of 2016, Augustus. along with fellow Minnesota Lynx team captains Rebekkah Brunson, Maya Moore, and Lindsay Whalen, got together to game plan how they wanted to address the shootings of Philando Castile and Alton Sterling. They decided to wear t-shirts, ones that read “Change Starts With Us” on the front and “Black Lives Matter” along with Castile and Sterling’s names on the back. Teams like the New York Liberty, Phoenix Mercury, and Indiana Fever followed suit, even as police officers in charge of security for the upcoming Lynx home game walked off the job and the league issued fines for the players which were later rescinded. The protest didn’t capture the national spotlight like Kaepernick’s did, or like fellow basketball star LeBron James would.

What it did do, however, was lay the framework for what happened in Georgia’s tightly-contested run-off this week, a race that would prove to be the lynchpin for systemic change, a battle that would make all of us rethink the relationship between sports and politics.

And hopefully, give the women of the WNBA, particularly the Black women, their rightful due.

Late last summer, Warnock was comfortably trailing in the state’s “jungle primary” to challenge Republican incumbent Kelly Loeffler — who had been appointed to the post by Georgia governor Brian Kemp — for her seat in the Senate. He was up against more well-known candidates, like Matt Lieberman, the son of the former vice-presidential candidate Joe Lieberman, but he had the backing of key party veterans and a strong platform to run on, along with the pedigree of being the minister of the church once helmed by Martin Luther King, Jr. Still, he was trying to become not only the first Black senator to arise from the Deep South state, but the first Democratic senator to serve the red-leaning constituents of Georgia in 20 years.

Around that same time, the women of the WNBA were at a crossroads. League MVP Moore took a sabbatical from the sport to pursue justice reform — she’d later help secure the release of a wrongfully convicted Black man named Jonathan Irons. Others were worried about plans to play in the league’s bubble down in Florida. Female basketball players make a staggeringly low amount of money for the hard work they put out on the court, and during a year that saw a pandemic plague the country, protests against police brutality erupt in major cities, more needless killings, and questions of safety protocols for professional leagues trying to get back to playing their respective games, choosing whether or not to continue playing the sport they loved took on new weight.

For the athletes that did return, the question became, “How do we honor this league’s history of thoughtful activism?”

The league, as a whole, decided to forego playing games after Jacob Blake was shot seven times in the back by police. They also dedicated their season to Breanna Taylor, an innocent Black woman gunned down in her bed by Louisville police in March, sporting BLM shirts, warm-up gear that read “Say Her Name,” and jerseys with Taylor’s name stitched on the back.

Loeffler, a co-owner of the Atlanta Dream, wrote a letter to commissioner Cathy Engelbert complaining about the league’s decision to support the Black Lives Matter movement and asking that Taylor’s name be removed from the jerseys. Instead, the Dream, along with help from Seattle Storm legend and player’s union vice president Sue Bird, decided to be one of several teams to protest Loeffler’s objection by wearing new shirts, ones that campaigned for her opponent: “Vote Warnock.”

This wasn’t the work of just one or two high-profile players. It certainly wasn’t a spur-of-the-moment decision, an excuse to express their outrage and frustration through fashion. Instead, this was a carefully constructed silent attack, one that built on the hard work the league had been putting in for years.

Women in sports have always had an uphill battle, but the rocky road of the WNBA feels, in many ways, set apart from that. Not only is the league sponsored by the NBA — which means at least some of its autonomy must play by the rules that govern male athletes — it also receives paltry funding, practically non-existent air-time, and draws smaller crowds because of it. Without wading too far into the larger issue of sexism when it comes to female athletes, the WNBA just hasn’t been able to market itself to the right demo, or, perhaps more accurately, it hasn’t had the resources to do it right.

And so, while players like those on the Dream, or Augustus, or even Bird, arguably the biggest name in the sport right now, don’t lose million-dollar sponsorships and sneaker deals with Nike because of their social justice activism, they’re threatened with losing arguably more: their livelihood. Teams are few, money is tight, some don’t make enough to make playing even worth it — a stark contrast to the men’s side — so to jeopardize that, no matter how morally righteous the cause, is a tough decision to make.

Yet these women have been making it for a long time — before kneeling during anthems became a kind of symbolic wokeness, before BLM became a widely-used rallying cry. They were Black, Brown, and Queer in a sport that didn’t seem to value any of those things for a long time. That grit and drive and fearlessness in the face of prejudice and adversity shouldn’t come as a surprise.

Nor should their impact in this latest political face-off.

Warnock was polling low numbers, as low as nine percent, before the Dream decided to promote his campaign. In a meeting facilitated by voting rights activist Stacey Abrams and Bird, the team sat down with Warnock to discuss his values, his political motivations, and his stance on the issues that mattered to them. They didn’t throw their weight behind him because of his skin color, religious upbringing, or gender. They took the time, did the work, and decided to voice their constitutional freedom of speech by sporting their candidate on their pre-game tees.

And they weren’t alone.

Other teams — Chicago, Seattle, Phoenix, and more — backed the Dream. Those players didn’t have a stake in the Dream’s specific fight. They didn’t live in Georgia, their responsibilities and roots are in other communities. The politics there might not have affected them in any significant way, but they showed solidarity when it mattered, a solidarity that propelled the team’s message to new heights. Not only did Warnock gain significant numbers in the polls and a bigger following on social media, the Dream’s endorsement meant he enjoyed more funding, a crucial element in his underdog campaign.

This isn’t the first time female athletes, particularly Black women, have been the catalyst for change — not just in sports, but in our democracy as a whole — and while leaders like Abrams deserve effusive praise for their efforts to encourage higher voter turnout, it’s crucial we also remember women like the players of the WNBA. Athletes who risked their job security, their reputations, and more to openly defy the person who owns one of the league’s teams because they found it exponentially more important to stay true to their moral compass. They didn’t do it for clout or recognition, to prove a point or to satisfy their ego. They did it simply because they knew they must. They knew that having a platform, regardless of its size, means you have a responsibility to speak up and show up for the things that matter.

So when we celebrate Warnock’s victory, when we marvel at the history made in Georgia, when we bow down at the feet of Abrams and other political galvanizers, when we hype up players like James and the better-paid athletes who can comfortably stand to lose for their social justice values, let’s also remember the women of the WNBA who got us here and taught us the power of the collective when it comes to sports and activism. At the very least, we’ll have a constant reminder that the cause these women got behind was fruitful in United States Senator Rev. Raphael Warnock.

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Tyla Yaweh, Gunna, And Wiz Khalifa Want ‘All the Smoke’ In Their Rubber-Burning New Video

Tyla Yaweh’s “All The Smoke” video featuring Gunna and Wiz Khalifa is a wild, Fast-And-Furious-inspired ride that finds the three rappers trading bars at a test course and counting up their score after a well-executed heist. The clip opens with the masked rappers fleeing a bank vault in an 18-wheeler before switching scenes to the driving course, where finely-tuned racing machines burn rubber and run rings around the rappers while they perform their verses.

Yaweh, who’s in the process of rolling out his upcoming album, Rager Boy, previously worked with Wiz Khalifa in 2020 on the “High Right Now” remix from his debut mixtape Heart Full Of Rage. He kicked off the rollout for Rager Boy late last year with “Tommy Lee” featuring his mentor Post Malone, with whom he also performed at the 2020 Billboard Music Awards. Having Malone as his benefactor has helped him to increase his profile, leading to collaborations with DaBaby and Dame D.O.L.L.A. on his single “Stuntin’ On You” and its remix, respectively.

Meanwhile, Gunna and Wiz Khalifa enjoyed successful 2020s as well, with Gunna featuring on the breakout Internet Money single “Lemonade” after releasing his Wunna album and Wiz starting up a delivery-only restaurant and maintaining a steady stream of mixtapes throughout the year, including the Big Pimpin tape released on his birthday.

Watch the “All The Smoke” video above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Julien Baker Delivers A Powerhouse Performance Of ‘Faith Healer’ On ‘The Late Show’

Julien Baker is working her way towards dropping a new album. In October, she announced that Little Oblivions will be released in February. She shared “Faith Healer” when she made that announcement, and last night, she brought the track to The Late Show With Stephen Colbert.

Baker and her band took to the Nashville venue Exit/In for the performance, which was a gradually swelling affair until it reached its climactic end. Baker is one of the most powerful vocalists in all of music when she really belts it, and she got to show some of that off to a national TV audience last night.

Baker previously said of the song:

“Put most simply, I think that ‘Faith Healer’ is a song about vices, both the obvious and the more insidious ways that they show up in the human experience. I started writing this song 2 years ago and it began as a very literal examination of addiction. For awhile, I only had the first verse, which is just a really candid confrontation of the cognitive dissonance a person who struggles with substance abuse can feel — the overwhelming evidence that this substance is harming you, and the counterintuitive but very real craving for the relief it provides. When I revisited the song I started thinking about the parallels between the escapism of substance abuse and the other various means of escapism that had occupied a similar, if less easily identifiable, space in my psyche.

There are so many channels and behaviors that we use to placate discomfort unhealthily which exist outside the formal definition of addiction. I (and so many other people) are willing to believe whomever — a political pundit, a preacher, a drug dealer, an energy healer — when they promise healing, and how that willingness, however genuine, might actually impede healing.”

Watch Baker perform “Faith Healer” on Colbert above.

Little Oblivions is out 2/26 via Matador Records. Pre-order it here.

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Melli And 6lack Watch An Ex Regret Their Mistakes In Their Confident ‘You Ain’t Worth It’ Video

History has proven the saying “you don’t know what you have until it’s gone” to be true more times than not. However, just in case you need an additional piece of evidence, Melii and 6lack have provided just that for you through their new video for “You Ain’t Worth It.”

The track itself finds both artists dismissing their old flames and the visual falls right in line with the song’s theme. It begins with Melii locked into an argument with what becomes her ex all to pick up her things to join her new lover who seems to treat her much better than her past lover. The two go on their separate paths until they run into each other at a basement party. Melii is cozied up with her new partner while her old one stands afar and watches another man enjoy what was once his.

As for 6lack, the Atlanta singer stays out of the mess and resorts to a rooftop to sing from the perspective of the new man who picked up what another one fumbled. At the end of it all, Melii’s ex is left to regret his mistakes while the singer herself moves on to enjoy the greener pastures ahead of her. In a press statement, Melii explained why she chose 6lack for the song. The reason I chose 6LACK was because the beat was very much his vibe,” she said. “I wanted somebody that would bring a chill-type of vibe but still spit in that sh*t.”

Well, based on the song and video, it’s clear she made the right choice as “You Ain’t Worth It” lines up to be the perfect launching pad towards her upcoming sophomore project.

You can watch the “You Ain’t Worth It” video above.

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Dominion Voting Has Followed Through On Its Threat To Sue The Hell Out Of Wacky Trump Lawyer Sidney Powell, To The Tune Of $1.3 Billion

The dominoes keep falling for Trump’s inner circle, and the latest casualty in his spectacularly inept contention of the 2020 presidential election is none other than whackjob lawyer Sidney Powell.

Powell joined Trump’s “legal strike force” late last year as the president, along with Rudy Giuliani, launched a widespread campaign to instill distrust in the voting process. Powell took things a step further, promoting a truly wild conspiracy theory alleging that Dominion, the company supplying voting machines in Georgia, was initially created to help rig elections for the late Venezuelan dictator Hugo Chavez. Powell tried to make the link that foreign nations were involved in switching Trump votes to Biden votes during the general election — an accusation that was proven to be unfounded and based on doctored documents. Powell also accused election officials in Georgia who confirmed the vote count of accepting kickbacks from Dominion.

And now, the company is hoping she pays for her fearmongering and baseless claims, in court, to the tune of $1.3 billion, according to The Daily Beast.

Dominion is suing Powell for slandering the company’s reputation and putting its employees’ lives at risk. The suit alleges that Powell’s conspiracy theories led to death threats being received by members of the company and politicians that supported the validity of the vote count and that her repeated appearances on TV tarnished how people viewed the company and the voting process at large. They’re hoping putting a $1.3 billion price tag on her attack campaign might set a precedent for other demagogues looking to wield agents of the law to topple our democratic process.

This sounds a lot like what people call a “f*ck around and find out” move.

(Via The Daily Beast)

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‘Jeopardy!’ Champion James Holzhauer Honored Alex Trebek Ahead Of His Final Episode

The final episode of Jeopardy! with Alex Trebek as host airs on Friday, closing a legendary chapter in the syndicated game show’s history. Trebek died in November after a battle with pancreatic cancer, leaving behind a show that will continue without his enormous presence.

Tributes to Trebek have come from all over in recent days. The show itself paused airing new episodes for a two-week tribute to Trebek’s travels around the world, and basically everyone involved in the show — even Ryan Reynolds — has something kind to say about Trebek. That includes James Holzhauer, the record-breaking Jeopardy! champ who competed in 2020’s Greatest Of All Time Tournament.

Holzhauer shared a brief Twitter thread where he paid tribute to Trebek, starting with a very funny promo poster of Trebek looking like James Bond.

“It’s easy to forget that Jeopardy is basically “Let’s watch these three strangers take a GED test, except they have to pretend THEY’RE asking US the questions because reasons,” Holzhauer wrote. “Alex made that concept into the biggest thing on TV, into a lifelong dream for prospective contestants.”

Holzhauer eloquently stated the importance of Trebek to the show, not in the impact it has had on him personally but also in Trebek’s dedication to the program, right until the final days of his life.

“I feel very grateful for the time we had together—not just in the studio but also in my living room, where he’s felt like a member of the family for 30+ years,” Holzhauer wrote. It’s a lovely tribute to Trebek for sure, and in a week that’s been troubling to say the least, the final on-camera moments of Trebek’s life will bring an additional sadness to millions watching. More tributes will come, but it will be tough to beat this one.

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‘Minari’ Star Steven Yeun Opens Up About Being Asked To Do A ‘Sh*tty Accent’ During An Audition

Steven Yeun is on the precipice of becoming the first Asian-American to be nominated for Best Actor in 93 years thanks to his outstanding performance in Minari. The film about a Korean-American family that moves to an Arkansas farm to live the American Dream is generating awards buzz for Yeun, but the former The Walking Dead star recently revealed that Hollywood is still struggling to properly tell stories about the Asian-American experience. “We don’t have that space of understanding carved out in society yet on what an Asian American story feels and sounds like,” Yeun told Variety.

While looking back at his early years as a Korean immigrant and an inspiring actor, Yeun opened up about his experiences with poor Asian representation that started all the way back with his first theater audition where he was asked to do an over-exaggerated accent:

The first audition I had in Chicago was called “Awesome 80s Prom,” which was an immersive improvised show, where you have this John Hughes spectrum of characters like Ferris Bueller. Then you have your “Long Duk Dongs,” and I auditioned with Ferris Bueller’s opening monologue. And they said, “that was good. Can you do that all again in an Asian accent?” And I’ll be honest with you. I knew that I didn’t want to do that. The system had no clue that’s not what I wanted. We were just in a different time. And so I remember I did a shitty accent and phoned it, and they still wanted me anyway because that’s how far and few between Asian actors were.

Despite landing his first audition, Yeun couldn’t stomach that it required doing the accent and he turned the offer down, which did not go over well. “Oh, that’s not a good first step in this business,” Yeun recalled. “I pissed somebody off.” Fortunately, things worked out as Yeun went on to land a fan-favorite role on The Walking Dead and now he’s looking very good for an Oscar nomination for Minari.

(Via Variety)

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The AP Released Its NFL All-Pro Teams Headlined By Unanimous Selections Aaron Donald And Travis Kelce

Heading into Wildcard Weekend in the NFL, the Associated Press announced its All-Pro team as voted on by 50 media members across the country who cover pro football. This year’s teams were highlighted by two unanimous selections, Rams defensive lineman Aaron Donald and Chiefs tight end Travis Kelce, as well as two players who were named to their sixth All-Pro teams in Donald and Seahawks linebacker Bobby Wagner.

While the NFL Pro Bowl often misses out on naming the best talent, the All-Pro team tends to be a more accurate snapshot of the best players in the league in any given season, and this year’s team includes players from across the league, both young and old.

Mainstays like Aaron Rodgers and Jalen Ramsey are here, while first-time honorees such as Derrick Henry and Stefon Diggs are on the list as well.

Here is the full team:

Offense

QB: Aaron Rodgers, Green Bay Packers

RB: Derrick Henry, Tennessee Titans

WR: Stefon Diggs, Buffalo Bills and Tyreek Hill, Kansas City Chiefs

TE: Travis Kelce, Kansas City Chiefs

LT: David Bakhtiari, Green Bay Packers

LG: Quenton Nelson, Indianapolis Colts

C: Corey Linsley, Green Bay Packers

RG: Brandon Scherff, Washington Football Team

RT: Jack Conklin, Cleveland Browns

Defense

EDGE: T.J. Watt, Pittsburgh Steelers and Myles Garrett, Cleveland Browns

DT: Aaron Donald, Los Angeles Rams and DeForest Buckner, Indianapolis Colts

LB: Fred Warner, San Francisco 49ers; Bobby Wagner, Seattle Seahawks; and Darius Leonard, Indianapolis Colts

CB: Xavien Howard, Miami Dolphins and Jalen Ramsey, Los Angeles Rams

S: Tyrann Mathieu, Kansas City Chiefs; Minkah Fitzpatrick, Pittsburgh Steelers; and Budda Baker, Arizona Cardinals

Special Teams

K: Jason Sanders, Miami Dolphins

P: Jake Bailey, New England Patriots

KR: Cordarelle Patterson, Chicago Bears

PR: Gunner Olszewski, New England Patriots

ST: George Odum, Indianapolis Colts

LS: Morgan Cox, Baltimore Ravens

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Wizkid And Burna Boy Reunite In The Flirtatious ‘Ginger’ Video

Nigerian pop stars Wizkid and Burna Boy’s last official collaboration was in 2013 on Burna Boy’s L.I.F.E album cut “Jahs Love Is True.” Since then, though, both have become international superstars, been nominated for Grammys, and released well-received albums here in the US, propagating their Afro-fusion style beyond their home country. Now, they’ve reunited on Wizkid’s new album, Made In Lagos, and today, they released the video for their collab, “Ginger.”

The video is relatively straightforward, featuring the two artists performing in a massive studio as models dance and pose in front of the camera. They also share a game of Oware — otherwise known as mancala — atop a classic automobile.

Both stars have seen their profiles rise in the US over the past few years, largely as a result of their collaborations with stars here who’ve been tapped into their sound. Wizkid worked with Drake on “One Dance” in 2016, with Wale on his Shine album in 2017, and with GoldLink on Diaspora in 2019. Meanwhile, Burna’s path was less conventional; a coincidental song title mixup in 2018 led to an explosion of popularity, giving him a platform from which to launch his albums African Giant and Twice As Tall.

Watch the “Ginger” video above.

Burna Boy is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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LeBron And More Than A Vote Released A Powerful New Ad Following The Failed Coup In D.C.

Throughout the past year, athletes around the country have taken front and center in the fight for equal justice. They’ve led marches, made their voices heard on social media, contributed money to various initiatives, and used their platforms and their considerable influence to raise awareness and institute change.

In response, they’ve been vilified and targeted by those who would seek to stifle their efforts, they’ve been called un-American and un-patriotic (and worse), and they’ve been told by many on the right that they should simply “stick to sports.” Thankfully, they’ve listened to it all and kept moving forward.

And after the events in Washington this week, when radical, violent Trump supports stormed the United States Capitol building in a failed and short-lived — but no less horrifying — coup attempt, athletes around the country have called out the utter hypocrisy in the way they’ve been criticized in light of how the predominately white rioters in Washington were able to proceed mostly unabated.

On Friday, they put words and images to those sentiments in a powerful new ad for the More Than a Vote campaign.

In the ad, they promised never to simply “shut up and dribble” and instead press on in their quest to help the disenfranchised have their voices heard. During the November election, More Than a Vote made a huge impact on voter registration in this country, where people of color have roundly been subject to widespread suppression tactics.

They also promised to keep the fight going. Even with the incoming Joe Biden administration, there is still plenty of work to be done, and athletes will once again be at the center of those efforts in the future, exercising their most American of rights to demand justice from those in power and to help those who have been victimized by our institutions for far too long.