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For over 130 years, the breakfast brand Aunt Jemima has been criticized for its mascot — a racist stereotype based around an enslaved “Mammy” type. And in recent years the push to very belatedly get rid of it and find a new name have been even done even more forcefully than before. Over the summer PepsiCo, who owns the line of pancake mix, syrup and other first-meal-of-the-day products announced they would finally do so. Jump to over half a year later, and it’s actually happening — or eventually, anyway.

As per USA Today, the replacement for Aunt Jemima is [drum roll] “The Pearl Milling Company.” The name refers to the original company that came up with the brand before it was given the Aunt Jemima mascot. As for Jemima, her image will be replaced with a drawing of…a building. That said, if you’re expecting to see Aunt Jemima and her likeness disappear before the end of Black History Month, think again: The changes won’t roll out until June — about a year after the decision to rebrand away from a racist caricature.

The original model for Aunt Jemima was one Nancy Clark, who was actually a slave before being freed. She became advertising’s first living trademark, and one of the first Black corporate models. Clark was originally depicted with a big smile and a bandanna in her hair — an image that was accused from its outset of leaning into racist stereotypes. It wasn’t until 1989 that the image was revamped.

Aunt Jemima was the first rebranding of racist products to happen last year; also undergoing an overhaul are Uncle Ben’s, Mrs. Butterworth, Cream of Wheat, and Eskimo Pie.

(Via USA Today)

A new report from Baton Rouge’s WBRZ, the city’s local ABC news affiliate, reveals that NBA YoungBoy is under federal investigation for his involvement in a music video shoot that resulted in the arrest of 16 individuals, including the rapper himself, on drug and weapons charges. According to Complex, YoungBoy was released the following day on $75,000 bond and he allegedly bailed out the remaining individuals who were arrested at the video shoot.

YoungBoy is a convicted felon so being charged with possession of a firearm is prohibited under state and federal law. But shortly after the arrest, in September 2020, a representative for him denied that the weapons or drugs were his and proclaimed he was “innocent of the crimes he was arrested for.” In the more than four months that have passed since the incident, the rapper has yet to be charged but Moore maintains that he and the U.S. Attorney’s office are still investigating his role in the incident.

The news comes after YoungBoy’s lawyer, James Manasseh, filed a motion to end his client’s bond supervision because no charges have been filed against him. In addition to that, a judge recently ordered that certain items that were seized during the arrest, including over $40,000 in cash and a $300,000 cashier’s check, be returned to him.

(via WRBZ)

The Lena Dunham-produced show Generation — stylized as “Genera+ion” — was the first pilot HBO Max picked up for a series order, back in late 2019. It’s taken over a year for it to be safe to shoot, but it didn’t long, once cameras started rolling, for them to run into trouble. According to Variety, last week some extras stormed off set after discovering they were expected to perform a dissection scene involving actual dead cats.

Word first spread about the allegations over Twitter on Friday. According to the allegations, the performers were told it would be dead frogs, only to be surprised with felines instead. “People had trauma responses,” the person wrote.

But that wasn’t all:

“As a cherry on top of their traumatic experience, at the wrap of day two they were informed one of the camera men tested positive for COVID,” the person wrote. “That should have been disclosed earlier, but they clearly wanted their shots of these kittens.”

Variety contacted HBO Max about the allegations, and while they didn’t directly confirm that cats were involved, they maintained that the “animal specimens” were “ethically sourced in consultation with American Humane via a biological supply company that works with schools.” They also said the extras who “expressed discomfort” received full pay.
However, after subsequent discussion with the creative team, the scene is being reconceived and will not appear in the series. We deeply regret that this occurred.”

As for the infectious crew member, the spokesperson claimed production had “learned of the test results after the day had wrapped,” contradicting the accusations.

On Tuesday, Dunahm released a statement about the incident, revealing she was not on set — she’s shooting the movie Catherine, Called Birdy in London, which she wrote and directed —but she voiced displeasure with the use of real dead animals. “I don’t use animal cadavers in any of my work, ever, and I was not on set or aware that they were used in a recently shot scene depicting a biology classroom assignment,” she wrote. “I fully support the scene being edited out of the show.”

When the show, which was created by Zelda Barnz and directed by her father Daniel, was first picked up by HBO Max, here’s how Deadline described it:

Created by Zelda Barnz and her father Daniel Barnz, who also directs, Generation is a dark yet playful half-hour following a group of high school students whose exploration of modern sexuality (devices and all) tests deeply entrenched beliefs about life, love and the nature of family in their conservative community.

Whatever happened, it appears things got a little too real.

While the internet is churning in reaction to The New York Times investigation of her legal situation, Framing Britney Spears, the pop star has so far avoided mentioning anything about the situation on her own social media feeds. Though her longtime boyfriend Sam Asghari spoke out unfavorably about her father today — who is the one that placed her in the current conservatorship situation — Britney is keeping mum.

Instead, she decided to post a throwback of her performance of “Toxic” at the New Years Rockin’ Eve party back in 2018. “Can’t believe this performance of Toxic is from 3 years ago !!!” she wrote on social media. “I’ll always love being on stage …. but I am taking the time to learn and be a normal person ….. I love simply enjoying the basics of every day life !!!! @NYRE” Since it’s now… February… it’s unclear why Britney wanted to post the throwback clip now — unless “toxic” is a clue about how she feels?

The follow-up tweet also maintains a very positive, surface-y perspective on things, but gets a little more to what could be considered the heart of the matter. “Each person has their story and their take on other people’s stories !!!!” she continued. “We all have so many different bright beautiful lives !!! Remember, no matter what we think we know about a person’s life it is nothing compared to the actual person living behind the lens.”

Well, it’s certainly true that we don’t know much about what’s going on with the person living behind the lens. Britney, just know that we’re hoping for you to be happy, healthy, and free of all toxic energy.

A few weeks ago DaniLeigh got herself into hot water for snippets of a song called “Yellow Bone” that was met with severe backlash and accusations of colorism due to her positioning: “Yellow bone is what he want.” Artists like Chika tried to help DaniLeigh see that her comments were hurtful due to the history of colorism, but even her second attempt at an apology relied on tired tropes like her Black friends and “chocolate man,” as she was dating the rapper DaBaby at that time.

After the fallout from the song and the critical reception, this past Sunday DaniLeigh shared that she’s “officially single,” but for fans who were offended by the “Yellow Bone” controversy, letting her suffer in peace isn’t an option. Take one example of a comment captured by The Shade Room, for instance:

“So yellow bone is not what he want???” one commenter asked. To which Dani replied “Is this all y’all got say?? And for how long?? Come up with some new fr or jus get off my page.”

It seems unlikely that the song will be officially released after the reception it received, but let’s hope DaniLeigh learns from this and is able to move on quickly.

For the third consecutive year, the Oscars have revealed the shortlists for their upcoming award show. Among the leaders in the Best Original Song category, according to Billboard fans will find John Legend appears twice on the list. He joins Diane Warren as the only artists in this year’s shortlist to show up multiple times in the category. Other names that appear in the list include Mary J. Blige, Janelle Monae, and H.E.R.

Check out the full list below.

“Turntables” from All In: The Fight For Democracy
“See What You’ve Done” from Belly Of The Beast
“Wuhan Flu” from Borat Subsequent Moviefilm: Delivery Of Prodigious Bribe To American Regime For Make Benefit Once Glorious Nation Of Kazakhstan
“Husavik” from Eurovision Song Contest: The Story Of Fire Saga
“Never Break” from Giving Voice
“Make It Work” from Jingle Jangle: A Christmas Journey
“Fight For You” from Judas And The Black Messiah
“Io sì (Seen)” from The Life Ahead (La Vita Davanti a Se)
“Rain Song” from Minari
“Show Me Your Soul” from Mr. Soul!
“Loyal Brave True” from Mulan
“Free” from The One And Only Ivan
“Speak Now” from One Night in Miami…
“Green” from Sound Of Metal
“Hear My Voice” from The Trial Of The Chicago 7

(via Billboard)

This story is currently being updated.

The movement to investigate the conservatorship Britney Spears was forced into by her father, James Spears, has been ongoing for a few years now. Initially a grassroots, fan-driven campaign called #FreeBritney, the investigation has gotten serious enough that The New York Times recently launched a documentary, Framing Britney Spears that touched on not just her conservatorship, but the misogynistic media attention she faced over the course of her career.

Since the documentary aired a few days ago, the reaction has been swift, and all the media attention has meant something to the people who are closest to Britney. One conservatorship lawyer, Lisa MacCarley, who has been advocating for Britney for a long time, launched a petition urging other lawyers to pressure the termination of the legal contract Spears is being held under. Even closer tot home, this morning her longtime boyfriend, Sam Asghari, posted to Instagram about his feelings regarding her father.

“Now it’s important for people to understand that I have zero respect for someone trying to control our relationship and constantly throwing obstacles our way,” he wrote. “In my opinion Jamie is a total dick. I won’t be going into details because I’ve always respected our privacy but at the same time I didn’t come to this country to not be able to express my opinion and freedom.”

All that was followed up with a mic drop sticker, obviously. Sam and Britney have been dating since 2016, and this is the most direct thing he’s said about her situation or their relationship to the Spears family. Clearly, the cracks in the facade are getting bigger, let’s just hope this all leads what’s best for Britney. It doesn’t seem like what’s been happening since the conservatorship began in 2008 is what’s best for her by any means.

If you hopped onto Twitter today and noticed something a little strange about the accounts of Ryan Reynolds and/or Rob McElhenney, we promise there is a good reason for it. Both Reynolds and McElhenney found themselves making headlines across the pond on Tuesday, as the pair’s long-reported purchase of Wrexham AFC, a soccer team in Wales that had been owned by a supporters trust, officially went through.

In a statement, the trust announced that RR McReynolds LLC completed their takeover of the club, which has the distinction of being the third-oldest football club in the world and the oldest in Wales. Despite this, Wrexham has gone through some difficult times on the pitch, as they are currently in the National League, which sits in the fifth tier of the English football pyramid.

To celebrate the news, both Reynolds and McElhenney made slight changes to their Twitter accounts, tossing the letter “W” in front of both of their names.

They also posted about the takeover and made sure to mention the lawyer they claim to share, although not for any particularly groundbreaking reason.

Wrexham currently sits in seventh out of 24 sides in the National League, meaning they are in the final spot to participate in the play-off to determine which side will join the league winners in getting promoted to League Two.

No one could ever duplicate James Gandolfini’s turn as Tony Soprano — except perhaps his own son. When the Sopranos prequel The Many Saints of Newark drops in theaters and on HBO Max in late September, viewers will get to see Michael Gandolfini, the late actor’s own spawn, playing young Tony, as he was all the way back in 1967. But Michael didn’t rest on his father’s laurels; to prepare he went above and beyond.

In a new interview with Vanity Fair (in a bit sussed out by IndieWire), the young Gandolfini admits he never watched the legendary HBO show before taking the role. It wasn’t because he wasn’t interested. His father didn’t want him see him as Tony. “I never knew Tony Soprano,” Michael said. “I only knew my dad.”

Finally seeing his father hurt and kill people — or just shlubbily grab the morning or carefully read the back of a cereal box — wasn’t easy. “It was really hard to watch my dad,” Michael told VF. But he didn’t only watch the show’s six seasons. “I recorded four hours of his monologues with [Dr.] Melfi and walked around New York with them constantly, constantly, constantly playing in my ear.”

It’s impossible to imagine what it was like for Gandolfini’s son to live with that in his ears for so long, but, Michael told VF, he had the confidence of his director: “I had this unspoken trust that David [Chase, also the show’s creator] wasn’t going to cast me if there was even a shred that this isn’t going to work.”

In the meantime, you’ll get to see Michael act a little earlier than September 24, when The Many Saints of Newark is released: he also has a plum role in Cherry, Anthony and Joe Russo’s opioid drama starring Tom Holland.

(Via Vanity Fair and IndieWire)

Cardi B is back, she’s “Up,” and she’s ready to face down the haters. Because Lord knows, there are few people in the world who get more constant, inane feedback about their behavior than Cardi, and she’s ready to clap back. The most recent barrage? Well, people saying she makes music for TikTok dances, which is ridiculous because her music has been popping long before TikTok was even known in The States, and, people making fun of the star for going on social media without any makeup on.

Today, she popped back on Instagram to bring attention to the fact that despite all the hate she gets, she still shows her face on Instagram exactly how it is when she first wakes up. “This is my face after wakin up 20 minutes ago, no filter, hair not brushed, lip chap all that,” she wrote in the caption of the clip. “I never been afraid to show my real self. When YOU ON TOP the miserable and the ugly love to screenshot pictures while you in motion then criticize your face. I’m confident in my own skin. You b*tches need to ask ya self if ya confidence in ya self enought that ya gotta try to bring bitches down for a hobby that’s winning and in their 20s.”

Interestingly enough, Cardi isn’t the only one to comment on how being caught in motion can make her look bad. In last year’s duet with Bon Iver, “Evermore,” Taylor Swift had this to say: “Motion capture/ Put me in a bad light.” Even so, it would be rare to see Taylor as bare faced as Cardi so often appears, but for both women, the pressure is rael. Check out Cardi’s post above along with her new video for “Up”