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The Best Movies On Hulu Right Now, Ranked

Last Updated: February 8th

If we could impart one piece of wisdom with this binge-guide it’s this: don’t sleep on Hulu‘s movie line-up. The streaming service may have started as just a way to watch cable TV without actually paying premium prices for the cord but over the years, it’s morphed into a platform with an impressive film catalog. We’re talking prestige originals, blockbusters, inventive comedies, and so much more. We don’t really need to do much more in the way of hyping it up, so we’ll just let you scroll through our picks for the best films on Hulu and leave you with this warning: your watchlist is going to get full real quick.

Related: The Best Shows On Hulu Right Now

Neon

1. Parasite (2019)

Run Time: 132 min | IMDb: 8.6/10

It’s hard to quantify a film as stylishly inventive and socially aware as Bong Joon Ho’s comedic thriller. There’s a reason this film won so many Oscars. It flits between instilling empathy for a family struggling to crawl out of poverty by increasingly deceptive means and the clueless elite whose house they eventually infiltrate. Bolstered by some terrific performances and a gripping script, the less said about the story, it’s twists and unexpected turns, the better. Just do yourself a favor and watch it.

Annapurna

2. If Beale Street Could Talk (2018)

Run Time: 119 min | IMDb: 7.2/10

Barry Jenkins follows up the success of Moonlight with this adaptation of a James Baldwin masterpiece. Told in a nonlinear style, the film recounts the romance of Tish and Fonny, two young Black lovers living in 1970s New York. When Fonny is accused of a heinous crime, Tish and her family fight to prove his innocence. The story is heartbreaking and hopeful at the same time, and Regina King puts in an Oscar-winning performance as Tish’s devoted mother.

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Neon

3. Honeyland (2019)

Run Time: 90 min | IMDb: 8.2/10

This Sundance Grand Jury Prize-winning documentary tells the unbelievably inspiring story of Hatidze, a bee-hunter in North Macedonia who represents a dying breed of ecological custodians. Hatidze and her ailing mother live on a remote mountain range, where she peacefully coexists with the bees whose honey is her livelihood, but when new neighbors arrive to disrupt this fragile harmony, Hatidze must fight for her simple way of life. It’s a moving, intimate portrait of an inspiring woman, and a larger commentary on how our greed and ignorance can irreparably damage our surroundings.

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NEON

4. I, Tonya (2017)

Run Time: 120 min | IMDb: 7.5/10

As flashy and over-the-top as the sequin-spandex numbers that graced the ice back in the ’80s, I, Tonya manages to straddle a thin line. It’s both a biopic of one of the most notorious female athletes in the history of figure skating and a raucous comedy intent on mocking everything troubling about American culture at the time. Margot Robbie is brilliant in her role-playing a woman tortured by talent and her inability to capitalize on it — and you can literally hear Allison Janney chewing every scene she’s in as Harding’s narcissistic, chain-smoking mother. Plus that parrot bite is as funny as you could hope.

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20th Century Fox

5. The Princess Bride (1987)

Run Time: 98 min | IMDb: 8.1/10

Rob Reiner’s ridiculous fantasy romp never fails to entertain, no matter how many times you re-watch it. It plays with classic fairytale tropes in inventive, increasingly absurd ways without ever sacrificing its story: the quest for true love. Cary Elwes plays Wesley, a farmhand who falls in love with a beautiful maiden named Buttercup (Robin Wright), but a cruel twist of fate separates them, leading him to become a notorious pirate and her to be betrothed to a truly awful king. It’s a bit Monty-Python-esque but with more swoon-worthy moments and, if you can believe it, memorable jokes.

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Annapurna Pictures

6. Booksmart (2019)

Run Time: 102 min | IMDb: 7.2/10

Olivia Wilde’s directorial debut is this coming-of-age ode to friendship starring Beanie Feldstein and Kaitlyn Dever. Feldstein plays Molly, a politically ambitious high schooler, who resolves to have one night of teenage fun before graduation. She ropes her best friend Amy (Dever) into her plan, and the two navigate a host of wild mishaps to make it to the biggest party of the year. It’s fun and heartfelt and a surprisingly confident first take from Wilde.

Pyramide

7. Portrait Of A Lady On Fire (2019)

Run Time: 122 min | IMDb: 8.2/10

There are forbidden love affairs and then there’s this epic romance from French filmmaker Celine Sciamma. Filled with sexual tension and secret rendevous, this period piece centers on a young painter named Marianne who lives on the island of Brittany and is commissioned to complete a portrait of an aristocratic noblewoman named Heloise before she’s set to be wed. The two women form an intimate bond, one that tests their sense of self and their willingness to sacrifice for love.

annapurna

8. Sorry to Bother You (2018)

Run Time: 111 min | IMDb: 7/10

Boots Riley’s directorial debut comes courtesy of this dark, absurdist comedy that manages to weave themes of class and capitalism into a bonkers tale about a telemarketer living in Oakland who figures out a way to use his “white voice” to make sales. As he moves up the ladder, selling while hiding his identity, he’s pulled into a conspiracy that forces him to choose between cashing in at humanity’s expense or joining his friends in a rebellion against the system. Lakeith Stanfield gives a riveting turn as Cassius Green, Cash, the kid at the center of this bizarre story, and Tessa Thompson gives a commendable performance as Cash’s radical feminist girlfriend, Detroit.

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New Line

9. Boogie Nights (1997)

Run Time: 155 min | IMDb: 7.9/10

Wunderkind Paul Thomas Anderson synthesized all his greatest influences — Scorsese’s hyperkinetic camerawork, Altman’s profound empathy for human suffering, Tarantino’s flair for sleazy L.A. dialogue — into something completely original in his breakout film. He wasn’t even out of his twenties, and Anderson conducted a flawless ensemble cast including Burt Reynolds, Julianne Moore, John C. Reilly, Phillip Seymour Hoffman, Don Cheadle, and a headstrong kid named Mark Wahlberg in a sweeping statement on Hollywood, America, and cinema in general. At turns side-splittingly funny and unspeakably dark, teeming with life in every meticulously constructed frame, traversing two decades in the life of an industry at a pivotal moment of flux, Boogie Nights remains one of the greatest American films to come out of the ’90s.

ryan reynolds deadpool
20th Century

10. Deadpool

Run Time: 108 min | IMDb: 8/10

Ryan Reynolds and director Tim Reynolds found a new way to explore the superhero universe with this foul-mouthed entry that follows a professional assassin and mercenary who gets a bit of a bad break, first with a terminal illness, then with some government experimenting gone wrong. Reynold’s plays the titled anti-hero, a wise-cracking opportunist dealt a pretty ugly hand who ends up saving the day… kind of.

Annapurna Pictures

11. Vice (2018)

Run Time: 132 min | IMDb: 7.2/10

Adam McKay’s controversial biopic lands on Hulu with its impressive cast of Oscar-winners including Christian Bale, who undergoes a mind-blowing transformation to play former Vice President Dick Cheney. The film follows the build-up to Cheney’s White House appointment, as he gains power first as a Washington insider, then as the man pulling the strings of the Bush administrations. Amy Adams plays his supportive, just as morally compromised wife, Lynne, with Sam Rockwell turning in a hilarious performance as Bush himself.

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20th Century Fox

12. Gone Girl (2014)

Run Time: 149 min | IMDb: 8.1/10

Ben Affleck stars in this muted thriller from David Fincher, based on a best-selling book by Gillian Flynn. Affleck plays a tormented husband whose wife vanishes, spurring the police and the public to suspect him in her disappearance. As he tries to manage the media circus ruining his life, the truth about his marriage comes to light. Affleck’s fine in this, but Rosamund Pike will blow you away.

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Bleecker

13. Captain Fantastic (2016)

Run Time: 118 min | IMDb: 7.9/10

Viggo Mortensen and Kathryn Han star in this feel-good drama about an unconventional family’s attempts to stay together despite outside forces closing in on their way of life. Mortensen plays Ben, the father to six children all living in a remote, wooded area. The kids keep a strict schedule, learning on their own, surviving in the wild, eschewing traditional schooling and activities for Ben’s regimen, which pushes them to think for themselves and find their own purpose. When Ben and the kids are forced to leave their utopia and interact with estranged family members in the real world, his teachings and their way of life is challenged in surprising ways.

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Getty Image

14. The Beatles: Eight Days A Week – The Touring Years (2016)

Run Time: 137 min | IMDb: 7.8/10

Set during the touring years of The Beatles’ career, from 1962-1966, director Ron Howard crafts an intimate portrayal of the world’s most popular band with the help of both Paul McCartney and Ringo Starr, along with widows Yoko Ono and Olivia Harrison. Featuring 4K restorations of some of the band’s most memorable concerts, this documentary is a must for any film lover, Beatles fan or otherwise.

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DreamWorks

15. Shrek (2001)

Run Time: 90 min | IMDb: 7.9/10

We know what you’re thinking. Shrek? Really? An animated comedy about an ugly green ogre who rescues a princess, befriends a donkey, and saves a kingdom. Look, it’s a common misconception that Shrek was only for kids. Mike Meyers, Eddie Murphy, and Cameron Diaz all voiced characters in the film, and there were plenty of mature jokes that probably flew right over the kiddos’ heads. Torturing a sweet Gingerbread Man, interspecies hookups, and a show-stopping song and dance number to wrap things up makes this a family-friendly comedy that the adults won’t snooze through.

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MGM

16. Creed II (2018)

Run Time: 130 min | IMDb: 7.2/10

Michael B. Jordan, Sylvester Stallone, and Tessa Thompson return for round two of this boxing drama reboot. Still training with Rocky Balboa, Adonis Creed (Jordan) tries to bounce back after a dangerous beatdown, resolving to face off against the son of Viktor Drago, the man who killed his father. The film’s tension is heightened, the hits more violent, and Jordan is as confident as ever in his leading man status.

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Bleecker Street

17. The Assistant (2019)

Run Time: 87 min | IMDb: 6.1/10

Ozark breakout Julia Garner stars in this tense #MeToo thriller with Succession’s Matthew Macfayden. Garner plays Jane, a recent college grad who just scored an assistant job at a film production company. When she begins noticing her boss sexually harassing young women around the office, she tries to do something about it and runs into various roadblocks from the higher-ups. It’s a dark, seedy drama and Garner is brilliant in it.

IFC

18. The Nightingale (2018)

Run Time: 136 min | IMDb: 7.2/10

Australian director Jennifer Kent follows up her surprise success, The Babadook, with another dark tale, this time one that follows a young woman on a path of revenge. Aisling Franciosi plays Claire, an Irish convict sent to Tasmania in 1825 who chases a British officer (Sam Claflin) through the wilderness intent on making him pay for the crimes he committed against her and her family. Along the way, she recruits help from an aboriginal tracker and the two navigate racial tensions and prejudice on their quest. Franciosi is magnetic as Claire, a woman who refuses to let the horrible abuses she’s suffered break her and Claflin seems to delight in playing the villain of this story.

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Canal+

19. Melancholia (2011)

Run Time: 137 min | IMDb: 7.1/10

Merging high art and science fiction, director Lars Von Trier found inspiration for his story after suffering a depressive episode. Focused on two sisters with a strained relationship, they must now face the reality of a rogue planet set to collide with Earth. It premiered at the 2011 Cannes Film Festival, where Kristen Dunst was given the Best Actress Award, and the following year the British Film Institute named it one of the greatest films of all time — a rare honor for any film made in the 21st century.

Neon

20. Little Woods (2018)

Run Time: 105 min | IMDb: 6.1/10

Tessa Thompson and Lily James deliver magnetic performances in this gritty crime drama from director Nia DaCosta. Thompson plays Ollie, a young woman living in an oil town in North Dakota who starts running drugs across the Canadian border when her mom gets sick. James plays her screw-up sister, Deb, who comes back into her life after their mom’s death with problems of her own. The sisters must find a way to save their childhood home, get Deb the help she needs, and get Ollie out of town before the police and some angry drug dealers catch her. It’s a relentless meat grinder of a film, but it’s also a hell of a watch.

Toho

21. Akira (1988)

Run Time: 124 min | IMDb: 8.1/10

Loosely based on the ground-breaking manga of the same name, Akira is considered a landmark in Japanese animation, as well as one of the best animated films ever produced. Set in a dystopian future in 2019, a teenager named Tetsuo gains tremendous telekinetic powers after a motorcycle crash, eventually going mad with power before bringing the military-industrial complex to its knees. A live action adaptation has been in the works in some form since 2002, but remains in development purgatory for the time being.

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Oscilloscope
New World Pictures

22. Heathers (1988)

Run Time: 103 mins | IMDb: 7.3/10

Helping to close out a decade of memorable teen films on a dark note, Heathers is a savagely funny deconstruction of the frivolousness of popular cliques that helped set the tone of many dark comedies that would follow in its wake. The plot involves a popular group of girls known as The Heathers who invite Veronica Sawyer (Winona Ryder) to join them, guaranteeing that she would gain popularity by association. Eventually, Veronica finds herself teaming up with a dangerous sociopath (Christian Slater) in an attempt to break the Heathers’ tyrannical hold on the school.

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23. We Need To Talk About Kevin (2011)

Run Time: 112 min | IMDb: 7.5/10

Eva Khatchadourian (Tilda Swinton), who’s unwilling and unable to properly care for her troubled son Kevin, watches her life unravel as her husband (John C. Reilly) ignores their problems and Kevin grows more and more sociopathic and violent. The story jumps around in time, showing Swinton’s character as both a new mother who blames her son for ruining her life and as a woman who eventually blames herself for what becomes of her son. Swinton proves once again that she’s the actress that indie movies need for complex characters that live their lives in grey areas. At its core, We Need To Talk is about the importance of proper parenting, communication, and probably therapy. And it’s not for the faint of heart.

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Paramount Pictures

24. Mission Impossible: Fallout (2018)

Run Time: 127 min | IMDb: 7.8/10

Tom Cruise is joined by Superman himself, Henry Cavill in this latest installment in the action franchise. Cruise returns as Ethan Hunt who leads his IMF team but is joined by Cavill’s CIA Agent, August Walker, who’s tasked with monitoring the group after a mission gone wrong. Hunt is tracking some missing plutonium before a terrorist group called The Apostles can weaponize it against the world but he’s thwarted by a surprising enemy.

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Hulu

25. Fyre Fraud (2019)

Run Time: 96 min | IMDb: 6.8/10

The war of the Fyre docs kicked off earlier this year with Hulu releasing their surprise flick just days before Netflix’s planned exposé. Both films rehash the same basic plot: a young entrepreneur scams thousands of millennials and investors out of millions of dollars, but Hulu’s movie takes a closer look the aftermath and damage caused by Billy McFarland and Ja Rule, in addition to interviews and close looks at the events of the Fyre Festival disaster with a critical eye.

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RLJE Films

26. Plus One (2019)

Run Time: 99 min | IMDb: 6.6/10

Pen15‘s Maya Erskine and ‘ Jack Quaid star in this modern rom-com about a pair of friends, who agree to suffer a summer of wedding invites together. Alice and Ben have been pals since college, but when their mutuals start getting hitched, and they’re left without dates to the happy nuptials, they make a pact to be each others’ “plus one.” What begins as a chance to score free booze and food quickly spirals into a neverending series of interactions that remind them how lonely they both are and force them to confront their hidden attraction.

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Tribeca

27. Hunt For The Wilderpeople (2016)

Run Time: 101 min | IMDb: 7.9/10

A charming, unconventional story about what it means to be a family, Hunt for the Wilderpeople follows a juvenile delinquent named Ricky (Julian Dennison), who is adopted by a couple living on a farm in a remote region of New Zealand. After Ricky fakes his suicide and escapes into the bush, his (reluctantly) adopted father Hec (Sam Neill) goes looking for him, and after a series of mishaps, the two are forced to survive in the woods together for months. It was released during SXSW in 2016 (you can read our review here), and after rave reviews from critics the world over, it’s gone on to become the highest-grossing film in New Zealand history.

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Magnolia Pictures

28. Love, Gilda (2018)

Run Time: 88 min | IMDb: 7.4/10

Before the Tina Feys, Amy Poehlers, and Maya Rudolphs of the world made Saturday Night Live a female-led powerhouse, comedian Gilda Radner starred on the sketch comedy series. She’s an icon, an absolute legend in the world of stand-up, and she played her bigger-than-life characters on the show with a kind of quirky abandon that made you laugh at them and care for them all at once. This doc looks back at her career, her struggles in an industry that wasn’t always accepting of her gender, and her brushes with more serious issues, like illness and eating disorders. Despite those serious topics, it’s a breezy, feel-good watch for comedy lovers of every generation.

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Oscilloscope

29. Coherence (2014)

Run Time: 89 min | IMDb: 7.2/10

Coherence is one of those low-budget sci-fi stories that is extremely tough to explain without either giving too much away or requiring an extended entry. Essentially, a group of friends sifts through their own issues and insecurities during a mind-bending paradoxical experience. Taking place almost entirely in the same room on a single night, the characters struggle to find answers just as much as the viewer. It’s a challenging yet enthralling film, perfect for those who love to overthink things.

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Hulu

30. Palm Springs (2020)

Run Time: 90 min | IMDb: 7.6/10

This highly-anticipated comedy from SNL alumn and Brooklyn Nine-Nine star Andy Samberg feels like a spiritual successor to a Bill Murray classic, a millennial Groundhog’s Day except this story is set in the sunny world of Palm Springs. Samberg’s Nyles meets Sarah (Cristin Milioti) at a wedding, and the two are pulled through a weird portal that causes them to repeat the same day, over, and over again. Honestly, it’s the perfect quarantine watch.

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Recent Changes Through February 2021
Removed: The Fifth Element, The Lord Of The Rings Trilogy
Added: Deadpool, Gone Girl

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Lil Bibby Claims Juice WRLD Was Signed Up For Rehab Just Before His Death

Last December marked one year since the tragic death of Juice WRLD, who passed away after having a seizure from overdosing on prescription pills. Immediately following the rapper’s death, many pointed to the dangerous proliferation of drug use in the music industry. Lil Bibby, who signed Juice to his Grade A Productions label, recalls the difficulty of getting him to realize the harmful affects of his drug use.

Bibby recently sat down with Vlad TV for an interview about his music and relationship to Juice. After Vlad asked his and Juice’s experience with rehab, Bibby revealed that they had gotten him signed up prior to his passing. “We already had him signed up for rehab,” he said. “He agreed to go—because that was like pulling teeth with him.”

Bibby also described how concerned he was about Juice’s drug use at the time, saying he alerted his label and team:

“Like I said, he was talking one and a half pills. I thought that was crazy. Because all of my homies, they only take one or one-half. So one and a half compared to one half, I’m looking at him like, ‘Bro, what the f*ck?’ But then, I found out that he was doing like, four pills — the Percocets. So I get to freaking out. I get to telling everybody, ‘Man, look. We gotta send this kid to rehab.’ I’m freaking out, I’m telling everybody from the label, I’m telling everybody because I’m thinking, ‘That’s a lot.’”

Bibby also revealed how Juice responded to their intervention: “We found out he was doing more than four, like a week before he passed. I ain’t going to say the number, but it was a lot. That was the final straw. He didn’t have a choice at this point. […] He said, ‘Alright, I’ll go. But I’m not stopping. I’ll lower my doses, but I like doing it too much.”

Watch Lil Bibby’s poignant interview with Vlad TV above.

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A New Petition Urges LA Lawyers To Request Britney Spears’ Conservatorship Be Terminated

This weekend, The New York Times unveiled their documentary about Britney Spears, which traces the pop star’s journey through the ups and downs of fame, and particularly highlights the legal situation she’s currently in when it comes to her conservatorship. The #FreeBritney movement started by fans over the last couple of years has sought to draw attention to the inconsistencies in the arrangement, particularly regarding Britney’s father, Jamie Spears.

Now that the documentary is available for viewing, musicians are reacting to the vitriol and misogyny Britney endured while in the public eye. Legal experts, on the other hand, who are potentially seeing the details of her case for the first time are even more furious at her current situation. Attorney Lisa MacCarley, who is an expert in conservatorships and probate court, and has been advocating for the #FreeBritney movement and other unjust conservatorships for years now, has urged fellow lawyers to take action in signing a petition calling for Britney’s conservatorship to be terminated.

The letter has been circulating on social media via screenshots, Uproxx confirmed the veracity with MacCarley’s office.

“On Friday night, the NYTimes premiered a documentary called “Framing Britney Spears.” Far from being a lightweight exploration of Ms. Spears’ superlative career and tragic personal life, the program gave a subtle but powerful glimpse into the unconstitutional manner in which Ms. Spears’ conservatorship originally devolved. Ms. Thoreen’s statement that Conservatee’s have “sacred rights” is ironic to the point of absurd. It is irrefutable that an order appointing Sam Ingham was prepared by James Spears’ attorneys and signed on February 1, 2008 by Judge Reva Goetz, who was then commissioner. It is part of the case summary. In other words, one of the “sacred rights” that the California Constitution mentions is the right to Due Process, and the California Probate Code specifies that a person facing conservatorship has the absolute right to be represented by counsel chosen by her, NOT the person seeking to impose a conservatorship.

On February 4, 2008, Mr. Streisand shows up and attempts to represent Ms. Spears, as was confirmed in his interview. What does Judge Goetz do? She replies upon a report by a doctor selected by James Spears’ attorneys AND Mr. Ingham to determine that Ms. Spears “does not have the capacity” to retain Mr. Streisand. The ‘legal team’ for James Spears, including Mr. Ingham, then crafted an order that Ms. Spears was NOT to be given any of the pleadings except for the order appointing Mr. Ingham as her counsel. Ms. Spears was not allowed to see any other attorney, except by approval of her father, per the court orders that I have obtained from the #FreeBritney activists. Was she ever even served with a Citation? Back in 2008, the citation had a statement, front and center, that the person facing conservatorship has the right to retain counsel of her own choice. But not Britney Jean Spears, apparently.

These are facts. I have documents that affirm this transpired: the minute order and the attorney order signed by Mr. Ingham. The oath that we each take upon embarking on our careers as attorneys contains a solemn promise to uphold the Constitution of the United States and California. In all seriousness, what is the point of a “court appointed attorney” if not to protect his client from having her constitutional rights taken away from her? Please forward this email and contact the Los Angeles County probate department, especially the probate staff, and request that Judge Penny terminate the conservatorship, or at least replace the court-appointed attorney with someone who can file a Writ of Habeas Corpus, which is what should have done 13 years ago. We would be complicit in the remarkable violation of Ms. Spears’ constitutional rights if we watch and do nothing. More scrutiny and investigation is coming. It is 2021 and “justice is back in vogue.”

Another letter that MacCarley sent to the California Attorney General’s office back in September of 2020 has also made its way online, and MacCarley also confirmed the veracity of this letter and countless others that the office has ignored. “The #FreeBritney movement is demanding transparency and a legitimate audit from an outside agency,” MacCarley wrote. “I beseech you, a the Attorney General for the State of California, to please AUDIT this file for compliance with the law of the State of California.”

According to MacCarley, she never heard any response from Becerra’s office. Maybe that will change now that Framing Britney Spears is putting more attention than ever on the case.

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Tim Burton Gave His Blessing To Cadillac’s ‘Edgar Scissorhands’ Super Bowl Ad With Timothée Chalamet

Super Bowl LIV may have been a blow-out, with the Buccaneers handily trouncing the Chiefs, but the commercials — usually as much an attraction as the actually game, if not moreso — were unusually all-over-the place. Some were mournful, reflecting a grim last year. Some were weird. Some thought way outside the box. But there was one big trend that stuck out: Ads that exhumed ‘90s pop culture. Wayne’s World got rebooted to sell Uber Eats, while Edward Scissorhands — the beloved Tim Burton movie from 1990 — got a sequel, even if it was just a minute-long promo for cars.

The ad found Timothée Chalamet and his floppy hair slipping comfortably into the role of Edgar Scissorhands, apparently the son of the character played by Johnny Depp and his onetime crush, played by Winona Ryder. (Depp, who’s fallen on hard times, to say the least, was AWOL, though Ryder was very much not.) The commercial turned a lot of heads, and it had one major fan, who also played a key role in it getting green-lit: Tim Burton himself.

According to The Los Angeles Times, Burton personally approved the concept for the ad, which finds many amusing ways for Chalamet’s Edgar to ruin things for people with his pointy fingers. (Though he does make one beautiful-looking sandwich.) Burton said he hoped the commercial wouldn’t just sell Cadillacs, but that it would direct younger viewers to one of his first movies, about a shy outcast shunned by suburban society.

“It’s rare when a work you’re proud of continues to live on and evolve with the times, even after 30 years,” the filmmaker told the publication. “I’m glad to see Edgar coping with the new world! I hope both fans and those being introduced to Edward Scissorhands for the first time enjoy it.”

If you want to revisit Edward Scissorhands or even view it for the first time, it streams with Starz add-ons on both Amazon Prime and Hulu. You can watch the “Edgar Scissorhands” commercial below.

(Via The Los Angeles Times)

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Jason Momoa Fell In Love With Bass Guitar After Learning How To Play Tool’s Song ‘Sober’

Along with being an acclaimed actor, Jason Momoa has been known to play bass. He’s even been afforded the opportunity to rock oiut with legends like Slash and Les Claypool. But the actor’s true love for bass guitar was realized thanks to one band: Tool.

Momoa opened up about his musical abilities in a recent interview with Guitar World, where he named bands like Pantera, Rage Against The Machine, Primus, Black Sabbath, and Red Hot Chili Peppers as his teenage influences. “Tool, too. I listen to pretty much all of it.”

One Tool song in particular, though, can be attributed to his specific interest in bass:

“We were on the set of Aquaman. I always have instruments on the set, so my son was playing drums and my daughter was playing guitar. It was my assistant’s birthday, and she really loves Tool, so I borrowed a bass from my buddy and we all played ‘Sober’ for her. Right then, my passion for bass really exploded. The moment I put it on, I could just feel the connection – and it was all over. […] I always knew I wanted to play bass. After that I wanted to play standup, so I bought one and now it’s a passion for me, with how it makes me feel and how it sounds. I studied and studied and studied bass, and I was like ‘My God, I wish I would have done this when I was young.’ I wish that I had that opportunity –but I’m making up for lost time”

Elsewhere in the interview, Momoa said that he was never able to afford a proper bass guitar as a child, which is why he’s just now exploring his love for the instrument. “I grew up really, really poor, and my mom worked frickin’ four jobs,” he said. “I didn’t have any money, so I never could get a guitar or a bass. I come from a very small town in Iowa where there was no-one playing bass like that or listening to music like that.”

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A Massachusetts Family Is Suing Robinhood After Their Teen Son Ended His Life Believing He Was In $170K In Debt To The Stock Trading App

Last June, before Robinhood became embroiled in the GameStop stock surge, the investment trading app was implicated in the death of 20-year-old Alex Kearns of Massachusetts. Due to a series of errors, the investment app led Kearns to believe he owed $750,000 on a risky stock bet, and the young man received an email demanding an immediate $170,000 payment. When Kearns attempted to reach customer service, all he received was a canned reply that his issue would eventually be looked into, but he should anticipate a delay in response. Fearing that he’d just ruined his life and his family’s finances, Kearns committed suicide. He left behind a note blaming Robinhood for failing to protect a kid who was barely out of high school and placing him in a precarious position that an amateur trader should have never been in.

Compounding the tragedy is the fact that Kearns wasn’t in debt. Had a Robinhood customer service rep gotten back to him sooner, Kearns would’ve been informed that his options were covered. He was notified by email a day after his suicide. While Robinhood has applied some protections following Kearns’ death, his family doesn’t believe the app has gone far enough and has a filed wrongful death lawsuit. News of the suit arrives after Robinhood ran a Super Bowl ad to pull in new users amid their ongoing backlash. Via CBS News:

“We don’t want another family to go through this,” said his mother.

Alex will never know that he likely didn’t lose money on his Robinhood trades. If he had cashed in other options he’d purchased, his lawyers said, he may have even made a profit.

“The information they gave him was just incredibly skewed. And possibly completely wrong, because they make it look like you owe $730,000 when you really don’t owe anything,” said Benjamin Blakeman, one of the Kearns family attorneys. “That could panic just about anybody.”

In light of Kearns’ death, the state of Massachusetts filed a formal complaint against Robinhood in December for its “gamification”of stock trading that is a “deliberate” attempt to lure in young, inexperienced users. In a statement to CBS News, Robinhood denied the state’s claims. “We disagree with the allegations in the complaint by the Massachusetts Securities Division and intend to defend the company vigorously.”

(Via CBS News)

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A ‘WandaVision’ Writer Explains How They Justified The Show’s ‘Recasting’ Experiment

The fifth episode of WandaVision was widely hailed as the best yet in a very unusual and ambitious piece of Marvel product. But surely the most astounding — and meme-able — moment came at the end: Elizabeth Olsen’s Wanda opened the front door of her ‘80s suburban home only to find her dead brother Pietro. Only catch? He wasn’t played by Aaron Taylor-Johnson. It was Evan Peters, who took the equivalent role — which is to say speedy Quicksilver — in Fox’s X-Men movies.

It’s a cool idea, one that brings back a dead character in not just a playful way but in a meta way, too. After all, that controversial Fox merger does mean Marvel characters previously cordoned off in that studio’s pen, like Peters’ Quicksilver, are now free to hobnob with the ones in the Disney wing. But getting Peters to do WandaVision wasn’t as easy as it sounds.

“We loved the idea of [bringing him back],” head writer Jac Schaeffer explained to Marvel.com. “And then we were like, how in the world are we going to make this make logical sense? Like, how do we justify this? Because that’s the thing, you can hatch a million great ideas, but to make them land, to make them be grounded, to make them feel organic to the larger story.”

The solution? Because WandaVision is in part a parody of sitcoms across the decades, they could poke fun at an old sitcom trope: the sudden arrival of a relative who suddenly appears, creating trouble. (It also ribs the TV cliché of recasting roles with no explanation — although at least on WandaVision, one of the SWORD characters, upon seeing Peters’ Pietro, wonders aloud if Wanda, who seems to be in control of this sitcom netherworld, “recast” him.)

Luckily, Peters was extremely game for the recasting, as was MCU honcho Kevin Feige, who Schaffer says, “wanted to make sure that there was a reason for it, that it made sense.” Of course, we’ll see where they go with this kooky idea in Episode 6.

(Via Marvel.com)

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Tierra Whack’s Latest Freestyle Sees Her Demolishing Onyx’s ‘Last Days’

Tierra Whack is back, but rather than capturing fans’ attention with colorful, surrealist videos and heartfelt, biographical sing-alongs about hating dating in LA, she’s gone back to her Philadelphia battle rap roots, posting a series of tongue-twisting freestyles over classic beats to Instagram. Whether this constitutes part of an album rollout, lyrical exercise, or her convention-breaking tape on the sort of 2000s blog era promo mixtapes rappers put out between albums, it’s been impressive to watch her spit unadorned, egotistical bars of the type that were once hip-hop’s bread and butter.

Previously, she flexed an impressive flow over Ludacris’ 2003 Chicken-N-Beer single, “Stand Up.” Then, just days later, she returned to our Instagram timelines with a verse over Onyx’s 1995 All We Got Iz Us standout, “Last Dayz.” Some hip-hop heads may remember it as one of the backing tracks in the climactic battle sequence of Eminem’s film debut 8 Mile. Others may remember “Last Dayz” for being one of hip-hop’s most beloved tracks to sample as an early example of hardcore hip-hop at its most menacing. However, after this, it may be remembered fondly on commemorative T-shirts, because Whack absolutely slaughters the beat like a 1980s horror film slasher.

Check out the video below, and stay tuned to Tierra Whack, because something tells us she has more up her sleeve.

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We Asked Bartenders To Name Their Favorite High Proof Whiskeys

When it comes to whisk(e)y in the US, the standard alcohol content is typically around 40% ABV (80 proof). For many drinkers that’s more than enough, but if you’re a fan of more robust, potent, warming whisk(e)y iterations, you’ll likely want something stronger. We’re talking cask strength, barrel proof, or full proof expressions.

In most cases, after a barrel of whiskey is finished aging, water is added to dilute it and lower its alcohol by volume. In a cask strength/ barrel proof expression, water isn’t added. Instead, the whiskey is bottled at the proof it reached during maturation. This means the whiskey will typically end up between 50% and 75% alcohol by volume. Full proof is slightly different — it allows the distiller to return the final spirit to the proof it was when it entered the barrel as hot juice.

Since February’s chill calls for warming whiskeys, we’re going to enjoy our fair share of cask strength and full proof expressions while we eagerly await spring. To find the best, we went to the experts — asking a handful of our favorite bartenders to tell us the best high proof whiskeys to track down this winter.

Weller Full Proof Bourbon

Weller

Cari Hah, formerly bar manager at Café Alcove in Loa Angeles

Weller Full Proof. Flavors of vanilla, cinnamon, oak, caramel, and honey on the nose as well as the tongue. The gentle sweetness of the taste tempers the heat of the proof. The flavor crescendos through the mid-palate and lasts long into the finish.

Beautiful whiskey.

ABV: 57%

Four Roses Single Barrel Bourbon

Four Roses

Demetrëa Dewald, lead bartender at Bar Mateo at Zinc Café in Los Angeles

Four Roses Single Barrel Bourbon is an extremely smooth cask-strength whiskey. In my opinion, this bourbon makes the perfect old fashioned. Its caramel and vanilla sweet notes combined with the extra kick from being 100 proof leads to a perfectly balanced cocktail with subtle woody afternotes.

ABV: 50%

Jack Daniels’ Single Barrel, Barrel Proof Whiskey

Jack Daniel

Alex Tack, bartender at Rex 1516 in Philadelphia

My personal favorite is Jack Daniels’ Single Barrel, Barrel Proof. My reasoning is almost entirely due to it being such a pleasant surprise. I don’t especially care for Old No. 7 — I find it cloyingly sweet. Their single barrel expressions are much more oaky, dry, and complex. The addition of alcoholic heat from the cask aging adds an additional tier.

I’m naming this almost entirely because I like it so much more than I thought I would. It’s great with a few drops of water added.

ABV: 66%

Stagg Jr. Bourbon

Buffalo Trace

Andy Printy, beverage director at Chao Baan in St. Louis

Stagg Jr. AKA Son of George. T. Stagg is the champion of cask strength expressions. Various proofs and profiles are expressed in each release. The heat reminds you of the territory you’re exploring, but the toffee and cinnamon finish is what really takes your breath away.

ABV: 67%

Booker’s Rye

Jim Beam

Sean Ebbitt, owner and bartender at Bluegrass Tavern in Lexington, Kentucky

For me, my favorite cask strength is Booker’s Rye. This Rye was a limited release in 2016 and packs a punch, so it’s not for everyone. But if you like spicy Ryes and higher proof whiskeys this one will not disappoint. At 136 proof and aged for 13 years and 1 month it’s full of strong flavors of cinnamon, pepper, oak, and a hint of orange.

ABV: 68.1%

Michter’s US-1 Barrel Strength Rye

Michter

Gavin Humes, bartender at Scratch|Bar & Kitchen in Encino, California

Don’t tempt me with a good time, there are too many great choices for a cask-strength whiskey for me to ever turn one down. That said, the Michter’s US-1 Barrel Strength Rye is probably my favorite at the moment. The spicy notes prominent in rye are present, but it still has plenty of butterscotch and caramel notes to balance.

I prefer with just a small splash of water to really let the flavors shine.

ABV: 51.5%

Elijah Craig Barrel Proof Bourbon

Heaven Hill

Courtney Cantrell, bartender and assistant manager for Old Hickory Whiskey Bar in Pensacola, Florida

Elijah Craig Barrel Proof Bourbon from Heaven Hill Distillery will always be my number one barrel strength whiskey. What I view as one of the best values on the market, Elijah Craig Barrel Proof provides you with the perfect full-bodied level of oak and toasted marshmallow on the palate, but is not overpowered by ethanol on the nose — which most cask strength whiskeys struggle with.

ABV: 63.6%

Writer’s Picks:

Aberlour A’bunadh

Aberlour

In the last few years, this cask strength Scotch whisky has gained a bit of a cult following. It’s well deserved with its rich sherried, butter cookie, and caramel flavors. It’s so refined and complex you won’t even notice the high alcohol content.

ABV: 59-61%

Laphroaig 10 Year Cask Strength

Laphroaig

If you already enjoy the briny, band-aid-like, peaty, magical flavor of regular Laphroaig 10, you’ll love the cask strength version. It’s high in alcohol and equally high in flavor.

Drink it neat and drink it slowly.

ABV: 57-59%

Wild Turkey Rare Breed Barrel Proof Bourbon

Wild Turkey

If you’re looking for a brash, bold barrel proof bourbon, you’re looking for Wild Turkey Rare Breed Barrel Proof. It’s uncut, unfiltered, and filled with creamy caramel, charred oak, tobacco, and candied orange peel flavors perfect for your favorite whiskey-based cocktail.

ABV: 58.4%

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The Funniest ‘Full Frontal With Samantha Bee’ Takedowns

Just five years ago, comedian Samantha Bee left her post at The Daily Show to headline her own late-night talk series, an experiment in feminist-minded satire and sketch-comedy that disrupted the boys’ club grandfathered in by the Lettermans and Carsons and Lenos of the old days. Full Frontal With Samantha Bee borrowed the parody and sharp commentary of its host’s roots and put a fresh spin on both, framing coverage of politics and news from an unconcernedly female gaze with the kind of bold comedy other network offerings balked at.

Half a decade of Full Frontal has given late-night comedy plenty of gifts – mostly in the form of inventive Ted Cruz digs – but we’ve done the hard work of curating 10 of the most hilarious takedowns by Bee and her crew. These segments and skits uncovered corruption, mocked political power players, marveled at peoples’ stupidity, and gave us colorful options for insulting a megalomaniac in chief but they’re all funny and informative … and worth another watch.

A Jeb In Winter (2016)

Most critics would point to the show’s excellent deep dive into rape kit backlogs as its defining moment but this gem, airing fairly early in the series’ tenure, feels like the kind boundary-pushing political commentary Full Frontal should do more of. It asked a simple question: How can we use comedy to make the flaccid presidential campaign of Jeb Bush seem even more humiliating and sad? The answer: Hire a Warner Herzog impersonator to narrate Bush’s meagerly-attended New Hampshire rally like it’s a low-budget sequel to Cave of Forgotten Dreams. The best part? Bush’s own constituents deliver the skit’s harshest burns.

Crisis Pregnancy Centers (2016)

Another masterclass in crafting a political parody that packs a punch — so much alliteration, aren’t we fancy? — this sketch sported a surprise guest, Patton Oswalt. Doing his best Orson Welles impersonation, Oswalt walks fans through the gynecological grift of these fake abortion clinics that manipulate and gaslight women into carrying pregnancies to term, even when they don’t want to. Bee plays a Bible-thumping OBGYN in the skit that pulls inspiration from Welles’ early 70s docudrama, F is for Fake, and it’s so cinematically crafted, we can’t imagine the iconic director would find fault with it.

A Full Frontal Investigation: Trump Can’t Read (2016)

Sometimes Bee would merely comment on the news and sometimes, she created it. Case in point: this ridiculous segment that raised a harrowing question no respectable news agency was willing to confront. Not only did Bee manage to make the link between Trump’s alleged illiteracy and 90s TV heartthrob Jordan Catalano, but she also launched a conspiracy theory that had legs. After all, no one just naturally hates teleprompters enough to launch a full-scale war on them in the middle of a presidential campaign. There’s more to it than that. Pete Davidson knows what we’re talking about.

The NRA Is A Cult (2018)

Revisiting this metaphorical flogging feels a bit sweeter now that America’s number one gun cult has been forced to file for bankruptcy. We’re not saying Bee’s late-night segment heralded the NRA’s demise, but we’re not not saying that either. Not only did this investigative bit of journalism uncover evidence of Mike Huckabee’s musical career — video footage probably best left unseen — it also managed to draw the dots between Scientology and the NRA and sneak in a Tom Cruise short joke for good measure.

Sam Sits Down With Trump Supporters By The Sea Shore (2016)

This segment makes our list for the sole fact that Bee was able to keep her cool, and even crack a few jokes, while interviewing a group of college-aged Trump supporters who, at one point, accused her of “trickle-down media whoredom.” Also, the fact-checker hyperventilating in a corner while these tool bags had their white supremacist cocktail hour was a nice touch.

Sexism In Country Music (2020)

This segment opens with a vintage video clip of Reba McEntire explaining how she snacked on bull testicles as a child and just gets better from there. Correspondents Sasheer Zamata and Amy Hoggart have a good rapport and manage to recruit even non-country fans into this fight against blatant sexism within the industry. If only they could agree on a slogan.

We Need To Talk About Stephen Miller (2018)

Look, Stephen Miller’s ever-receding hairline is terrifying but you know what’s even more nightmarish than his clear desire to look like some kind of racist Voldemort in a Brooks Brothers suit? His ability to convince the president of the United States to co-op his nationalist agenda. Well that, and his strange crusade against janitors.

Abortion Texas-Style (2016)

Full Frontal has a way of making women’s health interesting and relatable, even to those who don’t have a uterus (gasp, isn’t that a swear word?). In this deep dive into the ridiculously strict rules placed on medical providers who offer abortion services within the state, Bee borrowed a bit of what she learned from her stint on The Daily Show to let Republicans (and ill-equipped Democrats) metaphorically hang themselves with their own idiocy rope. Also, she put a shark head on an RBG impersonator and let them dance while she did it.

Using Deep Fakes For Good (2019)

During her “Not The White House Correspondents’ Dinner,” Bee introduced the very real threat of deep fakes, the tech that can impose images and is being used for everything — but mostly, ya know, porn. As terrifying as this digital mutation is, it’s nothing compared with the visual of Nick Cage’s face plastered onto Sam Bee’s body.

Rape Kit Backlog (2016)

This is probably Full Frontal’s most recognizable skit and for good reason. Not only does Bee appropriately skewer the bureaucracy that allows states to discard backlogged rape kits like they’re some kind of justice-smothering Marie Kondo, but she also slams a female senator from Georgia who’s consistently killed bills trying to fix the problem. Oh, and she explains what actually constitutes rape incase you’re some bumf*ck sheriff in Idaho who’s having problems understanding the nuances of consent.