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All The Best New Indie Music From This Week

Indie music has grown to include so much. It’s not just music that is released on independent labels, but speaks to an aesthetic that deviates from the norm and follows its own weirdo heart. It can come in the form of rock music, pop, or folk. In a sense, it says as much about the people that are drawn to it as it does about the people that make it.

Every week, Uproxx is rounding up the best new indie music from the past seven days. This week is full of epic covers: a chilling remix of Miley Cyrus’ “Midnight Sky” that interpolates Stevie Nicks’ “Edge Of Seventeen,” a Nine Inch Nails cover from St. Vincent featuring Dave Grohl on the drums, and a new cover from Justin Vernon and Aaron Dessner’s Big Red Machine. Check out the rest of the best new indie music below.

Darkside – Psychic Live July 17 2014

After releasing their first and only collaborative album in 2013, Nicolás Jaar and Dave Harrington toured heavily for the better part of a year under their moniker Darkside. Although the duo split up shortly thereafter, they recently unearthed a discarded recording of one of their last-ever shows, a document of a band burning brighter than ever, ready to explode.

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Record Setter – I Owe You Nothing

On their new LP, this Denton, Texas screamo band is candid as candid as ever. I Owe You Nothing is emotional, raw, and thrashing in its delivery, making for one of the most instantly invigorating and vital records of 2020.

Donovan Woods – Without People

Written and recorded during the throes of quarantine, Donovan Woods’ new album puts on full display the songwriter’s charming rustic aesthetic. Each song is more evidence that Woods could be an “updated version of Gordon Lightfoot,” as Steven Hyden wrote in our latest Indie Mixtape newsletter.

Miley Cyrus – “Edge Of Midnight (ft. Stevie Nicks)”

Miley Cyrus has been on a classic rock roll lately. Her latest solo “Midnight Sky” was already good, but the track’s cool factor goes up exponentially on the new remix, which opens with the instantly familiar guitar riff that prefaces Stevie Nicks’ solo hit “Edge Of Seventeen,” and features interpolated Nicks and Cyrus harmonizing throughout. It’s really awesome.

Big Red Machine – “Wise Up” (Aimee Mann cover)

Big Red Machine’s latest release is an Aimee Mann cover that comes as part of Justin Vernon’s For Wisconsin initiative, which has given performances and hosted conversations to implore more residents from his home state to vote in the 2020 election. Aaron Dessner takes the lead vocals on the cover, while Vernon provides backing support and handles some of the production.

St. Vincent – “Piggy” (Nine Inch Nails cover)

To celebrate Nine Inch Nails’ long-awaited induction into the Rock And Roll Hall Of Fame last weekend, St. Vincent gave an electrifying cover of the group’s track “Piggy” from their 1994 album The Downward Spiral. The cover is a good reminder of St. Vincent’s never-ending musical versatility, composed atop an industrial backbone but showcasing her haunting vocals.

ManDancing – “Wall Spot”

ManDancing sound bigger than ever on the latest single from their new album The Good Sweat. “Wall Spot” is a slow burner that builds to a cinematic, Manchester Orchestra-inspired finale, where Stephen G Kelly’s vocals at times evoke the earnestness and drama that imbued the best of Gerard Way’s My Chemical Romance days.

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Phoebe Bridgers Will Reimagine Some Of Her ‘Punisher’ Songs In The EP ‘Copycat Killer’

Phoebe Bridgers debuted her highly-anticipated sophomore record Punisher earlier this year and while the album has only been out for a few months, the singer is gearing up for a new project. Bridgers announced she’s just a few weeks away from releasing the EP Copycat Killer, which boasts alternate versions of several Punisher songs. Teasing the new project, Bridgers shares a transcendent rendition of her track “Kyoto.”

While the alternate version of “Kyoto” still holds the integrity of the original, Bridgers tapped Grammy Award-winning composer Rob Moose to lend a hand on the instrumentals. On the new track, Moose expertly blends soothing samples with atmospheric synths and heart-tugging strings as Bridgers gently delivers her earnest ballad.

Ahead of the album announcement, Bridgers spoke to Uproxx to offer some meaning behind her Punisher tracks. Revealing that “Kyoto” is a commentary about her mental health, Bridgers said: “I think you’re stealing from yourself if you don’t go to therapy, basically. I thought for a lot of my life I could just kind of bulldoze through my own mental health issues and just live my life anyway. And it works sometimes, but then in quiet moments by a f*cking river in Japan when you’re thinking about your f*cking … or you’re not thinking about anything and your thoughts become weird, gray matter. You’re like, ‘Damn, maybe I should examine why my brain does that.’ That’s mostly what it’s about.”

Listen to her alternate version of “Kyoto” above and see Bridgers’ Copycat Killer album art and tracklist below.

Dead Oceans

1. “Kyoto”
2. “Savior Complex”
3. “Chinese Satellite”
4. “Punisher”

Copycat Killer is out 11/20 via Dead Oceans. Pre-order it here.

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‘SNL’ Scored Its Highest Ratings In Years With Dave Chappelle’s Post-Election Episode

This past weekend’s SNL was an eventful one. Dave Chappelle hosted, Foo Fighters was the musical guest, and, oh yeah, it was the first episode since Joe Biden won the election against Donald Trump, finally ending the wheezing Alec Baldwin-as-the-president-era. Put it all together, and you had the show’s best ratings in over three years.

SNL scored a 2.6 rating among the all-important adults 18-49 demographic, “its best since May 2017 and the best for any comedy telecast on Nielsen-measured TV since the series finale of The Big Bang Theory 18 months ago,” according to the Hollywood Reporter. “It also drew 9.06 million viewers, the most since a December 2019 episode with host Eddie Murphy (9.96 million).” The last episode to do so well in the 18-to-49 age group was in May 2017 when Melissa McCarthy hosted. Turns out having funny people host — Chappelle, Murphy, McCarthy — makes for quality television. Who knew?

Vs. the comparable 2016 post-election SNL (8.691 million, 3.15 18-49 rating), also hosted by Chappelle, this year’s show was +4 percent in total viewers and off a bit in 18-49. The 2.62 rating in 18-to-49 doubles SNL’s November average from last season (2.62 vs. 1.28, +105 percent). In total viewers, the increase is +3.031 million viewers or +50 percent (9.064 million vs. 6.033 million).

The most-watched clip from the episode on YouTube is the cold open.

Uncle Ben remains the best, however.

(Via the Hollywood Reporter)

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Black Sabbath Bassist Geezer Butler Shares His Ironic Opinion Of Cardi B’s ‘WAP’

There’s an old saying that we become whatever we fight against. In the case of music, it’s especially true; the artists who were once chastised for pushing the boundaries of social norms become the ones berating their successors for doing the same thing. Once upon a time, the English heavy metal band Black Sabbath left conservative observers clutching their pearls due to their dark content and “offensive” presentation. Now, ironically, one member of the band has some heavy criticism for one of today’s edgiest stars.

In a new interview with Kerrang!, original Black Sabbath bassist Geezer Butler explained the above-mentioned phenomenon, using his own feelings about Cardi B’s hit single “WAP” as an example. “Whatever new music comes out, it’s viewed as the devil’s music,” he explained. “I remember when Elvis came out everybody said he was Satan. And then in the ’60s and ’70s he became America’s national treasure. It happens with every new wave of music. Like metal, obviously. The Christians were going mental when Sabbath came about. And then when rap came about, people were up in arms about that and certain words that rappers were using.”

However, he says, he’s now fallen victim to this mentality himself, thanks to Cardi B’s ode to her genital juiciness. “I have to say, though, that Cardi B pisses me off with that ‘WAP’ song,” Butler continued. “It’s disgusting! But there you go. A friend of mine didn’t know what the song was about but his 10-year-old girl was singing it! I was like ‘What?!’ To put it on the album, fair enough. But to put it out as a single? That’s a bit much.”

Butler did leaven his criticism with a little self-deprecation. “Then again, I’m 71,” he joked. “A bloody old goat!”

“WAP” has drawn its fair share of critics outside of Butler though, from Ben Shapiro to some of the forefathers of rap. None of that stopped it from becoming one of the most successful singles of all time.

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Ryan Reynolds Pays Tribute To Alex Trebek, Who Filmed A ‘Free Guy’ Cameo While Battling Cancer

The death of Alex Trebek caught the world by surprise on Sunday, as news of the beloved Jeopardy! host succumbing to his battle with pancreatic cancer arrived on the heels of Joe Biden winning the 2020 presidential election. It was an emotional time for fans of the classic TV quiz show and Trebek’s comforting presence that anchored each episode of Jeopardy! for over 30 years. As tributes poured in, fellow Canadian Ryan Reynolds issued a heartfelt note of thanks to the late host, who graciously took the time to appear in Free Guy even while undergoing cancer treatment. Via Twitter:

“Alex Trebek was kind enough to film a cameo for our film Free Guy last year despite his battle. He was gracious and funny. In addition to being curious, stalwart, generous, reassuring and of course, Canadian. We love you, Alex. And always will.”

A brief preview of Trebek’s cameo can be seen in the second trailer for Free Guy, which racked up an impressive amount of views shortly after its release. In the short clip, Trebek is hosting an episode of Jeopardy!, which includes a question about Reynolds’ character, who is in the middle of dramatically altering the game world he lives in after falling in love with Killing Eve‘s Jodie Comer.

You can watch the second Free Guy trailer below:

While Trebek’s death was a shock as he seemed to be doing well with his experimental treatment for pancreatic cancer, the host can still be seen on Jeopardy! for a little while longer per his final wishes. On Monday night, producer Mike Richards aired an emotional cold open where he honored Trebek and revealed that the late host had filmed episodes as recently as two weeks ago. “We will air his final 35 episodes as they were shot. That’s what he wanted,” Richards announced.

(Via Ryan Reynolds on Twitter)

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Rico Nasty Is A Destructive Force In Her Defiant ‘Oh Fr?’ Video

Now that Rico Nasty‘s debut album Nightmare Vacation has an official release date, she and her team have turned the dial on the album’s promotion up to full. Following up “Don’t Like Me” with Don Toliver and Gucci Mane, Rico shared her latest single, “Oh Fr?,” debuting the new track on Apple Music Radio.

Of the new track, Rico told Apple Music’s Zane Lowe working with 100 Gecs again was “so natural… As soon as I heard the beat, I heard eight seconds and I just went right in there. Just like the other ones. I love it.” She also credited her A&R with introducing her to the genre-bending duo, saying, “I heard about 100 Gecs from my A&R. I’m always asking him to put me on to weird sounding sh-t. I was looking for something. I like ear orgasms. I like stuff that might be normal to another person to listen to, but it just tickles my fancy.”

She also revealed more about the process of making Nightmare Vacation while in quarantine. “I had my ego shot down a little bit by quarantine and just by growing up in general,” she said. “I just think this whole project, it was made during the time where this is probably the first time in my life where I wasn’t on ’10,’ as far as confidence. Within myself, my personal life, normally everything’s great. And making this album just started getting real tricky balancing life.”

“That’s why I named it Nightmare Vacation because all the sh*t that I was scared of at one point, scared to do and scared to say, it just became my second nature,” she elaborated. “I want to say that sh*t, I don’t care if I hurt somebody’s feelings. I’m going to wear it. I don’t care if I get dirty looks. Just et cetera, et cetera, it goes on and on. Nightmare Vacation is really just about being yourself, your truest self, going through things that people tell you you can’t get out of and getting out of them, coming out a rockstar.”

Nightmare Vacation is due 12/4 via Atlantic Recordings.

Rico Nasty is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Why Caron Butler Is Optimistic About The Social Change The NBA Helped Inspire In 2020

Throughout the summer, Caron Butler has been a leader within the NBA in the league’s efforts to educate fans about systemic racism, how it affects the athletes of the league and their communities, and what the league is doing and can do about it.

After hosting a series of roundtables centered on the protests against police brutality that raged all summer, Butler pivoted to hosting “1-on-1 With Caron Butler” on the NBA’s YouTube and social media feeds. On the show, he hosted everyone from WNBA star Natasha Cloud and NBA players’ association head Chris Paul to leaders from the political and activist community.

The two-time All-Star and 2011 NBA champion caught up with DIME to discuss the series, his thoughts on the players’ and league’s work this summer, and what comes next after the election.

We’re talking the day after the election and that’s obviously been a big date looming all year, so I’m curious now that results are starting to get finalized, how do you think people will remember the part the NBA and WNBA and athletes in general played in this year’s campaign?

Well, I think that I give so much credit to the NBA for providing us with a large platform, because what has happened in the past is, you have had, you know, so much bravery and people have had discussions amongst each other in locker rooms, and things like that. But we needed larger platforms to echo our concerns and what we were extremely passionate about. And I felt like through tragedy, with the death of George Floyd, Ahmad Arbery, and countless others, it was a silver lining, and a time for all of us as a collective to come together and to stand on the right side of justice.

I think guys took that upon themselves, as leaders in these communities and say, Look, we’ve been doing impactful stuff for quite some time. The giveaways, you know, coming into the communities, but let’s amplify that. And, you know, drive real change, and now you’re seeing it in the numbers.

When we think about the players in our association, over 96 percent of them are registered to vote and have voted. And I think that that’s a huge thing. And when you think about all the coalition’s that have been collectively put together, you know … from I Am A Voter, When We All Vote, the More Than A Vote initiative, it’s just been amazing to watch that momentum just kind of happen.

You mentioned some of those organizations, a lot of it was geared around voting, increasing turnout, increasing turnout among, Black people and communities of color, things like that, that are not necessarily priorities for national organizations, but that are priorities for so many of the players that come from those communities. Does that say to you that that focus was on the right thing and ended up being successful?

Yeah, it was great. But I want to rewind for a second, (because) you said something that was extremely important. And it’s like, we come from these communities, right, these urban communities, and we’re trying to shine a light on a lot of situations, but also, the people that don’t look like us, I thought it was extremely important for us to have this large platform. So people can really see what’s some of the problems is that you wasn’t raised in and you feel doesn’t exist.

The large majority has come to the conclusion that racism is real, all these isms, when you talk about suppression, you know, what’s happened in this country for centuries, and that has been swept under the rug needed to need to have a bright light shined on it. And that’s exactly what we did.

That does transition a little bit to what you did with your show, because obviously, I think that can go a long way in opening people’s eyes to some things, especially, you know, if you’re catching an NBA fan who might not be active in those types of spaces normally. How did you hope that the 1-on-1 series would help what so many of the players are already doing with regard to voting and education and things like that? What else did you hope to accomplish with those interviews?

Well, I wanted to amplify all of our voices. … They gave us a massive platform that they, you know, they shared, shared, people started getting engaged. And then it was just it took on a life of its own. But also, I think that, you know, every show, I’ve learned something. I’ve been Black my entire life. That’s something that never changed. And I’m so proud of it. And I’ve been able to, you know, talk about some of the things that I’ve personally experienced, about racism, about being profiled, and all these different trainings. I was incarcerated, I went through the system. I know what’s wrong with the system. It’s fractured in multiple ways.

Having (Equal Justice Initiative executive director) Brian Stevenson on, having (former Obama administration senior adviser) Valerie Jarrett on, to talk about everything that’s fractured about our system, how there are some amazing things about our system as well. But it’s things that we can really do as collectives to come together and get bills passed. We talk about the three branches of government, and how that performs and how that works. All these people still represent the people and they’re in elected positions. And I had to repeat that multiple times on the show when we talked about the three branches of government, because everybody was worried about Nov. 3, Election Day, but it’s other elections that we need to be concerned about, that really make up and create this democracy that that we’re a part of and that we live in.

It’s a trickle down effect. … You know, we’ve learned about the three branches of government, and then all of a sudden we got away from it. So all it came down to was just the presidential election. Did you vote in the midterms? Do you know who your local senator is? Do you know your lieutenant governor? Your sheriff? You hear all these people, the district attorney, and the mayor and all these things. I was just like, man, it’s so important for us, as you know, those that have massive platforms and influencers to have relationships with these people. And if they don’t have a proposal on our community, if they don’t have a proposal on some of our concerns and things that we’re passionate about, then you have to make sure that you vote them out. That is your right. And I think that people just got away from that because they felt like their vote didn’t matter.

I wanted them to know, everyone that tuned in, that your vote does matter. Your influence is needed. And it is desperately needed in this time. I feel like this (was) the most important election of our lifetime, but it’s not the only election that we should be concerned about. So I got better from every conversation that I had over 41 episodes. And I know our viewers and listeners did as well. I’m still getting DMs and all that just saying like, wow, like that was a powerful episode. With that guest, I never knew that, I learned so much. It was just a blessing to be a part of.

One of the things you just said I think is one thing that I really noticed as well, which is you interviewed, like you said, everyone from a former White House adviser like Valerie Jarrett, all the way down to Detlef Schrempf, who, you know, most people wouldn’t even think of as somebody who might be involved with American politics or communities in this country, because they would just think, oh, he’s a foreign player. So why was it important to you to interview such a wide array of people and get such a wide array of voices involved in this, this series?

That’s because that’s where real change happened. Because you’re able to see the world through the lenses of so many different individuals. This was a bipartisan platform, right. We didn’t, favor, any left, right, anything, we were just having real discussions and real dialogue on some of the things that, you know, our concerns, and we all came in with opinions.

I think that’s the beauty about, you know, just having these conversations and having a large platform and these conversations, and I think viewers and listeners all walked away with something that you can just reset, add to the fabric of your life, and go out there and influence you to be a better version of yourself, and also use that, that insight you learned off the platform to influence others.

When you were talking about defunding the police, and things like that, and, you know, what does that really mean? You know, when you hear that it sounds like an ugly word, like you want to just walk away, but this is talking about reallocating capital in different places and bringing resources back to, you know, the communities that are most affected. It opened up your eyes to just different things and to view the world through a different lens. And I thought that was extremely important, having a wide range of people on.

Was there any one interview that surprised you most, or a tidbit you gleaned from someone you spoke with for this series that you weren’t expecting?

I was thinking about Mitch Landrieu and I was thinking about how some of the efforts that he was doing that I had mentioned, Mitch Landrieu, Mark Morial, the president of the National Urban League, and those are the visuals, the platforms that we share. It was amazing, because I never knew that he was responsible for taking [down] some of the Confederate-style statues and things like that, you know, in the rural part of Louisiana, and I was like, wow, like, he took that step.

Once, it wasn’t talked about enough, when he pivoted into that space, and also just the bravery of, you know, him going down that path and doing that, but I didn’t even know you can take that. And it opened my eyes to the history that, you know, I pass by every day in my life. I’m from a predominantly white state, Wisconsin. And, seeing some of the statues, that was an educational lesson for me. I start pulling over and reading some of the statue spots, I would pull over and just read like, what is this a representation of?

Every NBA fan knows who Caron Butler is. Like you’re an All-Star, an NBA champion. We know who you are. But I think it would surprise fans necessarily to see like that you’ve been such a leader in this space, they might assume it would be, you know, always a Chris Paul, always a LeBron James, what led to you kind of taking on this role in the league? Did you maintain a relationship doing some of these types of things in the past few years? What made it so that you were the guy doing this show?

This has been the story of my life. I’m glad you asked that question, because this is not something that I’ve come into. I’ve been true to this my entire life. I’m 40 years old, and my entire career has been, you know, just giving back, educating, informing, and giving back to my community in a real way. I’ve always celebrated Juneteenth Day. It’s been our independence day, for as long as I can remember.

I’ve always been informed and educated. My grandparents came from the cotton fields of Mississippi. They migrated up north to Wisconsin, you know, for assembly line work at JIKs factory. So I was always informed and educated about the fabric of how this country was functioning, and I was always taught to stay true to my roots and for my history. So, fast forward to 20 plus years of living this way, and having a great relationship with the NBA. They just amplify my voice, they amplify my athletes and all of our effort.

It usually goes to the poster child, you know, the LeBron James, the Giannis, the Chris Pauls, and all these guys, but to for the NBA to pivot and say, you know, what, we know that you live this life, as part of the fabric of everything that you are, you know, we’re going to give you a platform to just inform, educate, and, you know, do what you do best and it’s not something that’s reaching or anything, because this is who you are. We’re just going to just record you being who you are.

To turn back to the election for another question, we don’t know exactly the results of every single race up and down throughout the country. But I think it’s fair to say that there was maybe some hope that this thing would have been a landslide in the other direction. And it’s shown to be pretty close. It’s shown that there’s still division here, there’s still a long way to go to get things in line with a lot of the issues you talked about in this series, and that we’ve talked about in our conversation. Do you think of it as a disappointment that some of the voices you had on your show and some of the voices you’ve uplifted, didn’t necessarily come through as much as they could have last night?

I think that the voices in the people that really, you know, drove change, they did all that they could and they left it out there. This is a marathon, it’s not a sprint, and you got to have endurance in a race like this. We’re talking about our democracy, we’re talking about centuries of something that has been a certain way for quite some time, and how suppression and all these things are amplified.

Now morally, right, I felt some type of way last night, just because of the climate of our country, and, you know, people, the energy, and the lack of empathy around the country. But at the same time, you know, I was, I was rather disappointed, but I’m still hopeful, because I know that through mail-in ballots, and through all these things, people are really, you know, showing up. We set record numbers in certain states. In Wisconsin, this was turnout, that, that that was just extremely impactful for us. It was decided in 2016 by 20,000 votes but now it looks like, you know, Biden is pretty much gonna win that, and I was just, you know, I was hopeful about that, because I know that people put their best foot forward to do the right thing there.

But, look, it’s not gonna be fixed this calendar year. And I said that multiple times on the show, you know, all the things that existed in this country for quite some time, they continue to get swept under the rug, it’s going to gradually change. But the thing I’m hopeful about, you know, 2035, 2040, these teenagers, these kids, the next wave, they’re starting to get engaged into politics. They’re starting to get engaged to who their representatives are, who represents them, who has a pulse on these communities.

I sat down yesterday watching the election, my 16-year-old daughter, my 17-year-old neighbor, 18-year-old son, everybody’s just like, you know, what, I can drive change, I can make a difference. Like, when I was that age, I didn’t care about those things. But now kids, you know, the younger next wave, they’ve started getting engaged. And let’s face it, we are the new ancestors. And I was inspired by them, because we’re using our platform to inspire with all the resources, but imagine what the next wave are going to be like, when it becomes the majority.

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The War On Drugs Are Releasing A Podcast To Accompany Their Upcoming Live Album

In a couple weeks, tremendous live band The War On Drugs will release their first live album, Live Drugs. Alongside the collection, the band will also roll out a new podcast, The Super High Quality Podcast (which is named after Adam Granduciel’s Super High Quality Records, the label that is releasing the live album).

A synopsis of the podcast reads, “In a year without concerts, The War On Drugs are set to release ‘Live Drugs’ on their own Super High Quality Records. In this podcast, guitar tech and band confidant Dominic East listens as the band talks casually about how they arrived at the performances and the decision to release their new live album.”

Additionally, the band offered another preview of Live Drugs today by sharing their cover of Warren Zevon’s “Accidentally Like A Martyr.”

Granduciel previously said of the album, “As a band leader, I always want to know where a song can go. Even though we’ve recorded it, mastered it, put it out, and been touring on it, it doesn’t mean that we just have to do it the same way forever. It feels like it’s kind of a reset, to be able to put something out that’s a really good interpretation of the way we interpret our music live. Even though this recording is from a year of tours, this is really how these six guys evolved as a band from 2014 to 2019.”

Check out the podcast trailer and the “Accidentally Like A Martyr” cover above.

Live Drugs is out 11/20 via Super High Quality Records. Pre-order it here.

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Russ Reveals He Makes Nearly $100K A Week From Streaming As He Calls For Artists To Own Their Music

Artist royalties have been at the forefront of the conversation about fair pay in recent months after several musicians aired grievances about their labels. Migos recently sued their lawyer after alleging they had been cheated out of millions in royalties and indie label Tiny Engines underwent a reckoning when several artists on their roster claimed they hadn’t been paid. Because of the discrepancy in payouts, many musicians are calling for clarity in the music industry — and Atlanta rapper Russ is no different.

In a move to prioritize transparency, Russ took to Twitter to share receipts that show how much he makes in a week from streaming services alone. The rapper shared results from two separate weeks, and it looks like he’s nearing $100,000 on average. Russ also called for artists to be aware that owning their own music is the first step to seeing a major payout from streaming revenue. “artists : own your music and stop letting these labels take 15% distribution fees for pressing an upload button,” he wrote.

Of course, not every artist is able to make six figures a week on streaming alone. Russ’ lesson on music ownership arrives when talk of streaming payout are also coming to a head. Spotify, which is oftentimes cited as the service which pays smaller artists the least amount per stream, recently announced they would be adding a new feature to their platform. The service will allow artists to promote their music in listeners’ algorithms — only if they agree to forfeit a percentage of their royalties.

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Kevin Feige Settled Upon ‘WandaVision’s Sitcom Vibes For A Reason That Makes Perfect Sense In 2020

Disney+ will launch WandaVision in December as the first of several MCU-geared TV series, which will (if all goes as planned) help propel Phase 4 into theaters — whenever that can happen. Obviously, release dates for Black Widow, The Eternals, and Shang-Chi all moved to 2021, and Disney+ is still working on finishing Falcon and the Winter Solder production, but WandaVision‘s vibes so far suggest that it won’t disrupt the planned flow (though it might add mutants). Last year, D23 footage promised a Marvel entry like we’ve never seen before — this looked like a not-at-all-subtle homage to The Dick Van Dyke Show and Bewitched with some The Outer Limits tossed into the mix — and the series trailer has reflected that feel.

Essentially, Wanda and Vision will be throwing back to campy 1950 classic sitcoms, and as a new Entertainment Weekly feature revealed, the show leaned right into a live studio audience for laughs. The piece contains a lot of cool tidbits, like how Paul Bettany was painted blue instead of red when they shot black-and-white segments, and Kevin Feige has explained why he decided to do the sitcom thing. As it turns out, he’s a diehard-sitcom guy who loves to watch Nick and Nite-style stuff on MeTV before work each day, and it helps him escape the news:

“I would get ready for the day and watch some old sitcom because I couldn’t take the news anymore. Getting ready to go to set over the last few years, I kept thinking of how influential these programs were on our society and on myself, and how certainly I was using it as an escape from reality where things could be tied up in a nice bow in 30 minutes.”

It sure sounds like WandaVision might make 2020 feel a little more tolerable, if Feige’s approach works out. As far as format goes, Teyonah Parris, who portrays the grown version of Captain Marvel‘s Monica Rambeau, told EW that the show feels like “six Marvel movies packed into what they’re presenting as a sitcom.” So, it’s a limited series, but there will be many other MCU shows, including Loki shenanigans to come.

WandaVision also stars Kat Dennings, Randall Park, and Kathryn Hahn. Expect a debut sometime in December.

(Via Entertainment Weekly)