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Here’s Everything New On Netflix This Week, Including ‘Away’ And ‘I’m Thinking Of Ending Things’

Netflix ushers in September with a new space drama starring Hilary Swank and a creepy Charlie Kaufman film about meeting the in-laws.

Swank and Josh Charles play a couple trying to make it work on different planets in Away, which feels less thrilling than it should be despite the fairly good special effects. For something a bit more grounded — and let’s face it, weird — Kaufman’s family drama starring Jessie Buckley and Jesse Plemmons is here to scare you off that relationship milestone for good. Seriously, when will people learn not to let Toni Collette throw their dinner party?

Here’s everything coming to (and leaving) Netflix this week of September 4.

Away (Netflix series streaming 9/4)

Hilary Swank heads to space in this new sci-fi series that follows an international crew of astronauts going where no man (or woman) has gone before: Mars. Swank plays Emma, a calculated and controlled captain at NASA who leads a team of eclectic geniuses from various ethnic backgrounds — there are astronauts from China, Russia, India, and the UK on board — to the red planet while back home, her husband (Josh Charles) and teenage daughter face their own struggles.

I’m Thinking of Ending Things (Netflix film streaming 9/4)

Charlie Kaufman’s latest film is based on a book of the same name and stars Chernobyl’s Jessie Buckley as a young woman meeting her boyfriend’s parents for the first time, which normally would be a happy event except she’s secretly been planning to break up the with the guy. That guy is Jesse Plemons, who seems to be in everything these days, and along with Toni Collette and David Thewlis who plays his parents, they make for hellish dinner mates.

Here’s a full list of what’s been added in the last week:

Avail. 8/31/20
Casino Royale
Quantum of Solace

Avail. 9/1
Adrift
Anaconda
Back to the Future
Back to the Future Part II
Back to the Future Part III
Barbershop
Barbie Princess Adventure
Bookmarks: Celebrating Black Voices
Borgen
: Season 1-3
The Boss Baby: Get That Baby!
Children of the Sea
Coneheads
Felipe Esparza: Bad Decisions
Glory
Grease
La Partita / The Match
Magic Mike
The Muppets
Muppets Most Wanted
Not Another Teen Movie
Pineapple Express
Possession
The Producers
(2005)
The Promised Neverland: Season 1
Puss in Boots
Red Dragon
Residue
Sex Drive
Sister, Sister
: Season 1-6
The Smurfs
True: Friendship Day
Wildlife
Zathura

Avail. 9/2
Bad Boy Billionaires: India
Chef’s Table: BBQ
Freaks – You’re One of Us
Afonso Padilha: Alma de Pobre
Love, Guaranteed
Young Wallander

Avail. 9/4
Away
I’m Thinking of Ending Things
The Lost Okoroshi
Spirit Riding Free: Riding Academy: Part 2

And here’s what’s leaving next week, so it’s your last chance:

Leaving 9/5/20
Once Upon a Time: Seasons 1-7

Leaving 9/8
Norm of the North: King Sized Adventure

Leaving 9/10
The Forgotten

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Antony Starr On Why It’s So Good To Be A Bad Guy On ‘The Boys,’ And Being Recognized On Airplanes

Amazon Prime’s super-cynical take on superhero culture, The Boys, is back with a deeper (and still graphic) second season. Showunner Eric Kripke maintains the same momentum as his first stab at adapting Garth Ennis’ comic book series, and fortunately, Antony Starr’s Homelander remains the most irrepressible part of the show, even with fierce competition from Aya Cash’s Stormfront. Starr’s magnetism in his role cannot be denied, even if it’s slightly guilt-inducing to watch him botch a transatlantic plane rescue before casually dooming all passengers to death to save his own reputation, moments after dazzling them with a smile. More than any other Supe, he’s actually an outstanding supervillain, and the show’s fans love to hate the guy in the best way.

Starr was cool enough to hop on the phone with us to discuss his anti-Captain America-Superman hybrid, whose escapades grow (as difficult as it might seem to believe) even more f*cked up this season. Homelander fully immerses himself into the depths of his depravity, with Starr driving those acts home. The New Zealand actor told us how he gets into this guy’s super-sick head and why it’s so refreshing to make sure Homelander is a straight-up bad guy. We also discussed a Homelander scene that didn’t make the Amazon cut last year, but there’s hope for the future on that note. And we discussed the sitcom that Starr would enjoy lasering the hell out of, given the opportunity.

It’s gotta be bizarre to promote Season 2 through computer screens and phones after last year’s events and junkets before launch.

Yeah, oh god, where do I start with that? First of all, it’s kind of a blessing and a curse. Obviously, COVID is a curse completely, but doing press in the middle of a pandemic? On the one hand, you get to stroll into your living room, and you don’t have to travel anywhere, but the bummer is that you don’t get to travel anywhere and see any fans, like at Comic-Con, for example. With Season 1, we went to San Diego, so after all that hard work, you get to celebrate the release. So there’s nothing like that now, other than a drive-in screening, but that’s about it. So, it’s a bummer not to have that interaction, out there in the world and to feel it in a slightly more tangible way. The response across the board from the fans and 95% of critics has been very positive, and I’m always tentative about these things, but we feel really good about the season. So it seems like it’s on the right track to keep building a good base and keep the fans that we have happy.

Well, when you do travel, and when you step onto an airplane… are people afraid? Even though you don’t really have blonde hair, people must recognize you.

That’s hilarious, yeah! Actually, that hasn’t happened on a plane, but when we were shooting Season 2 up in Toronto, there was a lot of it then because I had the blonde hair, and unless I wear a hat and glasses, there’s no real way to hide it. In the middle of summer, I tend not to, so it’s funny because there were a lot more odd glances at the potential psychopath in their midst. At the end of the season, the only way to fix the damaged hair is to shave my head. As soon as that happens, the world backs off. The place that it comes up the most on social media is with people taking photos on planes, like, “Oh my god, Antony Starr just got on the plane!” It does make me chuckle, but it’s great. I love to see the fan responses to things because that’s why we do all this. No show is made for anything other an audience.

This season’s certainly more graphic, but it’s also emotionally deeper for the characters. Obviously, Homelander is going through a lot.

That’s what the intention always was for Season 2. Not only to go bigger but deeper, so it would be at least as fulfilling storylines because of that. And I think we pulled it off, and it actually got bigger as well, which is no mean feat. But Eric Kripke was always very conscious of making this a step up or at least as good as Season 1, and I think the very rightful way was to do that to go deeper with characters. Like you say, Homelander is facing a lot of challenges, and that’s one of the things that we really tried to do in Season 2. To take this usually in-control character and really destabilize him. At the start of the season, he feels pretty good about where he’s at and what he’s done in Season 1, and then very swiftly, he has all of that terra firma removed and is basically struggling to find solid ground and reassert himself… which was a lot of fun to fiddle with and discover.

How do you get into the mindset of playing such a reprehensible sadist? I mean, you seem like a pretty nice person.

Ahhhhhhh, but you haven’t met me! See, we’re only talking on the phone! But honestly, it’s just one of those things where everyone’s got a dark side, and we live in a world of duality, and everything contains its opposite, so I think you have to be in touch [with it] if you’re in a creative workplace, the darker parts of yourself as well as the lighter parts because otherwise, it’s gonna be a little saccharine and not honest and probably a bit one-dimensional, so I think there’s that. And then maybe the shorter answer would be that you just really have to have a warped mind in some way, and just let it rip on camera and be able to turn it off.

There is a character who goes through redemption this season. It is not Homelander, but do you think he’s capable of any form of redemption?

I don’t think, oh geez, no, I really don’t think so!

[Laughs] Yeah, he is simply screwed.

I think the damage is done! I wanna say yes, but two things: (1) I think it’s impossible because this guy is so deeply screwed-up from what’s happened to him and the environment he was raised in and going from that to basically becoming a corporate product. I think he’s so messed up that there’s only glimpses and maybe a little bit of hope here and there that’s never gonna be realized; and (2) I don’t think you ever wanna see him redeemed. At least I don’t. I like the idea of the bad guy just being the bad guy. That doesn’t mean that we don’t wanna understand what makes the guy tick, and every now and then, have conflicted feelings about him, but with redemption as a broader sort of ideal, I don’t wanna see Homelander turn into some good guy.

It is refreshing to not see some sort of anti-hero thing going on because that’s flooding movies these days. And then you’ve got Homelander. He really hits you with what he is, and audiences can appreciate that right now.

Yeah, I think so! The way that you described the character is the micro-version of the macro of the show. A lot of what people have appreciated about the show thus far is that we’re not pulling any punches. It is in your face. We’re not trying to be, well, the show has no moral ambiguity. Bad things are bad, and good things are good. it’s very clear, but those things are kinda turned on their head when it comes to character, and I think we pretty saturated with comic-book adaptations and graphic-novel adaptations, and 95% of them are pretty morally upright. Our heroes are pretty morally bankrupt, so I think people like that. There’s still a very clear sense of right and wrong, it’s just being messed with. I think people are ready for a fresh take on the whole genre.

If you could ever plop Homelander into another TV show or movie and have him just destroy everything, what would it be?

Ohhhhhh, you’re basically saying, which show don’t I like?

You could read it like that, yes. Or even something that you do like and want to really see him be a part of.

I think it’d be really interesting to see Homelander. I’ll answer both questions. First of all, I wouldn’t mind seeing Homelander laser all the characters on Full House, the original one. And then in terms of a battle, I would like to see him go into some kind of cartoon world and battle like The Incredibles.

I’m here for that. Sorry, Uncle Jesse! You lost to The Incredibles.

A cartoon version of Homelander! Something to behold, I think.

Now when The Boys arrived, people were feeling some superhero burnout, and this show still hit the spot. Now, however, fans are starved for superhero movies, so do you think the reaction will be different now?

Well, I think that burnout is exactly what [I was talking about above] for Season 1, but for Season 2, you’re right. It’s definitely slim pickings out there. No movies are being released. Bizarrely, a few of us jokingly referred to this show as “a virus we were unleashing on the world,” and of course, the world has unleashed its own virus on us, and that’s kinda created a captive audience to a large extent. It’s a horrible way to have people find the show, but perhaps people are a little more excited about it because there has been such a reduction in the content that’s out there. We’ll see, it’s all speculation right now, but I’m in favor of the timing of it coming out because I think people need relief. It’s a pretty grim time for a lot of people out there, and if we can offer some entertainment and distraction, that can only be a good thing.

Amazon Prime’s ‘The Boys’ premieres Season 2 with three episodes on September 4, with episodes to follow every Friday.

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Trump Claims He Never Called John McCain A ‘Loser,’ But Everyone Found Evidence Of Him Calling McCain A ‘Loser’

On Thursday, the Atlantic published an article claiming that President Donald Trump canceled his trip to the Aisne-Marne American Cemetery in 2018 because, as he reportedly asked senior members of his staff, “Why should I go to that cemetery? It’s filled with losers.” He also referred to the Marines who lost their lives during the World War I battle as “suckers” and, to return to his favorite word, called naval aviator-turned-senator and presidential candidate John McCain a “f*cking loser” for… why?

Trump remained fixated on McCain, one of the few prominent Republicans to continue criticizing him after he won the nomination. When McCain died, in August 2018, Trump told his senior staff, according to three sources with direct knowledge of this event, “We’re not going to support that loser’s funeral,” and he became furious, according to witnesses, when he saw flags lowered to half-staff. “What the fuck are we doing that for? Guy was a fucking loser,” the president told aides.

Trump has since responded to the Atlantic article on (where else?) Twitter.

“I was never a big fan of John McCain,” he wrote, “but the lowering of our Nations American Flags, and the first class funeral he was given by our Country, had to be approved by me, as President, & I did so without hesitation or complaint. Quite the contrary, I felt it was well deserved. I even sent Air Force One to bring his body, in casket, from Arizona to Washington. It was my honor to do so.” Trump added that he never called McCain a “a loser and swear on whatever, or whoever, I was asked to swear on, that I never called our great fallen soldiers anything other than HEROES.”

But there’s always a tweet.

The tweet links to an article from 2015, where Trump said, “I don’t like losers” in reference to McCain at an Iowa GOP event. “He’s not a war hero. He’s a war hero because he was captured, OK. I like people that weren’t captured.” This did not go unnoticed.

Maybe he meant to say “I don’t like the movie Loser with Jason Biggs.” Probably that.

(Via the Atlantic)

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Bill Callahan Is A Master Of Zen-Like Calm On ‘Gold Record’

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

Bill Callahan once was known as the quintessential reclusive indie-rock singer-songwriter. Journalists would describe him in profiles as a difficult, remote subject, a taciturn figure spoke in low tones and laconic riddles. A cipher whose exterior blankness concealed layers of inconceivable darkness underneath.

Try to square that image with “The Mackenzies,” a song from his new album, Gold Record. Over a pokey, homey guitar strum that evokes the old cowboy song “Home On The Range,” Callahan tells a story about a man whose car breaks down in front of his house. After he tries to turn the engine over, an elderly neighbor rushes out and warns him that he’ll ruin his car if he keeps doing that. The neighbor then invites the narrator into his home. “It’s almost beer-thirty,” the neighbor says. “You must be thirsty.” The narrator is quickly disarmed by this man’s hospitality, in spite of his natural shyness. (“See I’m the type of guy / Who sees a neighbor outside / And stays inside and hides.”) Before he knows it, he’s spent his whole day with this family he’s never previously met.

Callahan doesn’t oversell any of this; “The Mackenzies” unfolds as naturally as a John Prine tune. We learn by the end that the old couple has welcomed this man in because their own son has died. But “The Mackenzies” isn’t delivered as some kind of family tragedy. It is, like so many Bill Callahan songs, imbued with a zen-like stillness and sense of space that is so unadorned and lived-in that you might mistake it for one of your own memories.

How incredible has it been to witness the personal and artistic evolution of Bill Callahan over the past 30 years? In the ’90s, under the self-explanatory moniker of Smog, he was part of the generation of lo-fi auteurs who twisted and distorted traditional song forms with various means of sonic self-destruction and lyrical dadaism laced with extreme sardonic fatalism. While his music could at times be beautiful, it was rarely pretty in a straightforward, uncomplicated way. He was always sure to put some sort of distancing agent between himself and the listener, be it a blast of unruly noise or some disturbing turn of phrase that would rattle around your brain long after the song ended.

But as Callahan has aged, retiring Smog and putting out music under his name, the cloudiness has also evaporated from his songs. In his most recent work, which includes 2019’s double-album Shepherd In A Sheepskin Vest and the new, relatively succinct and thoroughly lovely Gold Record, Callahan is as direct as he’s ever been. And the subjects that now preoccupy him — love, domesticity, man’s mundane place amid the vast, unknowable mysteries of existence — invite a kind of earnestness and even sentimentality that would have been inconceivable when he first started making albums in his 20s. He is, in other words, very much a man who no longer hides in his own house when his neighbors appear. On Gold Record, Callahan basks in the reciprocal warmth that he himself now seems determined to put out into the world.

It is, again, a pretty incredible arc for a man whose music was once required listening for anyone experiencing the most severe emotional breakdown of their life. The shift seems to have occurred back in 2013, upon the release of his album Dream River. I interviewed Callahan at the time, in spite of being warned that he could be non-responsive and off-puttingly awkward in conversation. Happily, neither of these things proved to be true, though it’s also apparent in retrospect that I caught him in the midst of a transitional period. Callahan noted that he changed his work habits for Dream River; he once would work for many hours at a time on a song, lost in the music and his own interior world, obsessively driving himself to plug away until the moment he felt he was finished. But now, he would make himself stop at a certain point, confident that he could pick up where he left off the following day.

“For this record, I thought, I want to find another way. I want a richer life,” he told me. “I don’t know if you saw that Pollock movie? That type of approach to art where you just destroy yourself and your loved ones, like dying for your art — I think I used to embrace that philosophy. But lately, especially with this last record, I’ve been trying to — because I don’t want to die alone — find a new way of still making good work, but not at the expense of the rest of your life.”

That quote came to mind when I heard one of my favorite tracks from Gold Record, “Another Song,” in which he describes a similar scenario about stopping the day’s work in order to enjoy the company of a partner: “We will finish our songs another day / And watch the light as it fades away / Lonesome in a pleasant way / I guess the light that is gone belongs to yesterday.” When I interviewed him several years ago, Callahan hinted, but wouldn’t confirm, that he was in a new relationship. Years later, upon the release of Shepherd In Sheepskin Vest, he talked openly about his wife, the filmmaker Hanly Banks (whom he married in 2014) and their young child, as well as the recent death of his mother, who passed away from cancer in 2018. He presented himself as an artist whose songs were now being fitted into the contours of his life, rather than vice versa. Bill Callahan is content, it seems, and is now writing contented-man songs, which give off the ambiance of a quiet house in the middle of the night filled only with the sleeping sounds of the most important people in your life.

Certainly there will be those who will miss the deeply unsettled intensity of Callahan’s early work. Gold Record has the vibe of Dylan’s Nashville Skyline or the records that Paul McCartney made in the early ’70s with his wife, Linda. He now revels in comfiness; even the sorta-political “Protest Song,” which mocks a doofy MAGA-head — Callahan, hilariously, pronounces “hurt” like “hoit,” as if he’s John Fogerty singing “Proud Mary” — feels more like a charming dad joke than a broadside. (The best dad joke on Gold Record comes at the start of the first track, “Pigeons,” in which Callahan deadpans, “Hello, I’m Johnny Cash.) There is also, literally, a song called “Breakfast” on this album. If Arcade Fire hadn’t already used the title, Callahan could have called this album The Suburbs.

For jilted Smog fans, this all might seem a little like imagining Leonard Cohen shopping at Costco. But for me, the meditative quality and low-key humor of Callahan’s recent work is endlessly fulfilling and inspiring. Gold Record moves me precisely because Bill Callahan shows you can eventually move in rhythm with life, rather than be ground down by it.

Gold Record is out today via Drag City. Get it here.

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SZA Shares A Snippet Of New Music Right After Dropping Her First Solo Song In Years

It has been a long road between SZA’s 2017 debut album Ctrl and more new music. Last night, she dropped her first solo song in three years, the Ty Dolla Sign-featuring “Hit Different.” That apparently opened the floodgates: Just hours after releasing the single, SZA took to Instagram to share even more new music.

She posted a 40-second sample of more fresh material, a midtempo track carried by SZA’s soulful vocals. The file is titled “29 Dahi Beat – RB SLS 06.18.20,” suggesting that she recorded this version of the track back in June, and that the intrumental was produced by DJ Dahi, with whom she has worked before. She wrote, “Punch gon kill me but I’m in a sharing mood.”

She begins in the snippet, “Yes, I been used to bein’ used like this, ain’t no no different / I need more than lies in my thoughts / Praise to the Most High / I felt protection over my most prized possession / Talkin’ bout my sanity’s at a six point seven / Handin’ out poinsettias / To my dead homies’ mothers, praying they feel better / Might get sh*t mindin’ my business / Might get sh*t sharing my vision, my mind.”

Find the snippet above and check out “Hit Different” here.

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Justin Bieber Replaces Drake After DJ Khaled Gets On His Last Nerve In Their ‘Popstar’ Video

If you thought having DJ Khaled as a friend was a fun and enjoyable thing, you might have to rethink that. Known for his antics and eccentric personality, DJ Khaled has worked with multiple names throughout the industry with little issue, but in his new video for “Popstar,” Khaled has seemingly gotten on the last nerves of his frequent collaborator, Drake.

The video opens with Khaled sending an endless stream of videos nagging the rap star to complete the video for the song. Showing no desire to leave Canada to work on the visual, Drake vents out loud about Khaled’s bothersome ways before coming up with an idea to get the video done. Calling in a favor from Justin Bieber, Drake gets the “Yummy” singer to take his role in the song and throw a massive house party to get the video done.

The video arrives after Khaled shared the song and “Greece,” which both feature Drake, last month. Both singles will serve as the lead single to his upcoming twelfth album, Khaled Khaled, which is set to arrive by the end of the year.

Check out the “Popstar” visual above.

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Beyonce Will Donate $1 Million To Small Black-Owned Business

Making yet another contribution to the Black-owned community, Beyonce took to her BeyGOOD foundation’s Instagram page to announce a $1 million donation to Black-owned businesses. “Proud to announce $1 million in additional funds from Beyonce to help Black-owned businesses,” the Instagram post read. “Round two of funding opens this month with our partner, NAACP.”

Beyonce’s upcoming donation with the NAACP is her second of the year after she teamed up with the organization in July to launch the Black-Owned Small Business Impact Fund with a goal to “help strengthen small businesses and ensure economic empowerment for Black businesses.” The fund provided $10,000 grants to businesses that were severely impacted by the pandemic and based in Atlanta, Houston, Los Angeles, Minneapolis, and New York.

The new donation is just one of a few ways Beyonce has given back to the community this year. After joining Megan Thee Stallion for a remix of “Savage,” the two artists donated the proceeds from the song to a Houston nonprofit and the charity received over 500 new donations within 24 hours after the song arrived. Shortly after, she launched a campaign with her BeyGOOD foundation that offered 1,000 coronavirus testing kits, face masks, gloves, vitamins, and household supplies to Houston natives.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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The Best Tempura Vegetables, Power Ranked

I love sushi as much as the next guy, but for your average American sushi joint appetizer, it’s hard to beat that nice little basket of tempura veggies. Hopefully still hot and crunchy, with that batter that looks sort of like a golden-yellow icicle and the sweet soy-based dipping sauce (tentsuyu!), it goes great with a nice champagne-y Japanese lager.

Vegetable tempura was probably the first thing I ever ate at a Japanese restaurant as a child and I can confirm that it still rips as an adult. The batter is so good that it almost doesn’t matter what’s inside, which is probably the philosophical basis of the entire dish. But that doesn’t mean we don’t all have our favorites. And you often have to choose what you reach for, because it’s one of those dishes that everyone at the table will assume is a shareable (at least in my family, buncha god damned wolves).

A note on what we included: Obviously, shrimp and other seafood probably makes the best tempura. Yet you can’t just order nothing but shrimp tempura. For one, it’s kind of overkill, and for another it makes the shrimp tempura taste less good if it’s not a rare delicacy that you have to hunt for. Ordering homogeneous shrimp tempura with no veggies is like eating de-shelled pumpkin seeds — not having to work for it just doesn’t seem right. It doesn’t taste as good.

In terms of actual vegetables, I’m not talking about your specialty items here either that you’d order in homogeneous form — your tempura green beans, your asparagus tempura. Both are great, but for these purposes, we’re only counting vegetables that come standard, or at least semi-standard, in your typical mixed vegetable tempura order. So don’t come in here and start asking me shit like “but Vince, what about deep-fried squash blossoms?!”

1. Lotus Root

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Lotus root is the king of tempura vegetables. It’s perfect. It has the root vegetable texture that’s perfect to fry, can be sliced wafer-thin, and has basically the maximum allowable surface area you could possibly get from a thinly-sliced vegetable. A fried lotus root is almost cheating. It’s the corked bat of fried vegetables. Lotus root is like a gilded potato chip that’s soft and juicy inside. If I were to design a perfect frying vegetable out of thin air I probably couldn’t do better than a lotus root.

It’s like a naturally occurring bloomin’ onion.

2. Sweet Potato

Sweet potato comes in at number two… if it’s sliced thinnish, ideally not much more than an eighth-inch thick. A thinly-sliced sweet potato has that nice pumpkinny sweet flavor and beautifully soft texture inside. Too thick and they get dry and mushy. A thicker sliced sweet potato would be down at number four or five or lower. Regular potato is also great, though not common enough for the list. Yucca root is also solid, but more of a South American thing.

3. Carrot

Tempura carrots retain a little more snap than tempura sweet potatoes. Your mileage may vary. I definitely prefer it to a thicker sweet potato, but they admittedly don’t quite have the melt-in-your-mouth quality of sweet potatoes. I give carrots B+ for texture, A for flavor, and C for sauce retain-ability.

4. Kabocha squash

I had to do a little Googling to figure out “what are those little cantaloupe-looking things that taste like a sweet potato?”

If you’re smarter than me you already knew, that’s a kabocha squash. They look like little green pumpkins when whole. In tempura form, they look like a little fried slice of cantaloupe and taste like fried pumpkin pie. They’re moister than sweet potato with less snap than carrot. All three are kind of a wash depending on slice thickness. Like sweet potato, the thinner the better with kabocha, though the kabocha is more forgiving. It’s like a lower risk, lower reward sweet potato.

5. Mushroom

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I love the flavor of a fried mushroom. I don’t even really care what kind. Button mushroom? Why not. Shiitake? Shiit yeah. Mushrooms lack some of the elegant simplicity of a deep-fried root vegetable and have a spongier texture, but they make up for it in the flavor department. The worst thing about tempura mushrooms, mostly in the case of white or button mushrooms, is that they tend to retain a bit of liquid, so if you don’t wait long enough, sometimes biting into one can shoot superheated 200-degree liquid right onto your soft palate.

That’s a bad night. But hey, I like to live dangerously.

6. Onion

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Honestly, onions could go a lot higher. They fry up beautifully, and they’re sweet, soft, and moist inside. The full trifecta. Gimme a nice thicc one, save that skinny stuff for your hamburgers and string bean casseroles. The only thing holding tempura onions back on this list is their own ubiquity. You don’t need to order tempura to experience a nice battered onion ring (battered > breaded, do not dispute me on this).

Victims of their own success, really.

7. Cauliflower

Cauliflower is like sturdier broccoli and it makes a great frying vegetable. Ever had buffalo cauliflower? Wonderful (though again, it better be breaded. Don’t you dare try to pass off some non-breaded nonsense as buffalo cauliflower). It makes a great tempura vegetable for the same reasons. While they lack the texture of a root veg, and the flavor of roots or mushrooms, they somewhat make up for it in superior dunkability. Those florets are great for soaking up sauce (mom joke goes here).

8. Broccoli

Is it controversial to put broccoli below cauliflower? It’s not as moist or as tender as cauliflower and the florets are more delicate so they don’t stand up to deep frying quite as well. I’d also argue that broccoli is a little stinkier. Still, absolute A+ sauce retention and best-in-class dunkability.

9. Bell Pepper

If this was Rotten Tomatoes, I’d put the thumb’s up/thumb’s down line right above bell pepper. I mean, they’re fine. I’m not going to throw a deep-fried bell pepper out of bed. But green bell peppers are often used as filler, and never more so than in vegetable tempura. If you want to stuff it with something (rice, meat, whatever), or swap it out for jalapeño… now we’re talking. Plain fried bell pepper though? Solid “meh.”

10. Zucchini

I don’t get zucchini. Is it a cucumber? Is it an eggplant? Is it like if a cucumber f*cked an eggplant? Why does the texture seem to be the same cooked or uncooked? How do you even know if it’s done? Why do people keep trying to put it in muffins? A zucchini muffin at least makes more sense than zucchini tempura. Zucchini is (are?) too moist to fry well and they just end up soft and rubbery (dad joke goes here).

I don’t know that I hate zucchini, but I sure don’t understand it.

11. Eggplant

Eggplant has its place. I love a baba ghanoush. An eggplant parmesan. A nice moussaka. The Indians do incredible work with it. It’s creamy and it takes nicely to a sauce and some spice. But let’s face it: eggplant sucks as tempura. It’s too moist, not sturdy enough, and too bland. It usually turns into a mushy, soggy, mess. I vote NO on eggplant tempura. At least until I’ve already eaten all the other vegetables.

Vince Mancini is on Twitter. You can access his archive of reviews here.

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Chloe X Halle Call On City Girls, Mulatto, And Doja Cat To Show You How To ‘Do It’ On Their New Remix

Aiming to bring new life to the standout single from their sophomore album, Ungodly Hour, Chloe X Halle call on some of the industry’s top female artists for a new “Do It” remix. Recruiting City Girls, Mulatto, And Doja Cat, Chloe X Halle allow the rap ladies to shine in the light of their most successful single to date.

Doja Cat, who leads the way, fits perfectly with the song’s part vibe while bringing an extra dose of confidence to the track. Next up, City Girls slide through with a boastful hair flip and reminders that no one is one their level and lastly, 2020 XXL Freshman Mulatto reinforces her worth and physical qualities.

While the new verses from City Girls, Mulatto, and Doja Cat may have been enough, Chloe X Halle themselves lend new, yet shorter, verses of their own to the song following Mulatto’s verse. The new remix arrives after the Chloe X Halle took to the MTV VMAs to perform “Ungodly Hour.” The flashy and futuristic performance dazzled viewers and landed as one of the standout performances from the night. Prior to the new remix, Chloe X Halle took to Jimmy Kimmel Live! to perform the song.

Listen to the “Do It” remix above.

Ungodly Hour is out now via Parkwood/Columbia. Get it here.

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Jaylen Brown Called His Defense On OG Anunoby’s Buzzer-Beater ‘A F*cking Disgrace’

Backed into a corner with a 2-0 series deficit, the Toronto Raptors had only 0.5 seconds to effectively save their season. On cue, Nick Nurse drew up a beautiful play and, when OG Anunoby buried a game-winning three-pointer over the outstretched arms of Jaylen Brown, the Raptors picked up a win to climb back into the series against the Boston Celtics.

While no game swings on one play (and there is plenty to examine from Game 3), Brown expressed considerable frustration after the game when prompted on what transpired.

“We gotta be better than that,” Brown said. “We gotta communicate better. Just me, being four years in, I gotta be better. Can’t give up a three at the end of the game. They made a remarkable shot still. But it’s a f*cking disgrace. It’s terrible. There is no excuse for it at all. It was ridiculous. You can’t take your foot off the gas at all. We gotta be ready to play Game 4.”

Brown recovered in time to make a reasonable contest on Anunoby but, at the same time, the fact that Anunoby was able to get open for the game-winner (with a two-point deficit) is undoubtedly frustrating for anyone on the Celtics side. That apparently goes for Brown, who didn’t hold back in this instance, and his comments came on a night in which he scored 19 points, grabbed 12 rebounds and played outstanding overall defense against Pascal Siakam and others.

It will be exceedingly interesting to see how both teams respond to the ending of Game 3. The Raptors could be invigorated by their new life in the series, while the Celtics could, at least in theory, let this slip impact their play moving forward. Still, Brown made it abundantly clear there is “no excuse” for the way the game ended, and Game 4 looms on Saturday.