GoneTrending

Rich Brian follows up his quarantine hit “Bali” with a defiant new single, “Don’t Care.” The song, produced by Brian himself, features a percolating, synth-heavy beat, over which Brian ruminates about haters and the like, brushing them off with the confidence and swagger he’s developed since making his way into the rap game all the way from Jakarta, Indonesia.

While the song’s hook acknowledges the troubles that pester him, Brian’s warbling chorus declares his freedom from stressing over them. “I don’t really care what they say,” he croons. “It’s just another day.” The uplifting track also features a music video that finds Brian wandering California’s Zuma Ridge Trail at dusk, getting lost in his thoughts and distancing himself from the anxieties of fast-paced modern life.

“Don’t Care,” along with “Bali,” “Changes,” and “Love In My Pocket,” is presumed to appear on Brian’s upcoming EP, 1999. It’ll be his first project since 2019’s The Sailor and is set for release August 25. Brian also made waves this summer with his “Tokyo Drift Freestyle” video, borrowing the beat from the theme song of the popular film franchises’ third installment and filming himself around his house as he isolated himself during the early days of the US outbreak of the COVID-19 pandemic. Brian was also a critical part of 88Rising’s fifth anniversary livestream and its accompanying film.

Watch to Rich Brian’s “Don’t Care” video above.

1999 is due 8/25 via 88rising. Pre-save it here.

Mike Lindell is the CEO and founder of MyPillow, and more importantly, not a medical doctor. So when the very vocal Trump supporter started touting an oleander extract as a “miracle cure for COVID-19,” skepticism is the proper response, and CNN’s Anderson Cooper brought plenty of it during an on-air confrontation with Lindell on Tuesday.

In short, oleander is highly toxic. It is literally poison. So when Lindell tried to argue with Cooper that it’s the “miracle of all time,” and that he’s safely tested it on a a thousand people, the CNN anchor wasn’t having any of it. After noting that Lindell has a direct financial interest in pitching the “miracle cure” to the president in an effort to get it approved by the FDA, Cooper went off on the MyPillow CEO. Via The Daily Beast:

“You have no medical background,” Cooper exclaimed as Lindell objected. “You are not a scientist. A guy called in April saying he had this product. You are now on the board and going to make money from the sale of this product.”

“The reason he reached out to you is because you have the ear of the president and could get a meeting with the president and you stand to make money from it,” the veteran newsman added. “How do you sleep at night?!”

It only got more brutal from there. Cooper went on to call Lindell a “snake-oil salesman” and highlighted his F-rating with the Better Business Bureau, along with MyPillow’s recent settlement for “deceptive marketing.” In response, Lindell said he’s merely doing what Jesus wants him to do, which went over real well with Cooper:

“Jesus wants you promoting remedies that are never tested?” Cooper shot back.

“Ask yourself, why would I ruin my reputation?” Lindell countered.

“Money,” the anchor replied.

You can watch Anderson Cooper tear apart Lindell below:

(Via CNN, The Daily Beast)

Flatbush Zombies only gave fans a short warning before dropping their six-track EP Now, More Than Ever last June. After sharing the project, Flatbush Zombies dropped yet another single, “Afterlife,” with a beat produced by James Blake. While Blake’s collaboration with the group seems out of left field, the musician actually has quite a close relationship with the group.

In a recent interview with Complex‘s Pigeons & Planes, Flatbush members revealed they are working on an upcoming full-length release produced by Blake. Erick Arc Elliott spoke highly of the musician, calling him “a spiritual guiding being:”

“The first thing I’m going to say is that James Blake is not a human being. He’s an entity. He’s a spiritual guiding being. He’s one of my closest friends, man. More than music, this guy introduced me to so much about myself and how to really improve as a producer. It’s a certain level of respect and courtesy that you show and give to people, especially him coming into our situation, where I’m the sole producer. He didn’t want to stray us to anything that we weren’t comfortable with, but also he wanted to put us in a new place.

I’m looking for someone who’s not scared to take the risk, and also passionate about his shit enough to be like, ‘Yo, here’s what I think you should do.’ The respect for the music and the love for the music makes me automatically open my ears to say, ‘What you got?’ This was about two years ago, we met each other. Ever since then, I feel like I’ve reached new heights of production. […] James gave me the chance to develop as a lyricist and a writer.”

Read the full Flatbush Zombies interview here.

Now, More Than Ever is out now via Glorious Dead. Get it here.

Nas started teasing his new album, King’s Disease, last week with the release of his Doja Cat-dissing “Ultra Black,” and now he has unveiled more info. Today, the legendary rapper has shared the tracklist for his upcoming thirteenth album.

The project runs for a concise 13 tracks and features assists from Anderson .Paak, Big Sean, Charlie Wilson, Hit-Boy, Don Toliver, Lil Durk, Brucie B., The Firm, Fivio Foreign, and ASAP Ferg.

The .Paak-featuring “All Bad” could have perhaps been one of the results of a studio session that .Paak had to leave early back in December. .Paak told James Corden on a recent Late Late Show, “The only thing is I had a session with Dr. Dre and Kanye West right before, and I had to leave that session early to get to The Price Is Right. I didn’t want to tell them I had to go to The Price Is Right. I was like, ‘Yo, I got this thing I got to do, you know…’ We got the work done, but man, it was the craziest day of my life: That session, going from there to The Price Is Right… it was amazing.”

Check out the King’s Disease art and tracklist below.

1. “King’s Disease”
2. “Blue Benz”
3. “Car #85” Feat. Charlie Wilson
4. “Ultra Black” Feat. Hit-Boy
5. “27 Summers”
6. “Replace Me” Feat. Don Toliver and Big Sean
7. “Til The War Is Won” Feat. Lil Durk
8. “All Bad” Feat. Anderson .Paak
9. “The Definition” Feat. Brucie B.
10. “Full Circle” Feat. The Firm
11. “10 Points”
12. “The Cure”
13. “Spicy” Feat. Fivio Foreign and ASAP Ferg

King’s Disease is out 8/21 via Mass Appeal.

The NBA Playoffs kicked off on Monday in Orlando with a four-game slate, and they didn’t waste anytime at all before we had our first fireworks of the opening round, with Donovan Mitchell putting on a historic 57-point performance, despite Utah dropping Game 1 to the Nuggets.

The Jazz, of course, are without two key players in this series, with Bojan Bogdonavic out for the season and Mike Conley exiting the bubble over the weekend for the birth of his son, Elijah. Initial reports indicated that Conley would likely miss much of their first-round series against Denver having left the Bubble and needing to quarantine upon return.

But Utah got some promising news on Tuesday. According to the latest reports, Conley returned to Orlando on Monday night, and the Jazz are hoping to have him back in the lineup for Game 3 on Friday, rather than having to wait to Game 4 on Sunday.

Via Adrian Wojnarowski of ESPN:

The Jazz confirmed that Conley had returned to campus on Tuesday afternoon. There’s an expectation that he could be able to pass four coronavirus tests in the window prior to the 4 p.m. ET Game 3 in the first-round Western Conference playoff series, sources said.

The NBA researches a player’s contacts and possible exposure while outside the bubble, but Conley’s exit on Sunday morning to join his wife in a Columbus, Ohio, hospital for the birth of their son Elijah Michael likely makes his case stronger for the shorter four-day quarantine period.

Conley, who had struggled to find his rhythm in Utah before the hiatus, has had something of a resurgence since the eight seeding games started, averaging 18 points per game and five assists. His return to the lineup would alleviate some of the immense offensive pressure facing Donovan Mitchell, who showed exactly how much he has to do in Game 1.

Kristin Urquiza isn’t running for the House of Representatives or the Senate. She isn’t a governor or up-and-coming mayor. But her speech on the first night of the Democratic National Convention was one of its most moving.

Kristin lost her father, Mark, in June to COVID-19. In her speech, she shared how it wouldn’t have happened if President Trump and his “mouthpieces” spoke honestly about the seriousness of the pandemic.

“He had faith in Donald Trump,” she said. “[He] listened to him, believed him and his mouthpieces when they said that coronavirus was under control and going to disappear; that it was OK to end social distancing rules before it was safe and that if you had no underlying health conditions.”

Kristin Urquiza speech at the Democratic Convention | Joe Biden For President 2020

www.youtube.com

Mark went out to a karaoke bar in May, right after the state of Arizona prematurely reopened businesses, and contracted COVID-19. He was placed on a ventilator and died June 30.

“After five agonizing days, he died alone in the ICU with a nurse holding his hand,” she said.

Dealing with the death of a family member is devastating for anyone, but for the Urquiza family it was even worse because they couldn’t comfort him while he was in the hospital.

Kristen said goodbye to him over Facetime.

“One of the last things that my father said to me was that he felt betrayed by the likes of Donald Trump,” Urquiza said. “And so, when I cast my vote for Joe Biden, I will do it for my dad.”

Urquiza belives that Trump didn’t cause the virus, “but his dishonesty and his irresponsible actions made it so much worse.”

“The coronavirus has made clear that there are two Americas: the America that Donald Trump lives in and the America that my father died in,” she said.

Trump’s False Statements on COVID-19 Testing, A Supercut | NowThis

www.youtube.com

Kristen’s testimony was powerful because it proves that there are real-world consequences when people in power lie.

Trump has been one of the most dishonest politicians in recent history. As of July 2020, The Washington Post has counted Trump lying over 20,000 times. Even though it’s blatantly obvious to most people in the country that he shouldn’t be trusted on any issue — let alone a deadly pandemic — there are millions who still take his word as gospel.

A recent poll by NBC News found that “58 percent of Americans say they don’t trust what Trump has said about the pandemic, while 31 percent say they do trust his comments.”

Trump’s reckless dishonesty makes him an accomplice to the deaths of tens of thousands of people, one of them being Mark Urquiza.

In early February, Trump claimed the virus would weaken “when we get to April, in the warmer weather.” Later that month, he said it would “disappear” one day, “like a miracle.”

In June, he claimed the virus was “fading away” and in July it was “under control.”

Kristin Urquiza will long be remembered for putting a face to the COVID-19 pandemic. Let’s hope that her tragic story will make those in power think a second time before lying about serious, life-or-death issues.

If you missed Michelle Obama’s speech during the opening night of the Democratic National Committee convention, you truly missed out. In a prerecorded speech, the former first lady managed to hit just the right balance of empathy and honesty that’s so badly missing from most of politics today. The fact that she’s not a politician and doesn’t even particularly care for politics, yet has a more intimate knowledge of the job of President of the United States than most, makes her a powerful voice at this juncture.

And she used that voice to speak directly to the American people, to call on our better angels and explain why this election matters. She pointed out that Joe Biden knows how to bring back an economy and beat back a pandemic—he helped do both during his eight years in the vice presidency. And in a somewhat uncharacteristic move, she explicitly named Donald Trump—not pointing to his many character flaws, his problematic policies, and the thousands of lies he has told, but making the simple case that he has proven he can’t do the job we need him to do.

“Let me be as honest and clear as I possibly can,” she said. “Donald Trump is the wrong president for our country. He has had more than enough time to prove that he can do the job, but he is clearly in over his head. He cannot meet this moment. He simply cannot be who we need him to be for us. It is what it is.”

She also referred to her previously viral statement, “When they go low, we go high,” pointing out that it doesn’t mean to overlook the very real problems present in our politics.

“Going high does not mean putting on a smile and saying nice things when confronted by viciousness and cruelty,” she said. “Going high means unlocking the shackles of lies and mistrust with the only thing that can truly set us free: the cold hard truth.”

The speech drew widespread praise, even from unlikely sources. Fox New anchors Chris Wallace and Dana Perino both lauded Obama for the authentic, effective way she addressed the nation and made the case for Biden.

“You got the sense when you talk about authenticity, she has it in spades,” said Perino (who served as President George W. Bush’s press secretary). “She has that voice, she has clarity, and she knows what she is out there wanting to do. She was trying to get everybody to really focus and then she had a call to action: Ask for your ballot tonight.”

“I think that the DNC, if they look over the course of the night—the first virtual convention of our history—I think they would say that Michelle Obama stuck the landing,” she added.

Wallace was a bit more colorful in his commentary, calling her speech “effective” and “a heck of a contribution.”

“She really flayed, sliced and diced Donald Trump, talking about the chaos and confusion and lack of empathy, especially coming from this president and this White House. Spoke more about the deficits of Donald Trump than the pluses of Joe Biden, but did talk about especially, not so much policies, but especially his empathy and what he has been through and his care for average Americans.”

You know when Fox News heaps praise on a DNC speech, something historic just happened. Though, of course, the network did manage to have at least one of their big names throw in some criticism.

Obama opponents tried their best to deflect from the near-universal positive reactions to her speech by circulating a video from 2013 of Michelle Obama praising Harvey Weinstein, but such attempts fall flat when it takes ten seconds to find multiple photos and videos of Donald Trump with both Harvey Weinstein and Jeffrey Epstein. The sad truth is that most of us probably know and admire people who are slimy sexual assaulters behind closed doors. Praising or hanging out with someone before we find out their true nature can be forgiven. Offering well wishes to publicly known and charged child sex traffickers, as Trump recently did with Epstein partner Ghislaine Maxwell, is far more problematic.

But that’s another story.

Last night, Michelle Obama proved once again that she has her finger on the pulse of America far more than practically anyone else associated with politics. She’s the world’s most admired woman for a reason, and her DNC speech drove that reason home.

Fans have continued to show an outpouring of support for Juice WRLD following the rapper’s tragic death in December. Not only has the singer had more singles in the top ten of Billboard’s Hot 100 charts than any other artist of 2020, but his posthumous record Legends Never Die is now certified Platinum.

According to Our Generation Music, Legends Never Die has garnered over a million equivalent album units since its July debut. The record’s quick rise to Platinum isn’t too surprising, as Legends Never Die saw the largest debut week of any posthumous record in the last 20 years, gaining nearly half a million equivalent album units in just one week.

In a statement about his music, Juice’s mother, Carmela Wallace, thanked his fans for the continued support:

“The overwhelming love that millions of music fans clearly have for Jarad reminds us how much his poetic words, creativity, and bright light continues to shine throughout the world. This first collection of songs is a poignant reminder of his great artistic talent and emotional honesty. Music was his passion and recording gave him the outlet to share everything he was going through. […] We are incredibly grateful to the fans who continue to uplift him every single day and our hope is that his words touch your life in a way that helps you through any challenges you may be facing.”

Legends Never Die is out now via Interscope. Get it here.

The 2020 Democratic National Convention has been an online-only affair this year due to the coronavirus pandemic, but it’s still a big-time event. It has a strong roster of musical performers (some of whom performed last night), and other high-profile participants. That includes Michelle Obama, who gave an impassioned 20-minute speech that some think included a jab at Kanye West and his presidential campaign.

In her speech, the former First Lady lamented the current state of the country, insisted things need to change, and praised Joe Biden as the person who can make that happen. Towards the end of it, while speaking about the need to vote, she said, “This is not the time to withhold our votes in protest or play games with candidates who have no chance of winning. We have got to vote like we did in 2008 and 2012. We’ve got to show up with the same level of passion and hope for Joe Biden.”

Many are interpreting that part about “[playing] games with candidates who have no chance of winning” as a dismissal of Kanye’s presidential bid. As one Twitter user summarized, “Michelle Obama also said stop voting for people who have no chance of winning. Shes talking about green, libertarian, and whatever the hell Kanye west is.”

Watch Obama’s full speech above and find some more reactions to her alleged Kanye jab below.

As most Hollywood productions collapsed during the unprecedented circumstances surrounding the global pandemic, The Mandalorian stayed on course, and it’s currently on track to deliver its second season on Disney+ in October. However, much of season two was already being filmed as the first season was still captivating audiences, breaking records, and later, going on to score a sizable amount of Emmy nominations. In short, the show got very lucky as a good bulk of the season was in the can before the pandemic reared its head in March 2020.

With season three officially greenlit, fans are understandably concerned that The Mandalorian won’t be so fortunate this time as productions are still facing uncertainty. Fortunately, showrunner Jon Favreau is putting those fears to rest. In a new interview with The Hollywood Reporter, Favreau confirms that season three is still on schedule, and he’s confident that the unique filmmaking process for The Mandalorian will allow production to chug along just as smoothly as it did for season two.

The fact that the set is much more contained is a benefit, because you can limit the number of people. A lot of the people controlling it are doing it remotely from what we call the Brain Bar, which is a bank of gaming computers, essentially. The amount of people near the camera could be much smaller than [usual]. We also shoot a lot outside, which is helpful, too. We build to a moment in filming more like an animated production, where we have a lot of storyboards, a lot of discussions and scouting in virtual reality. We use cinematic tools in VR much the same way we did for The Lion King and The Jungle Book. A lot of times the actors you are seeing on the screen aren’t actually there on set.

Favreau is referring here to The Volume, a state-of-the-art soundstage that’s filled with LED screens powered by the same game engine that brings Fortnite to life for millions of players. The Volume was featured prominently in the behind-the-scenes series, Disney Gallery: The Mandalorian, and it’s truly a remarkable filmmaking tool that produces photo-realistic sets and lighting in a matter of seconds. Numerous scenes in The Mandalorian that appeared to be shot outdoors were actually created in The Volume.

Granted, the technology is a less intimate process that requires an astonishing amount of pre-visualization work, but it’s practically tailor-made for a time when filming with a skeleton crew is a life-saving necessity.

(Via The Hollywood Reporter)