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A Top Netflix Executive Has Named His ‘Dream’ Oscar-Winning Director For A Film Project

In the past nine months alone, Spike Lee, Martin Scorsese, Gina Prince-Bythewood, and Noah Baumbach have all made original movies for Netflix. That’s an impressive collection of filmmakers, two of whom were nominated for Oscars, but because the public’s thirst for content can never be satiated (we demand it, the way secretaries do teeth), Netflix is setting its sights on some of the biggest names in Hollywood.

Tendo Nagenda, the streaming service’s vice president of original films, was asked by the Hollywood Reporter about the “dream filmmaker” he wants to collaborate with. “I’ve love to get Jordan Peele to make a Netflix film. We love Chris Nolan, we love Quentin Tarantino,” he responded. “We have to concentrate our efforts on finding people of that talent level that we can work with as early as possible and then get them to make movies only for Netflix.” Theater purist Nolan might be the last director to make a Netflix movie – I’d settle for an animated TARS spin-off series — but you never know.

As for Nagenda’s “dream projects,” he responded, “We’re looking at big, broad-audience, PG-level adventure films as something that we want to get into. Something along the lines of the first Star Wars, or Harry Potter 1 and 2. A lot of family live action, fantasy, spectacle movies… A Jumanji-type of story.” You know what Jumanji had? Monkeys. And the name of Jordan Peele’s production company? Monkeypaw Productions. Netflix is planting the seeds… for something to do with monkeys, I guess?

Until then: The Kissing Booth 3!

(Via Hollywood Reporter)

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Disinformation campaigns are prevalent during crises. Here’s how you can protect yourself.

With the COVID-19 Pandemic, Black Lives Matter protests nationwide, and the countdown to the 2020 Presidential election, there has been a flurry of online activity.

We’re tweeting about these events, we’re sharing news articles about them on Facebook, and we’re uploading live videos as events happen during protests. These platforms are being used to communicate, to express outrage, to share what we’re witnessing on the streets, to debate ideas, and to campaign for candidates.

This isn’t new, of course. Social media has long been a way to get information out quickly.

“When the plane landed on the Hudson, that was one of the first events that was social media first,” says Kate Starbird, associate professor in the Department of Human Centered Design and Engineering at the University of Washington. “The news went out via social media first because it was faster. People could actually see what was going on long before people could write a story about it or put it on the news.”

Social media has also been lauded as a way for people to get information from a variety of perspectives — everybody can share what they see.

But, she adds, “the problem is that there is some inherent risk and vulnerabilities in getting things at that speed because speed can drive misinformation and mistakes.” It’s also incredibly difficult to know if all of these voices on social media are real. Some of those accounts might be deliberately trying to spread disinformation.

Disinformation spreads quickly during and after natural disasters, mass shootings, and other dangerous events.


Wade Austin Ellis on Unsplash

In fact, for more than a decade, Starbird has been researching how misinformation and disinformation spread online during these kinds of crises.

During a crisis, there’s a lot of uncertainty and fear, so we start theorizing — or rumoring — on what to do and that rumoring can create misinformation. Then, political actors can either create additional misinformation or amplify existing rumors to spread false information for political reasons. “When there’s fear and anxiety, we’re acutely vulnerable to politicization, misinformation, and disinformation,” she says.

For example, climate science denialists can use natural disasters — such as hurricanes or winter storms — to amplify false information that supports their cause.

Not all this disinformation comes from foreign actors.

“We tend to think about it as foreign and Russian,” Starbird says, “but that’s going to be a small part of what is going on right now. I think we need to be more aware that the tools and techniques of disinformation are democratized… the same kind of techniques are being used by domestic actors, activists, political operatives and foreign campaigns.”

Joan Donovan, Research Director of the Shorenstein Center on Media, Politics and Public Policy, agrees. During Donald Trump’s campaign for president, she saw many white supremacists using these techniques to organize. But she also saw advertisers using similar techniques — such as fake communities, fake engagement, and fake reviews.

Your personal data can be used in disinformation campaigns too.

Glenn Carstens-Peters on Unsplash

Everything you do online generates personal data. Cookies and other web trackers embedded in the sites you visit collect this data when you create social media profiles, buy things online, or simply browse the internet. Many of these cookies then use your data to personalize the ads you see.

“An advertiser can select ads to show you based on the profile they have built from your data,” explains Marshall Erwin, Senior Director of Trust and Security at Mozilla, but “these same sophisticated profiles and ad targeting tools allow politicians to slice and dice the electorate. Politicians might have a divisive message that they can target to certain demographics, such as one designed to radicalize white, middle aged men.”

This profile can also be used to target you and get you to believe and share disinformation.

If this happened “you’d be getting skewed information targeted towards you based on the customization of the information environment” says Donovan.

This can be especially powerful if you’re in a social media echo chamber, where many of your friends and loved one have similar beliefs so you won’t see anything contradicting. “If individuals are caught in a media echo chamber and they’re not seeking out a diverse set of sources, then they’re going to be prone to sharing disinformation, just by the virtue that they’re not lumping in the other information that is contradicting what it is that they are seeing,” says Donovan. And this helps that disinformation spread to your friends and family.

The algorithms on social networks, like Facebook, also use your data and click history to determine which friends you see updates from and which particular news stories shared by those friends you see. This means you’re more likely to see friends that think like you and news stories that align with your worldview, thereby creating an echo chamber.

Priscilla Du Preez on Unsplash

Furthermore, your personal data online could also be used to create fake accounts that seem more legitimate. For example, Donovan says a friend of hers had his wedding photos stolen from Flickr and used as part of a meme campaign against Hillary Clinton.

So how can you protect yourself?

1. Slow down.

“As information participants, we’re not just information consumers anymore. We’re participants and when we’re online, we need to slow ourselves down,” says Starbird. Before you retweet, go to the account and look at previous tweets. “Make sure you really want to endorse something that the account is saying.”

2. If something you read online seems outrageous, double check that story with other trusted news sources.

“Stories meant to stoke rage and anger coupled with novelty — that is, you’re not seeing them elsewhere — are the recipes driving people to share false stories,” explains Donovan. “So you read a headline that’s “Famous actor says some racial slur,” don’t share it out of rage if no one else is saying it’s true.”

3. Know it’s hard sometimes to recognize fake accounts — they look real.

“As a researcher who studies this, sometimes we can spend hours — I mean 40 hours or even 100 hours — looking at specific accounts to figure out if this is a real person or if it is an impersonator or a troll from another country.”

It’s hard because the bad actors that create these accounts spend years “seasoning” them to fool you.

For example, Starbird knows of some accounts by Russian actors that started out simply tweeting real information during natural disasters in order to build their audience. Then, once they had the audience, they started sprinkling in fake information or calling real events fake.

Donovan knows of another account that started as a celebrity gossip profile before changing to political disinformation closer to the 2016 election.

4. When in doubt, dig a little deeper.

If you’re still not sure, Donovan says you can use the Wayback machine to see if the account has changed personas in the past.

You can also download the avatar or the banner image on the social media accounts and do a reverse image search to see if the picture shows up elsewhere or if it’s real.

If you still can’t tell if an account is real, don’t follow them.

Nghia Nguyen on Unsplash

5. If you make a mistake, correct it.

“If we do spread something wrong, don’t just delete it,” says Starbird. “Actually go back and let everyone know who might have reshared your post that it was actually wrong. If it’s Facebook, actually edit the post and say this is wrong. Let people know that we’ve made a mistake.”

“Journalists have these standards of fact-checking,” she continues. “Well, we’re all talking about being citizen journalists now, so now we have to take on some of that responsibility if we want to have the privilege.”

6. Use the ‘flag’ tool.

If you think you’ve found a fake account or you’re seeing dangerous, false information online, flag it.

This is safer than trying to dispel information on your own. “If it’s a serious disinformation campaign, groups of people who want to remain online will attack you in order to try to shut you down personally,” says Donovan.

7. Protect your personal data while you browse online.

If a disinformer is using advertising technology to target you, using a browser that has privacy controls to limit the amount of information collected about you might help. Mozilla, for example, protects users’ data by turning on privacy features by default in the Firefox browser and using the Enhanced Tracking Protection feature to prevent known parties from tracking your activity from the sites you visit, therefore limiting their ability to build a profile of you.

You can also use private browsing or incognito mode to clear cookies and your cache.

8. Remember that we all have an important role to play in stopping the spread of disinformation.

“We sometimes have this idea, just like with voting, that we’re too small,” says Starbird. “‘Nothing I do is going to make a big impact, and yet at scale, absolutely it does. Misinformation doesn’t spread itself. We spread it, as information participants.”

“There is a well-founded fear that pervasive disinformation is undermining our trust in information systems, our trust in our democratic election systems and our trust in each other,” she continues. “That can undermine democratic society because if we can’t come together with some kind of shared reality and an acceptance of others in our country as legitimate political actors, then we can’t come together to govern ourselves. In those conditions, democracy falls apart.”

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Dave Bautista Is Shutting Down Speculation That He’ll Be Hopping Between Marvel Movies And DC

As the cast of Matt Reeves’ dark-secret concealing The Batman stands by for the all-clear to resume reshoots, a Marvel Cinematic Universe actor is spreading word that he won’t be among them. Guardians of the Galaxy‘s Dave Bautista, who stepped out of the wrestling ring and onto the big screen as Drax the Destroyer, won’t be bouncing over to DC as well to menace the cowl-clad Robert Pattinson. Rumors that he’d be joining the production as Bane weren’t exactly discouraged by Bautista, who tweeted a photo of himself outside a Warner Bros. building last December.

Yup, the “It won’t come to you so get after it!! #DreamChaser” caption was suggestive of a major comic-book role, to say the very least.

However, the role is not in the cards for Bautista who has now told a fan on Twitter that “unfortunately,” it wasn’t happening, but he “[t]ried my best.”

Of course, The Batman is shrouded in as much mystery as humanly possible, and we don’t even know at this stage whether the Bane character will appear in the movie at all. The film, which will co-star Zoe Kravitz as Catwoman and Colin Farrell as The Penguin, is scheduled to hit theaters on October 1, 2021.

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Ryan Breaux, Frank Ocean’s Brother, Has Reportedly Died At 18

Frank Ocean (real name Christopher Breaux) seems to have suffered a major personal loss this weekend: It is reported that the singer’s younger brother, Ryan Breaux, passed away at 18 years old as the result of a car crash.

KABC and CBSLA report that Breaux — along with Ezekial Bishop, a friend and fellow recent graduate of Oak Christian High School — died in a single-vehicle collision early Sunday morning (August 2) in Thousand Oaks, California. As a result of the crash, the car was cut in half upon impact with a tree and burst into flames. Law enforcement responded to a call of smoke in the area at about 1:30 a.m. near Skelton Canyon Circle. The occupants of the vehicle were pronounced dead on the scene. The Ventura County Medical Examiner has not officially confirmed the identity of either victim, but friends gathered near the scene for a memorial named Breaux and Bishop as the victims.

Ocean fans are familiar with Breaux, or at the very least, they’ve heard his voice before: An interview conducted by Breaux appears on Ocean’s Blond track “Futura Free.” Ocean has yet to publicly address Breaux’s reported death.

Friends of Breaux have shared condolences online, including Pierce Brosnan’s son Paris Brosnan, who posted photos of them together, a screenshot of a text conversation between them, and wrote, “Thank you for being there for me when I needed you most, thank you for all the wild nights, thank you for your music and all the late night studio sessions with Fray, thank you for blessing us ALL with your presence on this earth. I will carry you in my heart always. Until I see you again brother.”

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50 Cent Says It’s ‘Time To Take A Break’ From Instagram After Being Reported For Bullying

50 Cent says it’s time for him to take a break from Instagram after being reported for bullying in a new post… on Instagram. 50 posted a screenshot of the “your post goest against our community guidelines” report to his page, joking that he didn’t quite understand why the post in question would need to be removed. “I don’t understand this,” he captioned the post. “Why am i getting this? It says the post is removed for bullying but the post is still on my page. OK, time to take a break from IG.”

It’s likely 50 could still see the post while it was removed from his public timeline because the questionable post has been scrubbed. Meanwhile, it appears his “break” only lasted a few hours as he’s posted several new photos and videos since, although they have all been promotional posts for his Branson cognac with two exceptions. Considering his usual online activities, some fans in the comments were shocked he hadn’t been reported for bullying a long time ago.

A well-known troll, 50 has directed mocking posts at everyone from his erstwhile rap rival Ja Rule to his own son, although in an unprecedented move, he did issue an apology for a post teasing Megan Thee Stallion about being shot, claiming he didn’t believe the news when it was first reported. Megan might be the only person to receive an apology; Nick Cannon, Will Smith, and others certainly aren’t holding their breath.

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All The Best New Music From This Week That You Need To Hear

Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.

This week saw bold new material from two major artists from different parts of the pop spectrum: Billie Eilish and Beyonce. Yeah, it was a great week for new music. Check out the highlights below.

Billie Eilish — “My Future”

Instead of touring behind her wildly successful debut album, Billie Eilish and Finneas have been getting to work on new music. The first fruit of those efforts, “My Future,” surfaced last week, and impressively, it was recorded in just two days.

Beyonce — The Lion King: The Gift (Deluxe)

The big Beyonce story of last week was the Disney+ premiere of Black Is King, but alongside the movie, Queen Bey also dropped a deluxe edition of The Gift. Additionally, the new release spawned a fresh video for “Already.”

Travis Barker — “Forever” Feat. Run The Jewels

There’s no such thing as too much Run The Jewels, so thank goodness for Travis Barker. He recruited the hip-hop duo do join him on “Forever,” a new single on which the intensities of all three artists amp each other up.

Fontaines DC — A Hero’s Death

The band’s guitarist Carlos O’Connell told Uproxx of the group’s new album, “We just came to accept that we were feeling differently and the music we were to write shouldn’t in any way keep in mind what we’ve written before. We should just be allowed to write as honestly at the time of writing it. I look forward to playing these songs live and I don’t really know what the performance will be like. I’m excited to see what it feels like to be full of energy and feeling vulnerable at the same time.”

Lil Wayne — “Thug Life” Feat. Jay Jones and Gudda Gudda

After kicking off the year with Funeral, Lil Wayne is ready for new endeavors. His latest is “Thug Life,” a look at, well, life as a thug, that features Young Money rappers Jay Jones and Gudda Gudda.

Dominic Fike — What Could Possibly Go Wrong

After delaying his album due to incidents of police violence in the US, Fike has finally released What Could Possibly Go Wrong. The genre-crossing artist impresses on his debut album, which should be the first of many fascinating endeavors.

ASAP Ferg — “Move Ya Hips” Feat. Nicki Minaj and MadeInTYO

A month ago, Nicki told her fans to pester ASAP Ferg into sharing their then-unreleased collaboration “Move Ya Hips.” That tactic apparently worked, as now, the track is out. Between the two rappers trading bars, MadeInTYO also contributes a catchy chorus.

NLE Choppa — “Narrow Road” Feat. Lil Baby

Lil Baby has had a substantial 2020, and last week, he shared the wealth with NLE Choppa. He joined the rising rapper (whose major-label debut comes later this year) on “Narrow Road” and its driving beat, on which Choppa offers a more patient delivery than is typical.

Angel Olsen — “Whole New Mess”

Olsen’s 2019 release All Mirrors came a few years after its predecessor, but she’s not waiting as long for her next album. Whole New Mess is coming in 2020, and its title-track, a stylistic return to Olsen’s roots, has already come out and had its late-night TV debut.

Guapdad 4000 — “Choppa Talk” Feat. TyFontaine

Guapdad has been nonstop in 2020, pandemic be damned, and he continued his prolific streak last week with “Choppa Talk.” Recruiting newcomer TyFontaine, the pair take things in a less energetic direction than is characteristic of most of Guapdad’s work.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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DaBaby Gives A Glimpse Through His ‘Peephole’ In His Low-Key New Video

DaBaby’s first new song from the upcoming deluxe version of his No. 1-selling Blame It On Baby album is “Peephole,” a sober look at the downsides of fame. DaBaby shared the video for the new song today to hype up the impending release later this week. It’s once again directed by Reel Goats but unlike their previous efforts for DaBaby, it’s a relatively tame, low-key venture, with DaBaby rapping directly to the camera in designer clothes.

The departure from DaBaby’s usual unhinged comedic approach is likely the result of pandemic precautions, which have reportedly curtailed the rapper’s income this year by millions of dollars. Although he’s seemingly tried to mitigate the impact of lockdown, he landed himself in hot water when it turned out the “safe” show he performed in Georgia last month didn’t live up to the standards promised by its promoters.

Fortunately for the North Carolinian star, his Blame It On Baby single “Rockstar” with Roddy Ricch continues to be a fan favorite, generating enough streams to keep his name near the top of the charts. He also has contributions with Jack Harlow and Pop Smoke keeping him in the top ten, making him one of only a handful of performers with multiple top ten records at the same time.

Watch the “Peephole” video above.

The deluxe edition of Blame It On Baby is due 8/7 via Interscope and South Coast Music Group.

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People In Poland Are Livid That ‘Mission Impossible 7’ Wants To Blow Up A Bridge Some Consider A National Monument

Hollywood blockbusters can’t be stopped from production for too long, it seems, even as theaters struggle to know exactly when they can bring them to audiences in the largest U.S. cities. Jurassic World: Dominion resumed in the U.K. about a month ago, and we should have known that nothing can prevent Tom Cruise from performing daring stunts longer than necessary for the Mission: Impossible franchise. What’s on the menu? Well, he’s throwing out Fallout vibes by hurling himself out of a helicopter again, as seen in photos published by the Daily Mail. Business as usual is on again for the Cruise!

Meanwhile, the M:I 7 production is stirring up controversy elsewhere in Europe. According to a report from The Independent, the film is planning to film a stunt at Poland’s Lake Pilchowickie that isn’t going over well. Locals fear that the production aims to “blow up” a century-old suspension bridge that’s beloved by locals, who want it to be declared as a national monument. However, the bridge was actually decommissioned in 2016, and Deputy Culture Minister Pawel Lewandowski issued a statement about “only a small part” of the bridge being on the table for the production. He also appears to be signaling that stunts are about to be afoot with these words:

”I would not be fixated on the fact that the Pilchowicki Bridge is a monument. It stands in ruins and has no value. Not all old things are monuments. The law clearly states that a monument is only that which has social, artistic or scientific value. In art and culture, that value only emerges when there is a relation between the cultural object and people. So if an object is unused, unavailable, it has no such value. Therefore it is not a monument.”

It must be noted that the plans to film this stunt at the Pilchowicki Bridge haven’t been fully confirmed by the M:I 7 production, even though the argument has grown heated for both locals who wish to preserve the structure and those who think it’s nothing to fuss about. However and if the story is true, then maybe a Tom Cruise film should choose CGI at least in this one instance, if for nothing else at all.

Lewandowski also maintains that the shoot will bring more public attention to Poland, which could help with tourism and such, but it doesn’t seem like tourism is too hopping these days, so that might be a moot point. The stunts must go on, somewhere, but Cruise can probably satisfy those urges in any number of ways. I wouldn’t even put it past the daredevil actor to want to jump out of the International Space Station in his upcoming space movie (like the rebooted Magnum P.I. pretended to do) at some point. That’s probably not doable, but one can dream.

(Via Daily Mail & The Independent)

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Phoebe Bridgers And Courtney Barnett Link Up Virtually To Cover Gillian Welch

While essentially every music festival that was set to take place this summer has been canceled, some of those have found ways to continue celebrating and propagating music. A common way that has happened is for fests to host some sort of online event in place of the in-person festival. Newport Folk Festival did just that this past weekend, and the virtual event managed to produce at least one highlight: Phoebe Bridgers and Courtney Barnett came together virtually to perform a cover of Gillian Welch’s “Everything Is Free.”

The pair kept their set-up simple, with Barnett sitting on her floor with a guitar in hand and both artists singing, sometimes harmonizing and other times trading verses. The whole thing went off without a hitch and whatever digital barriers may have existed didn’t get in the way of two of indie’s finest.

Bridgers has had a big 2020 so far with the release of her new album Punisher, which she recently promoted with a video for “I Know The End.” Barnett hasn’t had as big of a year, although she did manage to tour the US solo for the first time before the pandemic essentially shut down the music industry completely.

Watch Bridgers and Barnett perform “Everything Is Free” above.

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John Oliver Has Detailed The ‘Three Big Mistakes’ That Need To Be Corrected In Teaching U.S. History

John Oliver failed to respond to Sean Hannity calling him “not funny” (sick burn, Sean), but don’t let that you stop from watching the new episode of Last Week Tonight, which detailed “how the history of race in America is currently taught in schools — what some of the gaps are, why they’re there, and how we can fill them.” Turns out, it’s not taught well! (As seen by the number of people, myself included, who learn about the Black Wall Street Massacre from Watchmen.) A 28-minute segment can’t possibly cover everything that needs to be updated in high school history textbooks, but Oliver did outline the “three big mistakes” that historians say need to be corrected “in schools and beyond.”

Those mistakes: “We don’t fully acknowledge white supremacy,” “We view history’s progress as if it was constant and inevitable,” and “We don’t connect the dots to the present,” with Oliver noting that history books tend to “trail off” after the civil rights movement. (Crazy how the United States went straight from the 1960s to September 11, 2001, with nothing in between. At least the books looked good in a paper bag cover.)

You can watch the whole segment above, but Oliver’s main takeaway is, “History, when taught well, shows us how to improve the world, but history, when taught poorly, falsely claims there is nothing to improve. So we have to teach it well and continue to learn it.”