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Ahmad Rashad And Willow Bay Look Back On The Incomparable ‘Inside Stuff’

In 1990, Ahmad Rashad was in the midst of transitioning from an All-Pro NFL player to a national broadcaster. After his final season in 1982 with the Minnesota Vikings, Rashad joined NBC Sports as an NFL commentator and host for Sports World. Rashad worked as a studio anchor at the 1988 Seoul Olympics and won an Emmy for writing.

The following year, in Nov. 1989, NBC reached a $600 million broadcast agreement with the NBA. David Stern, the commissioner of the league at the time, approached Rashad about the idea of a half-hour show on Saturday morning that would have entertainment geared to kids and player features that would resonate with fans of basketball across all ages.

Rashad would not just be a co-host — he was offered the role of managing editor and executive producer, with full creative control over the program. It was exactly what he was looking for to take the next step in his career.

“My whole goal in broadcasting was never to be a football analyst,” Rashad told Uproxx. “I was really concerned about being a broadcaster who could do any sport. I wanted to get to a point where I could produce a show.”

And that’s how Inside Stuff was born.

The NBA season doesn’t actually restart until July 31, when the New Orleans Pelicans tip off against the Utah Jazz at Disney World. But it unofficially returned when Denver Nuggets guard Troy Daniels shared a photo of his first meal inside the NBA bubble.

It was the return to normalcy for all of us who are accustomed to consuming off the court content from the most social media friendly league in the world. Since Daniels’ viral food photo, we’ve seen players share their experiences inside the bubble on a daily basis. Matisse Thybulle of the Philadelphia 76ers, for instance, started his own YouTube channel to give fans a peek into life inside the bubble.

Today, this type of behind the scenes content is available everywhere. Three decades ago, it was only available on Inside Stuff, a show built to showcase the excitement of the league — thanks to segments like “Rewind” and “Jam Session,” and combined with the insider access of exclusive player interviews — giving viewers a look, for the very first time, of what life was like away from the court.

Rashad decided early on the show would be an extension of his personality. He was a fun-loving, easy going guy who exuded a radiant energy and found the perfect balance of unrelenting and steady.

“My work was personality driven,” Rashad says. “I didn’t have an act. How I was on the show is pretty much how I am in life. I didn’t have a character I needed to build myself into. I was always me.”

The NBA Finals had been broadcast on tape delay in the mid-80s, and we were still a few years away from the explosion of international popularity of basketball thanks to the Dream Team, Michael Jordan, and the Chicago Bulls winning six championships en route to becoming a global phenomenon.

“It was a new genre,” Rashad says. “There wasn’t anything like it on television. There was nothing that took you behind the scenes. Nobody was going to the players’ homes, to where they grew up, or going to the grocery store with them. During that era, you would see a great player on television, but you would know nothing about them. Sometimes you wouldn’t even know what their voice sounded like.”

The show’s personality resonated with players, too, as they realized an entire generation was tuning in to Inside Stuff. It became a destination spot for every single NBA player. Being featured on Inside Stuff became a badge of honor — “If [a player] didn’t make the show, they were lacking some kind of legitimacy,” Rashad says. “You hadn’t really made it until you were on Inside Stuff.”

Players would run by Rashad sitting courtside after a great play during games and remind him that they had just made a highlight that was deserving of the show. Paul Pierce once approached Rashad in a restaurant, listed off his accolades, and asked why he hadn’t been on the show.

Rashad took advantage of his full creative control and what felt like an unlimited budget when it came to tracking down stories for the show. When he heard about a player named Hedo Turkoglu, described as the Michael Jordan of Turkey, he booked a flight there to find out firsthand. Rashad traveled around the world — often at a moment’s notice — to track down any player and tell any story he wanted.

It also helped that Rashad had relationships with players around the league. Rashad was featured prominently in The Last Dance because of his close friendship with Michael Jordan. The two would drive to the arena together on game days and hang out away from the basketball court. Getting players to open up to him was not, however, was a skill that Rashad used on more than just His Airness.

“People said it was just Michael Jordan,” Rashad says. “But it wasn’t just Michael. Whether it was, say, John Stockton, or Shaquille O’Neal, I had access to all the guys, which helped tremendously.”

Rashad was everyone’s main man, a term he used frequently in reference to his favorite players in the league. “My dad could never remember his friends’ names, people who would just come over to the house,” Rashad says. “He could see them on the street and say, ‘What’s up, my main man,’ because he forgot their names.”

Rashad’s access once landed him a segment with O’Neal before he entered the NBA Draft. The two met at a gym to play one-on-one. During their game, O’Neal drove to the basket and dunked the ball so hard the entire backboard shattered and fell on him as he crashed to the floor.

“Everybody was in panic,” Rashad says, laughing. “I thought his agent was going to have a heart attack. Shaq is laying on the ground and I walk over to him to see if he’s okay. He said yeah, so I said, ‘Keep rolling.’ To this day, he still reminds me of that, he’ll tell me, ‘Remember when I almost killed myself and you told the cameras to keep rolling.’”

Despite being the show’s face, Rashad is quick to give credit to the entire team that made Inside Stuff possible every week, from the behind the scenes work of Andy Thompson, Dion Cocoros, and numerous others, to the “wonderful” Willow Bay, with whom he co-hosted the show from 1991-98.

Bay, a graduate of the University of Pennsylvania with an MBA from NYU’s Stern School of Business, worked as a reporter in 1991 when the NBA called about a co-host position on Inside Stuff. Even though she was a sports fan and confident in her knowledge, Bay didn’t take any chances.

To prepare for her interviews, she went to the New York Public Library and read a year’s worth of Sports Illustrated issues. After the final interview, Stern told Bay that it was down to herself and another candidate, but he would choose her because of the MBA, which meant if she faltered as a co-host, Stern could re-assign her to the marketing department.

Bay’s first week on the job featured a bombshell: Magic Johnson announced he was HIV positive. A somber moment in the NBA world, this gave Bay an early look at the potential of Inside Stuff.

“While the show was high energy, spirited and fun, we were able to mine some very powerful topics and stories,” Bay tells Uproxx.

She still remembers poignant stories like her interview with Drazen Petrovic in New Jersey with the World Trade Center as the backdrop. She still remembers Petrovic — a dynamic, high-scoring guard for the Nets who passed away in a car accident in 1993 — describing the relationships that were severed because of the war back home in Yugoslavia.

There were also fun moments, like when she got to visit Reggie Miller and hang out on his back porch, learned how to spin a basketball with Harlem Globetrotter Frederick “Curly” Neal, and have dinner with Felipe Lopez and his mother in the Bronx.

And then there was the on-air chemistry with Rashad.

“I’ve had great partners and co-anchors but Ahmad was really special,” Bay says. “Our on-camera relationship is really special, and our friendship continues to this day. We had so much fun. We could play off each other because I had a much dryer sense of humor.”

“Willow allowed me to bounce all over the place while she drove,” Rashad says. “I was so far off the script, and on purpose, that’s what made it fun. She was so sharp and so good and she would always keep us on the road so we wouldn’t crash somewhere. She was wonderful and just a great person to work with.”

The original version of Inside Stuff ran from 1990 to 2006. In 2013, the series was revived with Grant Hill and Kristen Ledlow as hosts. Earlier this year, while The Last Dance was appointment viewing for basketball fans, Rashad and Bay hosted a reunion show with a slew of NBA superstars including David Robinson, Reggie Miller, John Stockton, and Dominique Wilkins.

Rashad can’t help but wonder if the original Inside Stuff would still work as a show today.

“Times have changed,” he says. “I don’t know, do kids sit down for half an hour on Saturday? Who has the attention span? The attention span is like three minutes now. Back then, it was at least like 20 minutes. Kids can’t sit down for 20 minutes anymore.”

Bay, who is currently the Dean of the USC Annenberg School for Communication and Journalism, looks back on her time on Inside Stuff fondly.

“It was probably the most fun I had on the job ever. It was so filled with life, energy and laughter,” she says. “When I look back at it, I look back at that experience with enormous pride, because I think that show was groundbreaking in so many different ways.”

Three decades later, Inside Stuff remains an integral piece of NBA history.

“There’s not a day that goes by that I don’t have someone tell me that they watched that show,” Rashad says. “If you sat at home and watched Inside Stuff, you were a pretty cool person, because that was a pretty cool show.”

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Duckwrth Struts His Way To The Dance Floor With G.L.A.M. and Julia Romana On ‘Coming Closer’

As rising LA rapper Duckwrth inches closer to the release of his major label debut studio album, he flexes some experimental muscle on his latest single, “Coming Closer,” which features fellow LA rapper G.L.A.M. and indie singer Julia Romana. With G.L.A.M. producing alongside twin producers Two Fresh, Duckwrth and his co-stars glide over an electronic, dance-pop beat that glitters and sparkles behind his low-key boasts. Romana’s smooth hook anchors a glitchy chorus, while G.L.A.M. provides a chin-jutting counterpoint to Duckwrth’s swagger, matching him with her own deft rhymes tip-toeing over the instrumental.

In the year since his return from musical hiatus Duckwrth has been featured on the soundtrack to Spider-Man: Into The Spider-Verse, released his The Falling Man EP, and released a string of singles that have slowly raised his profile from LA underground art-house rapper to potential star in-the-making. In May this year, he shared the single “Find A Way” after being featured on St. Vincent’s Shower Sessions podcast and popping up as the voice of a performer in League Of Legendsin-game rap group.

With his debut SuperGood releasing in August, now is the time to get familiar with the artist who will soon be offering backing tunes to all your favorite shows and movies and packing out concerts when it’s once again safe to do so.

Listen to Duckwrth’s ‘Coming Closer’ with G.L.A.M and Julia Romana above.

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All The Best New R&B From This Week That You Need To Hear

Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm and blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they really love in its true form, we’ll be offering a digest of the hottest R&B jams that fans of the genre should hear every Friday.

This week, we got releases from Tinashe who dropped off her new single “Rascal (Superstar),” Pink Sweats with The Prelude EP as something for his fans ahead of his debut album and Jhene Aiko came through with Chilombo Deluxe. Check out the rest of the best new R&B this week below.

Tinashe — “Rascal (Superstar)”

At the request of her fans, Tinashe delivered her latest single “Rascal (Superstar)” and a quarantine-inspired Jasper Soloff-directed music video to go with it. “When we initially created this record, I went live on Instagram from my home studio and played it,” Tinashe said via e-mail. “The vibes and energy were so infectious that It felt right to share, spontaneously.” It’s the first single fans have gotten from the singer since her 2019 project Songs For You.

Pink Sweats — The Prelude EP

Pink Sweats is gearing up to drop his debut album, but before he serves his first full-length piece of work to all his supporters the Philly crooner has dropped off a sweet short stack of songs in the form of The Prelude EP. The collection of songs includes his previously released tracks “17” and “Not Alright.”

Jhene Aiko — Chilombo Deluxe

The deluxe edition Jhene Aiko‘s Chilombo has arrived with nine unreleased sexually healing jams and remixes, including “B.S.” with Kehlani and “Tryna Smoke” featuring Chris Brown and Snoop Dogg. Jhene and her sister Mila J even connected for the freaky tale “On The Way.”

Radiant Children — “Mariposa”

Radiant Children has plans on releasing their new project in October and ahead of its release, the trio has been dropping off musical gems after musical gems. This week, “Mariposa” arrived.

They. — “Play Fight” Feat. Tinashe

Off The Amanda Tape, R&B dyad They. and the talented Tinashe unite for “Play Flight” accompanied by a very cool “relationship simulator” visual and now fans get to hear the song in its entirety. It’s a love song dripping in devotion and yearning.

Kara Marni — “Young Heart” Feat. Russ

British singer Kara Marni reflects on a fresh break-up with her latest single “Young Heart” featuring Russ. Along with the release of the song is a fun 8-bit video, created by renowned animator Ivan Dixon of Studio Showoff. “Young Heart” follows Kara Marni’s 2019 project Logic.

Tash Sultana — “Greed”

Tash Sultana really impresses with her latest release “Greed.” It’s all her playing multiple instruments, including the drums and guitar, with the grace of her soulful voice. The black and white visual was filmed at her Melbourne studio as she puts the finishing touches on her forthcoming album.

Boylife — Church/Boston EP

Boylife‘s recently released double single Church/Boston is really good. It’s moody, raw, and melodic while living in the vein of an emerging new sound that expresses vocal emotions in a fresh way. “Church,” really does take you to the pulpit and “Boston” has a spacey vibe that allows for listeners to marinate in its vibrant trance.

Your Grandparents — “So Damn Fly”

DaCosta, Jean Carter, and producer ghettoblasterman, also known as Your Grandparents, came together for a fresh R&B goodie titled “So Damn Fly.” The group describes the song as “an ode to the unapologetically beautiful, black, and bold youth of today.” It’s the follow-up to their eclectic breakout debut EP Been Cold.

Check out this week’s R&B picks, plus more on Uproxx’s Spotify playlist below.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Keanu Reeves Wrote A Comic Book And It Could Become His Next Badass Role

Add comic book writer to Keanu Reeves‘ rapidly growing list of talents.

Debuting in October from Boom! Studios, BRZRKR is a 12-issue limited series from Reeves and co-writer Matt Kindt that features art from Alessandro Vitti. The story will focus on Berzerker, the half-human son of a war god who has lived for over 80,000 years and has reached a tentative deal with the government where he performs brutal mercenary missions in exchange for help in figuring out what he truly is. But, of course, there will be double-crosses and subterfuge along the way as the two sides slowly reveal their ulterior motives.

Naturally, Boom! Studios is excited to work with the actor on bringing his vision to comic book life, and it turns out Reeves is a damn good storyteller. Via USA Today:

Working with Reeves has been “immensely cool,” says Boom! editor-in-chief Matt Gagnon. “Spend five minutes with Keanu and it becomes clear very quickly why he’s earned all the success he has. Exceptional creative instincts, deep reservoirs of wisdom on story, the ability to consistently tap into the raw emotion of a moment, relentless commitment to quality and the task at hand – it’s all this and much more that make Keanu an inspiring force.”

In its exclusive preview of BRZRKR, USA Today can’t help but note that Berserker looks an awful lot like Reeves, and the actor didn’t even try to hide his enthusiasm when asked if the immortal warrior could become his next action character thanks to Boom! Studios’ first-look deal with Netflix. “I’d love to play Berzerker!” Reeves exclaimed during a Skype call from Berlin.

In the meantime, Reeves’ next creative endeavor is yet another foray into dominating all forms of media. This fall, the actor will appear in Cyberpunk 2077, the highly-anticipated new game from CD Projekt Red, the studio behind the award-winning The Witcher III.

(Via USA Today)

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Mxmtoon Debuts An Alternate Version Of Her ‘Dawn’ Track ‘1, 2’ With Rising Singer Chloe Moriondo

20-year-old songwriter Mxmtoon has only been out of high school for a few years but she’s already managed to make a name for herself with a catalog of introspective and lovelorn ballads. Following her debut full-length effort The Masquerade, Mxmtoon shared a handful of songs in the form of her recently-released EP Dawn. Because she can’t tour behind the project, the singer has gifted her fans more music through a handful of Dawn remixes including an alternate version of “1, 2” featuring rising singer Chloe Moriondo.

For the remix, Mxmtoon and Moriondo strip back the song’s layers and reimagine its instrumentals by replacing poppy synths with a warm-toned guitar riff. Moriondo inflects the track with her soaring back-up vocals, adding a shimmering edition to the refined number.

In a previous statement alongside her EP’s announcement, Mxmtoon said she practices being present through songwriting:

“My mind constantly runs rampant with questions about myself, my relationships, and my place in the world. One thing I’ve tried to be better at as the years have gone by though, is letting go. The ability to let yourself live in the moment rather than worrying all the time can be difficult, but to remember that each day is simply an opportunity to grow and learn is a lesson we all have to face. Life is full of teachable moments, and allowing yourself the space to make mistakes and to become better from those is vital.”

Listen to Mxmtoon’s “1, 2” remix above.

Dawn (The Edits) is out now via AWAL. Get it here.

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Danny Trejo Confirms That ‘Machete’ Will Not Win The Cinematic Space Race

Space is the next frontier in the action movie realm, with the Fast And Furious franchise seemingly headed to the outer reaches of Earth’s gravitational pull if you like to read the tea leaves of interviews with Ludacris. With Tom Cruise apparently headed to space to actually film a movie, it seems a genuine space race is on five decades after the United States won the first space race in reaching the moon.

But despite a very literal goal to reach space for another action star — Danny Trejo’s Machete — it doesn’t seem like he will win the Hollywood space race anytime soon. Trejo sat down with Discussing Film to, well, talk about the 10th anniversary of Machete and how our perception of time is increasingly warped in this reality. They also discuss the much-hyped but not very written Machete Kills Again… In Space, which unfortunately doesn’t seem to be making much progress right now.

The movie has been rumored to be in the works for years, and it was given the “Coming Attractions” treatment in the Machete sequel — 2013’s Machete Kills Again — but there hasn’t been much progress in the years since. In the interview, he joked that if director Robert Rodriguez “would ever get off his ass, he’d write Machete Kills in Space!” then joked again that he might just write it himself. So it certainly doesn’t sound like Machete is winning the space race. In fact, Rodriguez and his Machete haven’t even spoken in a while according to the movie’s star.

You know I haven’t spoken to Robert in a while. He’s been really busy and I’ve been busy. Maybe I’ll call him, see what’s up. But I haven’t talked to Robert for a while. He kind of dumped me I think… I got too big (laughs). He’s great. But he’s busy, he’s got six kids. That will keep you busy. His kids are wonderful too.

Hopefully he hasn’t really “dumped” Trejo, as fans are certainly eager for the final movie of what’s likely a trilogy. The rest of the interview is delightful, with Trejo reveling in killing Steven Segal in an already-existing Machete and working on the new SpongeBob SquarePants movie. For fans of his Grindhouse work, though, these are all just distractions until the real work can begin in orbit.

[via Discussing Film]

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Will Barton Claims ‘We’re Fooling Ourselves’ For Thinking Messages On Jerseys Will Make A Difference

One of the main concerns going into the NBA restart was whether it would distract from the nationwide protests for social justice. After George Floyd’s death in Minneapolis, citizens across the country took to the streets to demand justice and an end to police brutality. Many NBA stars have taken front and center in the fight for police reform over the past two months, and a vocal contingent even expressed their apprehensions about whether it was right to participate in the Orlando bubble amid the turmoil that was happening in American cities.

The vast majority of players eventually decided to join the restart, partially as a way of using that platform to promote the cause for social reform. The league itself is on board with bringing that message to fans, although they issued the final decision on what types of phrases could be worn on the backs of players’ jerseys when the games begin later this month.

Not everyone is impressed with that plan. Nuggets guard Will Barton, for instance, said Friday that messages on jerseys won’t go nearly far enough to contribute to the ongoing fight for social justice.

And Barton isn’t the only one who’s underwhelmed by the idea of messages on jerseys. Normal Powell, for instance, didn’t like the fact that the league had final say over what types of messages players could ware and criticized the “cookie-cutter” nature of the approved phrases.

LeBron James himself has decided to forego any of those phrases and just stick with his last name, hinting that, while he had considered wearing certain phrases on his uniform, he wasn’t part of the decision-making process of what would be approved. Still, many players will indeed wear messages on their jerseys when the games kick off in Orlando, and we can certainly expect the movement to extend well beyond that as the national television platform will offer numerous opportunities to make their voices heard.

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Matt Berninger Further Previews His Solo Album With The Nostalgia-Inducing ‘Distant Axis’

The National vocalist Matt Berninger revealed he was working on a solo album about a year-and-a-half ago. The project remained relatively under wraps until May when he officially announced the record Serpentine Prison. Now, the singer follows up the album’s title track with yet another preview of the solo work, “Distant Axis.”

In a statement alongside the single, Berninger said “Distant Axis” was inspired by his collaborations with The Walkmen’s Walter Martin:

“I met Walter Martin fifteen years ago when The National opened for The Walkmen on a tour of sh*tty clubs in the American Southeast. On that tour I learned a lot about how to be in a band without ruining your life. I also learned a lot about Florida, Tennessee, and Georgia. Walt and I have stayed friends and about three years ago we started passing ideas back and forth. ‘Distant Axis’ started from a sketch Walt sent me named ‘Savannah.’ I think it’s about falling out of touch with someone or something you once thought would be there forever.”

Serpentine Prison was produced and arranged by Booker T. Jones who previously said in a profile by the New York Times: “Berninger wanted someone who could corral nearly 20 guest musicians, and someone who could provide the late-night, timeless atmosphere.” Jones was successful in attracting a huge number of musicians to contribute to the project including Andrew Bird, Mike Brewer, Hayden Desser, several other frequent The National collaborators.

Watch Berninger’s “Distant Axis” above.

Serpentine Prison is out 10/2 via Book Records.

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R&B Star Tamar Braxton Was Hospitalized After A Reported Suicide Attempt

Veteran R&B singer and reality TV star Tamar Braxton was reportedly rushed to the hospital late last night after a suspected suicide attempt. TMZ reported the star’s hospitalization after her boyfriend, David Adefeso, called 911 Thursday night around 10pm saying that he’d found her unconscious in their room at the Ritz Carlton hotel in Downtown LA. TMZ’s sources further report that he told police that Braxton had threatened suicide earlier that day and that she may have overdosed on prescription pills and alcohol.

Braxton, who starred with her sisters Toni, Towanda, Traci, and Trina in the musical quintet The Braxtons, was also a fixture of the WeTV show Braxton Family Values since the show began airing in 2011. Tamar was the star of her own spin-off, Tamar & Vince, for five seasons. Braxton was also a host of the talk show The Real for three seasons and last year, was the winner of the reality competition show Celebrity Big Brother, making her the first Black person to win a Big Brother competition in the US.

Her last solo album was 2017’s Bluebird of Happiness and she and Adefeso costar on their own YouTube show called Coupled & Quarantined. Braxton was set to star in yet another WeTV show, Tamar Braxton: Get Ya Life, at the end of the month. A sneak peek provided by WeTV teased a July 30 premiere, which is now uncertain.

See the sneak peek of the show above.

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JR Smith Thinks The ‘Pressure Is Off’ LeBron James’ Shoulders In LA

Of all the players on the Los Angeles Lakers’ roster, J.R. Smith has the most experience playing with LeBron James, which gives him a fascinating perspective on what is similar or different about this incarnation of James.

In a media call on Friday, Smith explained a certain freedom and calm he’s noticed in James since joining the Lakers in the Orlando bubble, noting how being in the City of Angels may actually take pressure off James.

Smith called James’ ability to cede control to coaches and become comfortable not micro-managing each moment of the game “a testament to him growing.” The veteran guard played with James in Cleveland from 2015-18, and watched David Blatt come and go during a streak of four straight NBA Finals appearances. In Los Angeles alongside Anthony Davis, perhaps James is settling into a more loose back end of his career.

Without Rajon Rondo, who is out six to eight weeks with a hand injury, and Avery Bradley, who chose to sit out the NBA restart to be with his family during the pandemic, the Lakers may need to rely on Smith to contribute as spot-up shooter and defender, a role he filled capably with the Cavaliers. It’s a testament to James’ patience and brilliance that the Lakers are comfortable plugging Smith and Dion Waiters into the rotation heading into the playoffs, but it’s exactly the sort of growth Smith observes here.