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Kim Petras And Kygo Lament The End Of A Destructive Relationship On ‘Broken Glass’

Today marks the release of Golden Hour, the first album from Kygo in a few years. Like his previous releases, this record is filled with collaborations, including songs with Tyga, Zara Larsson, Zac Brown, OneRepublic, and even Whitney Houston. Also on the tracklist is Kim Petras, who guests on “Broken Glass.” On the thumping track, Petras sings about a relationship that turned foul due to the destructive people in it: “We could turn love into a fight / Over nothin’, over nothin’, over nothin’ / And the only thing we had in common with each other / Was destroyin’ everything we ever touched.”

Petras said of the song and of working with Kygo:

“‘Broken Glass’ really connected with me and what I was going through at the time. Kygo and I have written a couple of songs together in the past, but we’ve been trying to make something happen. I think the song is amazing and I’m a big fan of Kygo, so I’m really excited to be on his album and for it to come out!”

Kygo shared a celebratory message about the album’s release, writing on Instagram, “‘Golden Hour’ is finally out guys. feels surreal dropping all these songs. I’ve been working so hard on this album the last 2 years and I’m so happy and proud of each and every song. The album consists of 18 songs and is exactly 1 hour of music. Thank you to all the insanely talented artists I’ve had the chance to work with on this record; hopefully we’ll get the chance to play these songs together live someday soon. And a huge thank you to all my fans who have been supporting me the last couple of years. I hope you enjoy this album as much as I did making it.”

Listen to “Broken Glass” above.

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Jimmy O. Yang Tells Us All About ‘Space Force’ And Finding Comedy Close To Home In ‘Good Deal’

Jimmy O. Yang is worried his dad might be funnier than he is. He jokes about it in his new special on Amazon Prime Video, Good Deal, and when we talk about the surprise cameo his dad pulls off in the upcoming Netflix comedy Space Force, with Steve Carell and John Malkovich… but the fear is real. And earned. Jimmy O. Yang’s dad, is in fact, funny, but unlike his son — who’s spent the past decade crafting material for his first streaming stand-up set and acting on cult hits like HBO’s Silicon Valley — the senior Yang is just getting started.

So, for now, we’re going to let Jimmy have his moment. It’s more than deserved, especially after watching how the comedian is able to weave cultural commentary of Asian stereotypes seamlessly amongst Matt Damon digs and dick jokes. (To be clear, he’s joking about his own dick, not Matt Damon’s.) And his Space Force character, an Asian scientist much too smart to be taking orders from Carell’s Air Force general, is one of the show’s standouts – especially as the series moves forward and an unlikely romance begins to blossom. We chatted with Yang about the challenge of cracking jokes at his family’s expense for his new special, why he’ll never do virtual stand-up, and how Malkovich campaigned for his dad’s biggest role yet.

In your first stand-up special and right out of the gate, you’re tackling Asian stereotypes with penis jokes. How do you hype yourself up to share those kinds of embarrassing, personal stories with an audience of complete strangers?

That’s the only way I know how to make friends, self-deprecation. No, I think every standup starts by telling dumb dick jokes and masturbation jokes and then as you grow, you become more vulnerable and you’re able to open up a little more to the audience. It’s something I really want to share, especially with the Asian audience, because there isn’t a lot out there. I remember every time seeing any Asian comedian talk about family or whatever, thinking “Yo, that is so true. Nobody’s talking about that. And that’s hilarious.” It made me feel a little more, I guess relevant. I’m like, “Oh man, I feel like my voice is being heard.”

It’s a very weird form of therapy, my friend. Has the timing of this special been on your mind?

Maybe there’s something nice, during these bleak times, to see something that was done before the pandemic. It’s like, “Oh, look at how joyful the audience was. Wow, what a better time.” I think there’s so much conversation about the important stuff that’s going on right now and the reporting of it. So with this comedy special, I was just happy that it could serve as some kind of escape for an hour. Maybe you forget about the bullshit that’s going on outside.

You tackle Asian representation really well in this special, specifically how Hollywood often miscasts Asian stories. Really, it’s all Matt Damon’s fault.

Well, the joke is, it’s not Matt Damon’s fault. He’s an actor and it’s a shitty thing that happened, but I ain’t mad at it. It was a choice. Early on in my career I don’t think I brought up those kinds of things, but I think it’s just my life right now, what I’m going through, the stuff I’m thinking about, my perspective on it. It’s not all like, “Hey, fuck Matt Damon. He should have never [done that].” It’s finding a funny take on it. I don’t represent all Asian opinions. It’s just my opinion. And I get it because I’m an actor — it’s a job. I would have done it. If they cast me in Mount Rushmore — but that’s the bit.

It’s easier to laugh at it now too after the success of Crazy Rich Asians and Parasite.

My set literally starts with, “Asian’s, we’ve been having a couple of good years,” which is so funny, because I don’t think this year now is our best year. I was worried about that. I was like, “Oh shit. Is that statement even true anymore?” But then somebody tweeted me, “Yo, it’s nice to remember that we did have a couple of good years.” And that’s the world doing the comedy for me. I never really do stuff that’s extremely topical because I don’t think there’s longevity in that. I want this special to be funny ten years from now. So it’s interesting. That’s a setup. That wasn’t even a joke. But now, because of the irony, it’s a joke in itself.

We get to learn a lot about your parents, particularly your dad in this special but he’s in another project you’ve got coming up: Space Force.

Who told you that?

I looked it up, man.

On IMDB? Because I wasn’t sure if this was a secret or not. I never asked Greg Daniels.

They don’t give him credit, which is some bullshit.

How’d you find out? Did I talk about it in some other interview?

Your special made me curious. I was like, “I want to see what his dad looks like.” From there, it was just basic detective skills. I’ve got time on my hands.

What are you, some kind of a spy?

Worse. I’m bored.

He’s good, huh? Without giving too much away, he’s standing toe-to-toe with John Malkovich.

He’s definitely coming for your spot.

Absolutely. I’m going to get fired. No, no. It was a very fun, joyous day on set. A couple of days actually. John Malkovich helped him get the job because that episode, we had to hire a couple of authentic older, Chinese people. It’s always the same two guys because there’s not a lot of choices out there. So I jokingly said to Malkovich that bit that I do in my stand up, “Yeah, my dad started acting after I did,” and Malkovich told Greg (Daniels), “Hey, Jimmy’s dad’s an actor. You should consider him.” I didn’t really even have the balls to pitch it, but Malkovich did it for me. So the next day I cut together a little acting reel for my dad from all the previous commercials and little parts that he’s done. And then I sent it to Greg and he got the job that way. So we all really helped him and he was so excited to be on set. I think he was nervous, but it didn’t show, he was such a professional.

It’s funny, because in the special we get to hear how unimpressed he was with your career choice.

It’s an interesting 180 he made. At first, when I told him I was comedian he wasn’t down with it. When I told him, I want to act he’s like, “Okay, whatever man.” Then, when I found success, he never went through the phase of just accepting and congratulating, like, “Oh my God, I’m proud of you. Good job.” He went completely past that and the other side is like, “Okay, well I can do it. What’s up, hook me up with a job.”

What was it like, working on Space Force with a comedy icon like Steve Carrel and Malkovich?

They’re all geniuses. I love everyone in that cast. It’s probably not as loose as The Office, but we definitely improvised quite a bit, especially Steve. Sometimes I’m sitting in that launch room, just watching Steve and John go at it and I’m just like, “Holy shit. I’m watching this master class going down right now.”

Now that the first special is done, what’s next for you in the stand-up space?

I think it’s growing as a comic. It’s allowing yourself to sit in those stories that are meaningful and not being nervous that the audience isn’t laughing for a minute or two. I always try to find a balance. I’m still a stand-up. I think in this special it’s 80% just jokes, and then 20% I open up, get a little more personal, tell you some stories in that. I like that balance. Whereas the next special, would I skew a little more in another direction? I don’t know yet. I don’t have any material now that 10 years’ worth of material is on this television set.

Is comedy going to have to adapt to this new normal we’re living right now?

You can’t do standup in a vacuum. I’ve seen some friends trying to do virtual standup shows on Zoom. That’s just my worst fucking nightmare. Why would you do that to yourself? There’s no audience, no response. What are you sitting on your chair doing it? Also, people can record it forever, which is the worst thing that could happen. I’ll be interested to see what the temperature is out there because things aren’t going to be the same. What will the audience laugh at? Would they want to hear my perspective on the pandemic or just want escape? We’ll see.

So if I see you doing a Zoom stand-up special, you’ve hit rock bottom and I should call for help.

Just call a wellness check on me, please.

After donating to your Patreon, of course.

Oh yes. Fan Only too.

Netflix’s ‘Space Force’ streams on May 29.

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Tones And I Is Fed Up With Posers In Her ‘Ur So F**king Cool’ Video

Australian breakout singer Tones And I arrived on the scene with her hit track “Dance Monkey,” which became the most Shazam-ed single of all time. Following the release of two singles earlier this year, “Can’t Be Happy All The Time” and “Bad Child,” the singer returns with another energetic effort.

Directed by Nick Kozakis, Liam Kelly, and Tones And I herself, the singer embodies several different stereotypes at a party in her “Ur So F**king Cool” video. She cheekily portrays a vain beauty influencer, a pacifist hippie, a plastic surgery addict, and herself, feeling out of place and disinterested amid all the self-absorbed partygoers. “Walk into a party, feelin’ out of place / Everyone’s too cool, everyone’s too fake / I try to start a conversation but I can’t seem to relate / Yo, I’m about to get an Uber,” she sings.

Ultimately, the song was inspired by the relatable instance of feeling isolated at a party. In a statement, Tones And I said: “I wrote this song after I went to a party and everyone there thought they were the coolest thing ever and I just thought, ‘This is sh*t, I’m leaving.’”

Watch Tones And I’s “Ur So F**king Cool” above.

Tones And I is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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There’s A Perfect Netflix Show For Those Who Need To Scratch That ‘The Walking Dead’ Itch

I have been writing about The Walking Dead for many years now, but long before the AMC series, I was a massive fan of zombie movies. A decade after The Walking Dead inspired dozens of new zombies series and then seemingly consumed them all, I remain — as ever — a huge fan of the genre. Save for Netflix’s phenomenal Black Summer, however, not a lot of zombie TV shows have broken through in recent years. Nevertheless, one rises above them all: Kingdom.

Like The Walking Dead, Kingdom is also based on a comic book, Kim Eun-Hee’s Kingdom of the Gods, but unlike the Virginia set series and its Texas based spin-off, Fear the Walking Dead, Kingdom is set in Korea during the Joseon period — in the 1600s, to be exact. Kingdom is Netflix’s first original Korean series, and it is stunningly good. Like the best zombie movies and television series, Kingdom would be good even without the zombies. It’s a show about class, about corruption, and about a kingdom’s inability to stop the deadly spread of a disease (some of these themes may sound familiar right now).

The backdrop of Kingdom is this: There are rumors that the King of Joseon is dead, and as these rumors spread, there’s a call to crown his successor, Lee Chang (Ju Ji-hoon). Inside the palace, however, others who want to bypass the Crown Prince and install their own king (a baby soon to be born) manage to keep the King “alive” by feeding him a plant, which turns him into a ferocious zombie. After someone in a poor town uses an infected person as meat in a soup, the outbreak spreads from the King to that small village. Ultimately, the Crown Prince, along with his guard, a warrior, and a doctor, fight to protect the townspeople from the zombies while also protecting themselves from the palace’s corrupt forces.

After the opening episode lays the foundation, Kingdom is a dense and briskly-paced series, but it is something that a lot of zombie series aren’t anymore: terrifying. The zombies are the fast-moving, Zack Snyder Dawn of the Dead variety — feral, ferocious creatures that spring and jump and travel in large hordes. However, unlike most zombies, these lay dormant during the day, and they hide in packs underneath houses. Somehow, they are almost more terrifying during while they are harmless and asleep. However, as scary as Kingdom can be, it can also be brilliantly funny, not just in terms of the characters, but in the physical actions of the zombies, too.

Thematically, like Bong Joon Ho’s Parasite, Kingdom explores class inequities, and while the series itself is about a zombie outbreak, it’s based on an actual plague during the Joseon dynasty that killed tens of thousands of people, a period in which the powerful presumably trampled upon those without it. What is also remarkable — and in some ways seems to mirror our current environment — is that even as the disease spreads, the politicians continue to brazenly vie for more power as thousands beneath them die.

Politics aside, however, Kingdom is terrific, terrifying, occasionally funny, and always entertaining zombie series. Especially for those of us who have gone six weeks without our The Walking Dead fix, this Netflix series perfectly fits the bill.

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Joey Badass Believes He’s Being Censored After Apple Music Fails To Play Some Of His Songs

It’s been a few years since Brooklyn rapper Joey Badass released his last album, All-Amerikkkan Badass, but the messages from it resonate as strongly as ever in light of current events. The album finds Joey in full revolutionary mode, speaking to the ills of American society, including racism, inequality, and police brutality, making it one of the timeless albums that bears repeating as the cycle of state violence continues to be publicized on social media. That’s exactly the same quality that Joey believes has DSPs (digital streaming platforms) “censoring” his music.

When some fans reached out to Joey about problems streaming songs from All-Amerikkkan Badass yesterday, the rapper posted screenshots to his story of Apple Music users receiving error messages and complaining of censorship.

Joey himself reacted on Twitter, posting his own screenshot and lamenting, “WOKE UP TO MFS CENSORING MY MUSIC.”

Among the screenshots from Joey’s fans, the common thread appears to be a message that “This song is unavailable in your region.” While none of the screenshots reveal which region those fans are attempting to play their music from, there are plenty of reasons for the error, from licensing rights changes to a simple glitch in the software. On Joey’s own screenshot, the downloaded tracks are also not playing, suggesting that the problem was from Apple’s side, though.

The album in question played just fine as of press date from both my laptop and my phone, so it was likely just a temporary glitch. Besides, other inflammatory albums, like Ice Cube’s Amerikkka’s Most Wanted and Dead Prez’s Let’s Get Free seemed to play just fine in that same time frame so it seems unlikely that there was any concerted effort to silence hip-hop’s political voice. In any event, Joey’s been hinting that he has some new music on the way, so it may be just the right time for an update on his sociopolitical commentary.

Listen to Joey’s “Land Of The Free” above

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This Nurse Treating COVID-19 Patients Spent At Least $500 Protective Gear Because Her Hospital Kept Running Out


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31 Things You Totally Won’t Regret Impulse Buying

Close your eyes and click.


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36 Deals To Check Out This Weekend

Deals at Wayfair, Aerie, World Market, and more.


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If You Can Figure Out Who Stole Harry’s Invisibility Cloak, You’re Smarter Than Hermione

*gasp* It’s gone!


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Friends Say George Floyd Always Went Out Of His Way To Help People Who Were Less Fortunate

“He was articulate. He was grounded. He was spiritual. He was an athlete. He was an organizer. He was a comforter. He was an encourager.”


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