Earlier in the year, Quentin Tarantino shook up cinephiles by declaring Christopher Nolan’s Dunkirk to be the “second” best film of the 2010s. Now he’s back to finally name his pick for the best movie of the past decade, and it’s definitely a choice.
While talking to Premiere (via IndieWire), Tarantino didn’t even hesitate when it came time to reveal David Fincher’s The Social Network as his number one movie of 2010, and it’s all because of Aaron Sorkin‘s writing. After referring to Sorkin as “the greatest active dialogist,” Tarantino set aside his normal penchant for lengthy rantings for a blunt declarative statement. “It is number one because it’s the best, that’s all!” the Pulp Fiction director said. “It crushes all the competition.”
Tarantino’s choice couldn’t have come at a more contentious time, though. Facebook is currently making headlines due to Donald Trump’s recent executive order that targets social media platforms for allegedly hampering free speech after the president was fact-checked by Twitter. While filming The Social Network, no one could’ve possibly guessed at the time that Facebook would evolve into massive platform with the power to influence elections, but here we are. And it’s exactly that sort of sociopolitical ramification that has Sorkin constantly toying with the idea for a sequel:
“I know a lot more about Facebook in 2005 than I do in 2018, but I know enough to know that there should be a sequel,” Sorkin told AP Entertainment. “A lot of very interesting, dramatic stuff has happened since the movie ends with settling the lawsuit from the Winklevoss Twins and Eduardo Saverin. … I’ve gotten more than one email from [producer Scott Rudin] with an article attached saying, ‘Isn’t it time for a sequel?’”
If Sorkin ever does get around to writing a sequel, clearly Tarantino will be in line to see it, or at the very least, give it a “Like.”
Being the parent of a toddler is a unique joy that only lasts for a fleeting season, which is why you have to take full advantage of it while you can. And one dad is clearly doing just that.
Christopher Kyle is father to adorable, 18-month-old Ava, who treated her dad to a meal at her sit-down restaurant. Only according to Kyle, the service left much to be desired.
In a post on Instagram, Kyle shared a photo of Ava in her play kitchen while he sat waiting for his food in a tiny chair at a tiny table. He wrote:
“So I tried to support another Black Owned Business for lunch today. It’s called Ava’s Kitchen, just opened end of April. It’s a very clean establishment, but whewww let me tell you about this owner.
First off, I asked why there are balloons on my chair, and it’s not my birthday? She talm’bout, mind yah business; those are Mommy’s.
I been waiting on my order to get done for 45 minutes, and I’m the only customer here. She was making good progress at first, then she stopped for 20 minutes to go watch Paw Patrol.
Overall the customer service could be better, but the cook is a cutie; so I’ll give her another chance. Let’s not give up on Black businesses so fast after one mistake. 💕”
People absolutely loved this dad’s humor and clearly stellar parenting skills. Anyone who has sat through a tea party—or any activity with the wee ones—knows that for all of its cuteness, toddler play is an exercise in patience and endurance.
Upworthy shared Kyle’s story well on on our Instagram page and our readers did not disappoint.
Some played right along with the game:
“Starting a restaurant is tough.. give her a chance ❤️❤️”
“I mean, she started a restaurant during a global pandemic, give her a break 😂”
“Is she taking reservations?”
Fans of Paw Patrol had some words:
“Paw Patrol is a must watch so 🤷🏾♀️😂“
“I died at Paw Patrol 🤣🤣🤣 that’s my show though. I don’t have kids I just watch it just because lmao.”
“Paw Patrol break is mandatory. Too cute! ♥️”
Others just gushed over the entire scene:
“Love EVERYTHING about this!! The adorable owner, the custumer’s humor and the incredible love”
“That’s the cutest restaurant owner I’ve ever seen. The dad’s face is priceless! 😂👍❤️”
“LoL the story is funny & beautiful!!! This warms my heart!! This babygirl will grow up to have such a healthy look at men (in any capacity) as long as she & her Daddy keep such a beautiful bond!! Happy Father’s Day (early) Keep encouraging her to do her thing and her confidence will continue to soar!! I just love this!! 😍😍😍”
Well done, dad. And well done, Ava. Can’t wait to see you open your own real business someday, baby girl.
Christopher Nolan has never been shy about his deep love for the James Bond films and how much they’ve influenced his work. But recently, the iconic director revealed that, for the first time, he made the conscious decision to set aside the Bond movies and not partake in a long-standing tradition before filming his upcoming blockbuster Tenet.
In an interview with Total Film (via GamesRadar), Nolan opened up about forgoing his tried-and-true practice of screening specific Bond films before filming. Normally, the director would show his cast the direct inspiration for certain scenes, but for Tenet, he chose to take a different approach despite the movie trafficking in the same sort of globe-trotting espionage that would make 007 feel right at home. Instead, Nolan wanted to reference the spy genre through “a memory and a feeling” instead of the “specifics”:
“It’s totally in my bones. I don’t need to reference the movies and look at them again. It’s about trying to re-engage with your childhood connection with those movies, with the feeling of what it’s like to go someplace new, someplace fresh. It actually has to take them somewhere they haven’t been before, and that’s why no one’s ever been able, really, to do their own version of James Bond or something. It doesn’t work. And that’s not at all what this is. This is much more my attempt to create the sort of excitement in grand-scale entertainment I felt from those movies as a kid, in my own way.”
Again, Nolan’s well-known love for the Bond films is the reason he’s on the short list every time the franchise is in need of a new director. He’s been sprinkling in Bond homages going all the way back to 2005’s Batman Begins, and in a 2018 interview with Variety, Nolan didn’t even try to hide that Inception was an attempt at making his own version of Bond.
Marvel’s Agents of S.H.I.E.L.D. (ABC, 10:00 p.m.) — The seventh and final season arrives with Agent Coulson somehow in tow after dying yet again in Season 5. This time, though, he’s going on a time-hopping adventure back to 1930s New York City. Fun!
Jeffrey Epstein: Filthy Rich (Netflix documentary series) — Prior to his 2019 arrest and death behind bars, tycoon Jeffrey Epstein stood accused of a decades-long pattern of abusing women and teenage girls. This documentary digs into his trip to the financial world’s apex and, of course, the international sex trafficking ring that led to his bust. Over the course of four parts, director Lisa Bryant reveals the voices of the sisterhood of survivors in their goal to halt predators forever.
Blindspot (NBC, 9:00 p.m.) — The ongoing tattoo saga deals with a monster in the team’s midst while Madeline Burke questions Director Weitz’s loyalty.
Burden Of Truth (CW, 8:00 p.m.) — Joanna’s absorbing apprehension all over the place while she tries to win back custody of Kodie’s children, and the court digs into her friend’s past life.
In The Dark (CW, 9:00 p.m.) — Murphy’s still preoccupied with aiding Max, and extreme risks are undertaken in the process of this goal. Jess’ relationships continue to be tested, and Chloe meets someone new.
Siren (Freeform, 10:00 p.m.) — Warring mermaid tribes go to battle undersea, and a potential cure for Xander leads to Helen hoping to help restore some order with the hybrids.
The Tonight Show With Jimmy Fallon: Bruce Springstein, Jamie Foxx, Will Ferrell
Previously on the Best and Worst of NXT: Shotzi Blackheart asserted that she’s like a tank, because tanks don’t give a shit! Plus, Drake Maverick managed to pin KUSHIDA, and Velveteen Dream dropped a badly edited elbow on Adam Cole.
And now, the Best and Worst of WWE NXT for May 27, 2020.
Worst: Shotzi Blackheart Coffin Drops Herself Into An Actual Coffin
More important things happened this week, but I can’t stop thinking about Shotzi Blackheart turning Darby Allin into Darby All Out and almost killing herself on live television with a Coffin Drop to the floor. In case you missed it, uh …
WWE
Here’s the landing in slow motion. Kota Ibushi watched that and was like, “damn, girl, be careful.” It’s the equivalent of, I don’t know, an avalanche Awesome Bomb to the floor. Seriously, look at how she landed. Even on YouTube you can feel the immediate panic in everyone involved the second she hits the ground. I don’t think I’ve ever seen a referee move so fast. And yet, she appeared to be totally fine. She finished the match, even, with Raquel being pretty damn careful on the final slam. I’m glad miracles exist, I guess. Please don’t do any more Coffin Drops, Shotzi, Darby has been skateboarding his entire life and has hella depth perception and also half a death wish.
It’s a shame that’s what the match will be remembered for, too, as it should be remembered for precious treasure Dakota Kai commandeering Shotzi’s Power Wheels, driving it around on the floor, and then attempting to dismantle it.
WWE
Shotzi is upset, but she shouldn’t be. The tank doesn’t care that it’s being misused and abused. Tanks don’t give a shit!
Best: Magical Occult Flashlights
That match also featured some light involvement from Tegan Nox (who just won’t leave Dakota Kai alone) and Candice LeRae, who are passive-aggressively feuding as the B-story of LeRae’s OTHER passive-aggressive feud with Mia Yim.
After Gargano introduces the “Johnny Gargano Invitational” — think of it like the John Cena U.S. Open Challenge without a title on the line and no intention to have competitive matches — and takes down Adrian Alanis (who looks like Leakee had a baby with Tyler Black), Yim and Keith Lee bring it via satellite from presumably a few blocks away to mock those weird Gargano Dinner segments. To do so, they utilize a flashlight that when you hold it under your chin and turn away and talk, it turns your world black and white and makes you really mean. It’s pretty funny, not gonna lie, and I want the Evil Monochrome Flashlight to become as much a part of NXT lore as the backstage mirror that turns you heel when you look into it.
Nox appears in the video as well, bringing them a pizza from Gargano’s Pizza that she’s already eaten most of. Shout-out to them managing to put over Gargano’s Pizza while insulting Gargano’s Pizza! It’s like a 1985 Ric Flair promo, if he wrestled in hastily constructed Orlando area apartments and feuded with takeout food from a thousand miles away.
A Quick Aside About The “NXT Universe”
WWE
This week’s show’s technically being performed in front of a crowd, like Raw was, and while there are still issues — that hockey glass is a real bummer, and why can they still not have chairs? — but there are improvements. At least on NXT they filmed them with a crane, instead of bragging about how socially distanced they all were while having a camera man weave between them.
If I was one of these people in the NXT crowd, though, I’d be pissed. NXT’s supposed to be the “third brand” that’s equal to Raw and Smackdown and not developmental, but when Raw needs a crowd you stock it with NXT folks, and when NXT needs a crowd you stock it with NXT folks? I bet Smackdown’s getting NXT people, too. I see you out there clapping, Kacy Catanzaro. Raw really should’ve paid back the favor. I want to see Gargano in there crunching jobbers while like, Jinder Mahal and Liv Morgan stand out there clapping for them. YOU GUYS WERE HERE ONCE TOO.
Best, Then Worst: This Week In The Largely Unnecessary Interim NXT Cruiserweight Championship Tournament
We’re really dragging out this tournament as much as possible, huh?
In case you missed it, Drake Maverick, Jake Atlas, and KUSHIDA have a triple threat match to determine the winner of A Block, because they all finished with the same record. Tony Nese was literally the only person in the block to not make the playoffs, because he’s Tony Nese. The match they have is pretty good, too, because of course it is, but the finish really bugged me.
One finish WWE really loves to do over the past several years is doing triple threats or fatal four-ways where someone’s about to win with a submission, but one of the other wrestlers sneaks in, covers one of them, and wins by pinfall. It usually involves Charlotte Flair, and Charlotte was in attendance last night, so maybe it was her idea again? Charlotte had Bayley in the Figure-Eight during a number one contender match back in 2015 only for Becky Lynch to sneak in and pin Bayley, and later got pinned herself in the same set-up on Raw by Rhea Ripley. Those finishes worked, but this one bothered me because … well, look at it:
WWE
That’s Drake Maverick pinning Jake Atlas by draping an arm over him, but how is Drake’s one arm more of a pinfall than KUSHIDA’s two legs? There’s one on Atlas’ face and another on his chest. Referees are supposed to count pinfalls when your shoulders are down in submissions — see any lengthy figure-four ever, or most armbars that get countered with a lift — so you can’t even argue that the submission overruled the leg placement, or whatever. They just did the thing they wanted to do because apparently nobody in the world but me is going to notice or care. I feel like the fucking Lorax in these columns sometimes.
It’s also weird that they followed it up by saying the finish was contested because Atlas was tapping to KUSHIDA off-screen while being pinned. THAT is what you got out of that? At least they had KUSHIDA wander up and be like, “nah man, it’s fine, go keep your job,” because he’s a good dude. I’m still not sure if Drake never got released and this was all a story from the beginning (which insults all the people who actually lost their jobs) or if they’re turning it into a story now and are milking it until he ultimately loses and leaves anyway, but the confused silver lining is that Drake Maverick’s the best, and I want to see him do well and have things.
Worst: The WWE Brands Super Show Starring Charlotte Flair
Speaking of Charlotte Flair, she makes a rare television appearance to pin Io Shirai with her feet up on the ropes, Dirtiest Player In The Game-style. I like Charlotte evoking her dad’s worst professional tendencies and I even like Charlotte a lot, moonsaults aside, but I don’t need to see any character be a focal point of three prime-time television shows a week, every week, especially for a universe of shows where there are never re-runs. I love Captain Holt on Brooklyn 99, but if I had to watch him dominate the conversation three times a week as part of seven weekly hours of content for 52 straight weeks I’m guessing I’d want to start watching something else.
Some Of The Week’s Best Content Didn’t Even Make The Show
Flair’s partner in the match was Chelsea Green, and while she wasn’t involved on either side of the finish, it was her first notable win in NXT. To celebrate this, she fires Robert Stone (Brand). Unfortunately this segment was a WWE.com Exclusive, which you can watch on YouTube, which is not WWE.com.
Similarly, put-upon quarantine jobber Leon Ruff flails around like an inflatable tube man trying to avoid Tommaso Ciampa’s offense, but gets kneed in the face and dropped on his head and pinned. This serves as the background for a Ciampa and Scarlett née Bordeaux staredown, and a post-match promo in EXTREME CLOSE-UP for Karrion Kross. But the best part is actually this backstage interview with Ruff, where he shows some personality and compares how badly Ciampa and Kross beat him, and which one was worse. I LOVE a jobber interview. That beautiful period where every Ryback jobber was getting pre-match promo time was so much fun. Fewer dramatic video packages, more character development, please and thank you! You used to be so good at it, NXT!
Also On This Episode
Speaking of sudden character development, Oney “Oney” Lorcan and Danny “Twoey” Burch throw ’em up at a local restaurant that’s I guess just reopened and talk about how they want to take down Imperium and win the Tag Team Championship. It’s the first time we’ve really gotten to know anything about either guy for what, three years? And Oney and Twoey fucking RULE, so I’m into it. More Lorcan and Burch is a huge plus, always. Although the Undisputed Era took you guys to school and Imperium beat Undisputed Era in a 4-on-3 handicap match, so who knows what’ll happen?
In other segments that happened that I don’t have a lot to say about, a demon wants to murder a priest and William Regal says he’s going to book a cinematic Adam Cole vs. Velveteen Dream rematch in, “a location that will shine a spotlight on both of [them].” I hope he books them to fight in the Times Square arena from Smackdown: Here Comes The Pain. Give me an elbow drop from a helicopter, you cowards.
Side note: I deeply identify with Adam Cole having a Zoom call with his boss while sitting in a gaming chair.
Best: Matt Riddle And Timothy Thatcher Walk For Miles Inside This Pit Of Danger
Finally we have the FIGHT PIT, a re-imagining of both the standard WWE cage match and I guess the Lion’s Den match where there are no ropes, the ring’s surrounded by a cage, and there’s a scaffolding platform up top where you can safely fight and do moves. If WWE ever wanted to get rid of the ring ropes for some reason, this would be a good option, as it maintains everything you need in a wrestling match except maybe illogical bouncing without just like, having wrestlers wandering around doing skits and punching each other in an office building, or whatever.
Here’s our own Scott Heisel explaining why this was his favorite NXT match in months:
Three words: It felt real. It’s the first time since Lesnar/Cena at Extreme Rules where I felt like MMA was mixing with WWE style successfully, to the point where I totally bought in to the violence and blood. I knew very little about Timothy Thatcher going into this match, and I felt like this blow-off was unearned, but coming out of it, I think he is a certified badass who feels like a modern day Dean Malenko. Maybe he can ask Adam Cole if he knows any good dentists…
It was good. It really was. Kurt Angle didn’t add a lot, really — you couldn’t have gotten Steve Blackman in for this? Come on — but the fighting was intense, the wrestling was great, the set-up was unique, the bloody toothless interlude was attention-grabbing, and the finish was violent, realistic, and clean. Thatcher looks like TIMOTHY GODDAMN THATCHER for the first time in his WWE run, Matt Riddle can be off to the main roster to miss Stallion Pete and retire both Goldberg and Brock Lesnar simultaneously at next year’s WrestleMania (you cowards), and Angle can smile vacantly off into the distance knowing he did a perfectly good job refereeing a macho death fight. Great work here.
Best: Top 10 Comments Of The Week
Harry Longabaugh
Did Tegan ring the doorbell? Wouldn’t she be the one who Nox?
PTI_IMTOMMY
Did Kurt Angle get fired and then IMMEDIATELY buy a house next to the performance center, jumping on a trampoline raising tiny weights in the backyard?
”do you want to ref me and Tim tonight?”
FeltLuke
Learning Scarlett is a music theater major answered so many questions for me.
troi
Come on Keith, who wouldn’t give Tegan a key to their apartment?
Birdman
Congrats on your upcoming demotion, Riddle
At this rate, I’m assuming Charlotte’s mystery partner is another Charlotte
notJames
Bobby Fish: “That’s why God made mouthguards.”
Shayna Baszler: “Right?”
Endy_Mion
Despite all his rage, he is still just a Matt in a cage
BVR
Drake: Hey, Kurt.
Kurt: Hey, Drake.
Drake: Weren’t you…
Kurt: Let go? Yeah…Weren’t you….
Drake: Let go? Yeah….
Kurt: Do you ever get flashbacks to how….
Drake: Dixie ran TNA??
Kurt & Drake: EXACTLY!
Drake: Weird, right?
AddMayne
Dakota is a gamer, so I would expect her to know you never target the Tank first
WWE
Let’s hope that next week she doesn’t start doing suicide dives into the security railings.
That’s it for this week’s Best and Worst of NXT. We’re not sure you ever actually read this part or do what we ask (or if you even scroll down through the top 10 comments of the week), but hey, it would really help us if you commented down below and shared the column if you liked or laughed at anything. The world’s tough, and that makes this kind of thing a lot easier.
Join us here next week for the crowning of Not Jordan Devlin as NXT Cruiserweight Champion (which is still some bullshit), Candice LeRae vs. Mia Yim in a match that definitely should end in one hitting the other with a flashlight, and Charlotte Flair wrestling, probably. Maybe twice. See you then!
“All whiskey starts off as beer” is a common phrase you hear tossed around in distilling circles. That’s technically true of most whiskey. Whiskey starts off with a mash of ground grains, water, and yeast — just like beer. But then most beers are hopped whereas whiskeys get distilled and aged. Still, the basic foundation of whiskey and beer are very similar, so much so that you can actually use finished beer to make whiskey. Those beer-based whiskeys are what we’re going to dive into today.
The idea of using finished beer as a base for whiskey is a rapidly expanding category, and that makes it exciting. Before we dive too far into the deep end, let’s clarify a few points, though. We’re not talking about beer-barrel aged whiskey. That’s a different category altogether. We’re talking about whiskey that has been made from beer, or, at the very least, uses a combination of beer products in their mash. Products like brewer’s yeast, brewing malts, and/or hops. (If we’re talking about single malts, you can assume beer is the mash. Single malts are a base of 100 percent malted barley, water, and more often than not ale yeasts. That’s beer, folks.)
The ten bottles below are all American whiskeys made with beer specifically. Some of them are using finished beers from partner breweries. Others are using beer ingredients to make their own mash for distilling or even brewing their own in-house beers to distill. Overall, they’re all pretty damn tasty and worth trying out right now.
ABV: 40.2% Distillery: Arcane Distillery, Brooklyn, NY Beer Base: IPA Average Price:$45 (half-bottle)
The Whiskey:
This is an interesting expression from a small New York distiller. They gather IPAs from the New York craft brewing scene and then go in a modern science direction with their distillation process. The beer is put into a glass vacuum still. The vacuum allows the beer to boil at a mere 86-degrees Fahrenheit. This ultra-modern technique allows every nuance of the beer to pass into the spirit. After the beers are distilled, they’re blended into this unique expression of whiskey.
Tasting Notes:
I’ve only tried the IPA Batch 2. There are five batches out there. In my experience, this whiskey greets you with a full nose of frothy IPA fragrance. It’s very West Coast with a nice balance of pine resin dank and citrus fruit. That dank carries through the sip as the fruit turns mildly tropical and is undercut by a clear sense of Christmas spices and echoes of wildflowers.
There’s a honeycomb sweetness, a hint of an old apple orchard, more spice, more pine, and a shudder of ersatz bitterness on the end.
One of Texas’ best craft distilleries teamed up with one of Texas’ most iconic beers to make a new whisky. This straight malt whisky starts with a base of the classic Shiner Bock mash bill with the brewery’s proprietary yeast strain (and a 51 percent malted barley base). After distillation, the juice goes into American oak for a two-year rest in the Waco rickhouse.
Tasting Notes:
This is an interesting sip and very emblematic of what we’ve come to expect from Balcones. Big Texas flavors of cinnamon glazed pear doughnuts mingle next to sense of malt with orange zest lurking around. Those notes carry on and are bolstered by candied walnuts dusted in Christmas spices, hints of maple syrup, grenadine, a sourdough funk, and a rush of toasted oak. The sip leans into tartness with as a raspberry pie essence with a nice and buttery baked crust that mingles with the warming spices and the feel of well-worn leather alongside a note of brine on the finish.
This whiskey from Tennessee pushes the lines of what a beer whiskey can be. The base is a traditional malted barely beer much like other single malts. The ripple is that Citra hops are added to the vapor basket in the same way botanicals would be added to a gin during distillation. That doesn’t make this a gin but it does technically make it a “flavored whiskey.”
Tasting Notes:
This is a subtle sip. There are notes of bright citrus next to fresh spices upfront. Next, the dram hits on a savory herbal note that’s cut by squeezes of fresh orange, juicy grapefruit, and tart lemon. The sip picks up some mild notes of bitter dark chocolate in the background alongside fresh ginger and nice flourish of spring flowers before a hint of malt brings about a short finish.
Westward American Single Malt
ABV: 45% Distillery: Westward Distillery, Portland, OR Beer Base: Breakside Brewery (ingredients) Average Price:$80
The Whiskey:
Portland’s Westward American Single Malt starts off with a base of local mountain water, two-row barley grown in Washington, and American ale yeast. That’s the start of a pretty stellar beer right there. The beer is twice distilled in pot stills and aged for two years in new American oak. The finished juice is then small-batched from no more than six barrels per bottle.
Tasting Notes:
There’s a whiff of nuts roasted in honey next to sweet brown bread malts. Blips of dark spices, toasted oak, and oily vanilla pods mingle with a hint of red berry tartness, more malts, and a very thin billow of smoke. The end lingers for a while as the spice, oak, and sweet malts slowly dissipate.
ASW Maris Otter Single Malt
ABV: 46% Distillery: American Spirit Works Distillery, Atlanta, GA Beer Base: English Maris Otter Malts Average Price:$55
The Whiskey:
This hard-to-find and award-winning expression marries together Scottish whisky-making, Kentucky bourbon barrel aging, and craft beer ingenuity. The base of this whiskey took master distiller and former brewer Justin Manglitz a decade of homebrewing to perfect with the much-beloved English Maris Otter Malts at the recipe’s heart. The brew is twice-distilled in Scottish copper pot stills and then aged in new charred American oak like American bourbon.
ABV: 43% Distillery: Berkshire Mountain Distillers, Sheffield, MA Beer Base: Sam Adams Boston Lager Average Price:$100
The Whiskey:
Yes, you can drink distilled Sam Adams. This expression takes the iconic Sam Adams Boston Lager and triple distills it in the Irish whiskey style. The juice is then aged for four years in American oak before blending and being bottled in small batches.
Tasting Notes:
The sip greets you with a flourish of toasted malts next to bourbon-like caramel and a hint of wildflowers. From there, the dram leans into the malt and wood as a clear “beer” sense drives through the taste with a note of green spice and bitter hops. The quick finish leans into the caramel, spice, and bitterness.
Charbay R5 Whiskey
ABV: 49.5% Distillery: Charbay Distillery, St. Helena, CA Beer Base: Bear Republic Racer 5 IPA Average Price:$80
The Whiskey:
Don’t let the “Hop-Flavored” designation on the label mislead you. This is a whiskey distilled from Bear Republic’s Racer 5 IPA. The beer is twice-distilled in pot stills. The juice then goes into French oak — Charbay is also a winery — for just over two years. The whiskey is then small-batch bottled.
Tasting Notes:
Hoppy beer, savory herbs, and rich brown sugar lead the way. The sugar turns more molasses as the hop bitterness kicks in. Echoes of dark fruit and flowers flutter in the background as the sweetened malts come to play on the long end, which is touched off by a mild hint of French oak funk.
Brewer’s Whiskey HUB
ABV: 40% Distillery: New Deal Distillery, Portland, OR Beer Base: Organic HUB Lager Average Price:$40
The Whiskey:
This very small release from Portland’s Hopworks Urban Brewery utilizes the craft brewery’s much-adored Orangic Hub Lager. The juice is twice distilled by New Deal Distillery who also ages it in a variety of American oak barrels. The whiskey is then blended and bottled with no age statement.
Tasting Notes:
An apple orchard with hints of dark spices greets you. There’s a puff of dry tobacco smoke that leads to less apple and more dried herbs and dark spice wrapped in an old leather pouch. The sweetness leans towards brown sugar as a distant hint of bitter dark chocolate arrives before the swift and mild final note.
Pursuit Distilling Northwest Craft Brewers Series 2.0
ABV: 47% Distillery: Pursuit Distilling Co., Seattle, WA Beer Base: Scuttlebutt Brewing Hoptopia Average Price:$70
The Whiskey:
This small yet dialed-in craft brewery in Seattle does some great work with an all-Washington grain-to-glass experience. The latest edition to their Northwest Craft Brewers Series (NWCBS) is a collaboration with Everett, WA craft brewer Scuttlebutt Brewing. Pursuit Distilling takes its un-hopped Hoptopia IPA and distills it. They then age the juice for 23 months in American oak, creating an American single malt.
I’ve only tried the Series 1 but Series 2 is what’s available now. This is what the distiller has to say about Series 2: “Red Fruit and Strawberries. Spice and Biscuit. Vanilla and Caramel. Smoke and Malt.”
Seven Stills Chocasmoke Whiskey
ABV: 47% Distillery: The Seven Stills Brewery & Distillery, San Francisco, CA Beer Base: Seven Stills Chocasmoke Chocolate Oatmeal Stout Average Price:$40
The Whiskey:
This tiny San Francisco distillery/brewery takes their own Chocasmoke Chocolate Oatmeal Stout and distills it. They then distill a very peaty malted barley and mix it with their oatmeal stout spirit. That juice is then aged for a short six months in small-format oak (which works faster than larger barrels). The final product is small batched and bottled in a bottle adorned with art from local artists.
Tasting Notes:
Bitter chocolate dances with toasted oats and sourdough malts. The sip keeps those flavors as a foundation for notes of vanilla, stone fruit, honey, brine, caramel, and peaty smoke. A dark and sharp spice warms this velvety dram on the end as the peat, salty caramel, and vanilla slowly fade away.
It could and should be argued that Eminem’sThe Marshall Mathers LP is one of the most influential albums of all time. Even just considering “Stan,” there are only so many songs that have spawned officially recognized new words. Eminem was on top of his game during that era, and that also applied to the videos he released from the album. Videos for the album’s singles have racked up hundreds of millions of views on YouTube over the years, and they haven’t even been available in HD. Well, that changes today: The official videos for “The Real Slim Shady,” “The Way I Am,” and “Stan” (both the long and short versions) have been remastered and can now be watched on YouTube in full 1080p high definition.
Eminem has been celebrating the 20th anniversary of The Marshall Mathers LP this year, and the refreshing of the aforementioned videos is the latest fruit of that effort. The videos are available at the same YouTube URLs they have always been (meaning view counts are preserved), but now, viewers are able to watch them in 720p and 1080p, and they look better than they ever have. So, here is your chance to clearly see every detail of Eminem’s fake butt in the “Slim Shady” video.
Less than 24 hours after its launch, HBO Max is making it very clear that it’s fully in the Warner Bros./DC Comics business.
The streaming service just revealed a brand new poster for the upcoming season two of Doom Patrol, which will officially premiere on June 25. If the new promo art is giving off strong The Wizard of Oz vibes, that would be thanks to the focus on the appropriately-dressed Dorothy Spinner (Abigail Shapiro) who will play a prominent role in the new season of the fan-favorite series.
HBO Max
And below is the official poster for the simultaneous premiere on DC Universe. Obviously, this poster leans even heavier into The Wizard of Oz theme while also offering a clear look at Dorothy’s unusual face, which was only briefly glimpsed in the season one finale.
Here’s the official synopsis for the second season of Doom Patrol:
DC’s strangest group of heroes — Cliff Steele aka Robotman (Brendan Fraser), Larry Trainor aka Negative Man (Matt Bomer), Rita Farr aka Elasti-Woman (April Bowlby), Jane aka Crazy Jane (Diane Guerrero), and Victor Stone aka Cyborg (Joivan Wade) — are back again to save the world. That is, if they can find a way to grow up…both figuratively and literally. Following the defeat of Mr. Nobody, the members of the Doom Patrol now find themselves mini-sized and stranded on Cliff’s toy race car track. Here they begin to deal with their feelings of betrayal by Niles Caulder aka The Chief (Timothy Dalton), while confronting their own personal baggage. And as each member faces the challenge of growing beyond their own past traumatic experiences, they must come together to embrace and protect the newest member of the family: Dorothy Spinner (Abigail Shapiro), Niles’ daughter, whose powers remain a mysterious but real threat to bringing on the end of the world.
Doom Patrol Season 2 debuts June 25 on both HBO Max and DC Universe.
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