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Here’s to another unsung hero of the coronavirus pandemic—the midwife

Imagine being pregnant in the middle of a pandemic, when a hospital full of potentially contagious patients is the last place you want to set foot. Where and how are you going to bring your baby into the world?

Thousands of parents-to-be facing this question have scrambled to make a plan that keep them and their baby safe during the coronavirus outbreak. And many have turned to the experts in safe birthing in non-hospital settings—midwives.

Depending on where you live, midwife-assisted birth in a non-hospital setting may be seen as totally normal, or it may be viewed with suspicions about safety. In the U.S., midwife-attended births had seen an uptick even before the pandemic, but the vast majority of births still take place in hospitals. In other countries, home births attended by midwives is the norm for low-risk births.


With the new coronavirus likely not leaving anytime soon, folks in the U.S. might want to hop on the “this is normal” train. With restrictions on visitors and birth support people, as well as the risk of infection, more and more parents are opting for an out-of-hospital birth experience.

Despite being the first state hit hard by the virus, Washington state has had a “tremendous leg up” on this front, says Jen Segadelli, Co-President of the Midwives’ Association of Washington State and Clinical Education Supervisor of the Department of Midwifery at Bastyr University. Decades of relationship-building between the midwives and OBs in Washington has created a strong culture of collaboration, she says, making childbirth care in a pandemic far easier than in states where midwives and OBs operate mostly in separate spheres.

However, even in a state where doctors and midwives work well together, the unique circumstances of a pandemic create an entirely new set of challenges and considerations. Coincidentally—and thankfully—a playbook for handling childbirth during a pandemic had already been partially written in Washington before the virus even hit.

Seattle-area midwife Tara Lawal, who runs Rainier Valley Community Clinic, had written her Masters thesis on developing a midwife-led community-based model of care, which includes midwife-physician collaboration—a vital piece of the pandemic birth equation. And Emily Jones, a current Bastyr University midwifery student, is nearly finished writing her Masters thesis on the role of midwives in disaster preparedness. The central question of her paper: “What happens when hospitals run out of beds?” Talk about good timing.

Sagadelli, Lawal, Jones, and other community birth providers in Washington have created a COVID-19 Response Coalition to address the needs of birthing families during the pandemic using the knowledge laid out in those midwives’ research. “The goal is to not get ourselves to a place where we are suddenly New York and like ‘Aw crap. We might have to divert two thousand births out of the hospital in two weeks, and where are we going to put them?'” says Sagadelii.

For midwives, the specifics of “where” aren’t as important as simply having a plan. “We can catch a baby anywhere,” says Sagadelli. “We would just prefer that there be four walls and running water and heat.”

Washington has dozens of licensed freestanding birth centers, which offers a degree of out-of-hospital infrastructure in addition to home birth options. But not all states have those facilities. New York, for example, has just two freestanding birth centers, both in Brooklyn. So creative solutions have to be found when hospitals get overrun and birth centers aren’t available.

Sagadelli says one option is setting up ad-hoc birth centers in hotels or Airbnbs in addition to home births. However, varying state laws and regulations make those options trickier in some states than others. For example, some states don’t allow midwives to carry certain life-saving medications, and some don’t even allow midwives to legally practice at all.

Sagadelli says differing state laws means a hyperlocal approach must be taken:

“This is the downside to the federalist legal system, right? We essentially have 50 different legal systems in this country. Our legality of practices are different state by state, and our scope of practice is different state by state. There are some states where you can’t carry anti-hemorrhagic medication. You can’t carry Pitocin to stop a postpartum hemorrhage. So the way that those midwives might be forced to manage this is going to look different than it’s going to look like for midwives in Washington, who enjoy a pretty liberal scope of practice and a pretty extensive drug legend for emergency management.”

Sagadelli says midwives has seen a 25% to 100% increase in demand across the state since the pandemic began. Some requests are from patients who are near their due date, which poses an extra challenge for midwives who are used to working closely with patients throughout their pregnancy. Late-term transfers don’t allow much time for relationship-building, and patients may not be prepared for the reality of an out-of-hospital birth without the option of an epidural. But in a crisis, people do what they have to do.

And problem-solving in real time is exactly what midwives do. “I think that’s what midwives do well,” says Sagadelli. “We innovate. We problem-solve. We always have.” Midwives also have valuable birth care expertise that traditional OBs don’t. Doctors have begun approaching midwives in Washington asking how to get patients out of the hospital after birth quickly, which is standard practice for most midwives. Sagadelli says that kind of knowledge sharing will serve birthing patients well, not only during this pandemic, but in any potential disaster situation.

“We are hopeful that we have somewhat managed to avert crisis in this state with early action with social distancing and preventative measures,” says Sagadelii. “But we are also hopeful that this has started a bigger conversation about when this happens again—I won’t even say ‘if,’ we’re way too connected as a global society for it not to happen again—or an earthquake or some other kind of crisis or disaster—when we’re faced with it, that we’ve started to lay some groundwork here with our colleagues and as a healthcare system that recognizes we’re going to have to have a plan. Because if we don’t have a plan, the people who fall through the cracks are the birthing people and the babies.”

While OBs are experts in surgical birth and high-risk birth situations, midwives are the experts in normal, low-risk birth. Both kinds of expertise are needed in a crisis, so the more birth care providers work in conjunction with one another, the better the outcome for all birthing families.

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Ariana Grande And Florence Pugh Got Into A Hilarious Exchange Over The “Midsommar” Flower Dress


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Jpegmafia Tries His Hand At Making A Slow Jam In His Half-Satirical ‘Bodyguard!’ Video

Jpegmafia is likely best-known for his assertive scream-rap style, so his latest new single may come as a shock to longtime fans. “Bodyguard!” which Jpeg released today along with a low-budget, self-shot video, finds the eccentric Baltimore rapper switching lanes to deliver his take on an R&B slow jam. Peggy croons through an voice-changing filter, delivering typical syrup-y R&B lines like ““Why you wanna hurt me, babe?” and “I know you want the world.”

The video itself riffs on the fish-eye lens, bare-chested-with-a-jacket-on style of videos that was popular in the genre at the turn of the millennium — maybe Peggy had tickets to Lover And Friends Fest before the coronavirus hit. The song is halfway between an earnest attempt at making a bedroom bop and a parody of one, which fits right in line with Jpeg’s usual, self-deprecating sense of humor — which he last showed off with his previous self-released videos for “Bald!” and “Covered In Money!

“Bodyguard!” isn’t the first time the quirky rapper gave autotune crooning a go. In March, he delivered an a cappella cover of Carly Rae Jepsen’s “Call Me Maybe.” He also showed off that self-deprecating sense of humor when his appearance on People’s Party With Talib Kweli included an unfortunate moment that he gamely played off later in the interview.

Watch Jpegmafia’s “Bodyguard!” video above.

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A New Jersey Benefit Livestream Featured Bruce Springsteen, SZA, And A Fountains Of Wayne Reunion

New Jersey has been tremendously impacted by the coronavirus pandemic: New York is the only state with more confirmed COVID-19 cases. In light of that, the New Jersey Pandemic Relief Fund was formed, and one of their first public efforts came to fruition last night: The “Jersey 4 Jersey” livestream benefit event was hosted last night, and it featured performances from some famous New Jersey natives.

Bruce Springsteen, perhaps the most famous Jersey hometown hero of the past half-century, was joined by his wife and E Street Band member Patti Scialfa for a performance of “Land Of Hope And Dreams,” as well as a cover of Tom Waits’ “Jersey Girl.”

Fountains Of Wayne also staged a reunion, with Sharon Van Etten taking the place of the recently deceased Adam Schlesinger for a performance of “Hackensack.”

The star-studded lineup also featured SZA, Halsey, and Charlie Puth.

Jon Bon Jovi recently spoke with Apple Music’s Zane Lowe about organizing the show and explained how he came to be involved, saying, “The governor is a local, he lives right near me here in Jersey. His wife had come to me and said, ‘We have to do something specific for New Jersey because it’s the second-hardest hit state in the nation, and a lot of small businesses and working people are wondering where that next paycheck’s coming from, because they’ve either been furloughed or laid off, and they’re not sure when they’ll get back to work.’ […] I was tasked with curating this show. The obvious and easiest first phone call was to the king of New Jersey, and he said yes. […] Bruce signed on quick.”

Check out highlights from the livestream above.

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Producer Mike Dean Looks Back On Working With 14-Year-Old Beyonce And Creating ‘Love Drought’ Years Later

Mike Dean is a true Houston legend. His creative energy has been deeply-rooted within the Dirty South culture since the early ’90s, as evidenced by his work with the Geto Boys and Scarface. While he is mostly known for his work with multi-platinum superstars Kanye West and Travis Scott, being from H-Town, he’s also worked with one the biggest entertainers on the planet, Beyonce.

During an Instagram live interview with Uproxx, Mr. Dean went off on the keys to Queen Bey’s “Love Drought,” one of the songs he produced on her surprise, Peabody Award-winning album Lemonade.

“I made that beat all by myself,” he revealed. “That beat didn’t change from the minute I created the beat. I just gave it to Beyonce… Ingrid [Burley] wrote it.”

Beyonce and Dean’s relationship goes far beyond Lemonade, though. Mike first met Bey back when she was just a teenager.

“I think the first time I met her she was like 14 and her dad brought her in when I was working with the Geto Boys,” he revealed. “She was too young to sing on some of the stuff back then. You know, for the subject matter we had it didn’t really work out. I met her again for the ‘Gangsta (Put Me Down)’ music video, another Geto Boys song that we did. I mean she’s great. She’s great to work with.”

As the world tries to adjust while on lockdown because of COVID-19, Mike got high and put together a compilation of the music he created while doing Instagram live sessions in his studio, aptly titled 4:20.

Each session features him jamming out on his guitar and doing his thing on the synths. He called it the most creative thing he’s ever done high and from just one listen, it certainly is a one-of-a-kind experience. If you were ever curious about the inner-workings of a musical mastermind, 4:20 is the perfect beat instrumental to massage your mind as you blow a few joints in the air.

Fans can expect an additional instrumental EP and another EP to follow with major collabs.

Check Mike Dean’s 4:20 EP below.

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A ‘Back To The Future’ Writer Settled A Long-Standing Fan Debate After Chris Pratt Got Involved

To pass the time, and because it’s more fun than arguing with someone’s aunt about politics on Facebook, #FivePerfectMovies has been a frequent hashtag on Twitter.

The concept is simple: name five movies you think are perfect. Or at least it should be, as everyone has a different definition of “perfect.” Some believe #FivePerfectMovies should be your five favorite films, while others, like Guardians of the Galaxy director James Gunn, describe a “perfect” film as “something that sings from start to finish with no obvious mistakes, whether they be aesthetic or structural. There are no logical lapses.” He used Back to the Future as an example: “Back to the Future SEEMINGLY could be imperfect (why don’t Mom and Dad remember Marty?), but I would still argue it’s a perfect film because there are reasons why this could conceivably be the case (time protects itself from unraveling, etc). Or maybe I’m in denial. Who knows.”

Chris Pratt thinks he knows:

The question of why Marty’s parents don’t remember him has been debated among viewers for decades, so the Hollywood Reporter asked Bob Gale, who co-wrote the script with Robert Zemeckis, to settle the dispute for good. It turns out, Pratt is right.

“Bear in mind that George and Lorraine only knew Marty/Calvin for six days when they were 17, and they did not even see him every one of those six days. So, many years later, they still might remember that interesting kid who got them together on their first date,” Gale explained, adding, “I would ask anyone to think back on their own high school days and ask themselves how well they remember a kid who might have been at their school for even a semester.” That’s one positive for being in quarantine: if you can’t leave the house, you can’t meet your future child, who you later forget.

Gotta look on the bright side, y’know?

(Via Hollywood Reporter)

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The New May Netflix Titles Are Here And There’s Seriously So Much Good Stuff


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Liam Payne Believes Zayn’s Forced ‘X-Factor’ Audition Foreshadowed His One Direction Departure

Liam Payne revealed recently that One Direction’s members have been talking a lot more lately as their tenth anniversary approaches. He neither confirmed nor denied a reunion, but if one happens, a big question is whether or not Zayn Malik, who left the group in 2015 and has stayed largely out of the public eye since then, would want to participate. Payne spoke about that in a recent interview, saying that fans shouldn’t assume Zayn would be on board.

Payne explained that Zayn much prefers making music to promoting it out in the world, saying, “Some people are made for this thing, but Zayn enjoys the side of the music where he just gets to make music. I don’t think he enjoys what comes with it. I think he has to be very careful where he treads. He likes to make songs and his songs do very well, but at the same time, he doesn’t really like to go out and perform the songs. He doesn’t really like going out and doing the press stuff that surrounds it in the crazy little world that we live in.”

He also revealed that Zayn’s mother actually made him audition for The X-Factor, the show that spawned One Direction. He believes this foreshadowed Zayn’s discontent with and eventual departure from the group:

“We always kind of knew that there were moments when One Direction was really Zayn and then there were moments when it really wasn’t. You have to imagine when you go into these talent shows you often are a teenager. The only thing you are in the show for is to impress someone around you. You actually don’t really know what you want from life.

I started at 14 and when I was that age I hadn’t got a bloody clue what I wanted to do. My parents found it exciting and they thought I was good so I thought I would try it out — but you don’t know what you want. I remember Zayn telling us the story that it was his mum [who] got him to go to the audition the day he didn’t want to go, and that was literally what we saw all the way through One Direction.”

Read the full interview here.

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Ricky Gervais Points Out ‘The Mistake’ People Make When They Hear His Celebrity-Bashing Jokes

During this year’s Golden Globes (yes, the Golden Globes where Succession won Best Drama happened this year, not 13 years ago, as it feels), host Ricky Gervais did his Ricky Gervais thing, roasting Leonardo DiCaprio for his dating history and spreading the conspiracy theory that Jeffrey Epstein didn’t kill himself. “I know he’s your friend,” he told the crowd of billionaires and millionaires, “but I don’t care.” He ended his monologue with a message: if you win an award, “don’t use it as a platform to make a political speech. You’re in no position to lecture the public about anything. You know nothing about the real world. Most of you spent less time in school than Greta Thunberg.”

It’s not that Gervais has anything “against anyone being a celebrity or being famous,” as he told the New York Times, he just thinks “that people are just a bit tired of being lectured to.” In that same interview to promote season two of his Netflix series After Life, the comedian was asked whether the ongoing coronavirus pandemic has soured people’s taste for celebrity culture, especially after that tone-deaf “Imagine” video:

“Now celebrities think: ‘The general public needs to see my face. They can’t get to the cinema — I need to do something.’ And it’s when you look into their eyes, you know that, even if they’re doing something good, they’re sort of thinking, ‘I could weep at what a good person I am.’ Oh dear.”

Gervais later explained “the mistake” people make when they hear his jokes. “They think that every joke is a window to the comedian’s soul — because I wrote it and performed it under my own name, that that’s really me,” he said. “And that’s just not true. I’ll flip a joke halfway through and change my stance to make the joke better. I’ll pretend to be right wing, left wing, whatever wing, no wing… I’ve got to be a court jester, but a court jester’s got to make sure that he doesn’t get executed as well.” It sounds like Ricky is pitching his next Netflix series, where he plays a court jester. It will run for eight seasons.

(Via New York Times)

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Nurses And Doctors Share The Effects Of Wearing Face Masks As They Continue Fighting On Coronavirus Front Lines


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